(written from a Production point of view)
|Date of birth:||28 March 1953|
|Place of birth:||New York City, New York|
|Awards for Trek:||2 Emmy nominations|
|Roles:||Makeup and Scenic Artist, Special and Visual effects staff, TNG and ENT performer, Star Trek author|
|Beside his MSD of the USS Enterprise-B|
Beginnings as fan
Born in New York City, Drexler was a first-generation Star Trek fan - although he was prohibited from watching television on school nights, Drexler managed to watch "This Side of Paradise", and subsequently to persuade his parents to allow him an hour's viewing a week, for Star Trek.
Drexler, along with Ron Barlow, ran a small Star Trek store in Manhattan, New York - "The Federation Trading Post" - during the mid-1970s.  Although failing initially, the store became more well-known after advertising during Original Series syndication, eventually becoming a focus for media contact about Star Trek. Drexler and Barlow were approached by Paradise Press to edit one of the first Star Trek magazines, the Star Trek Giant Poster Book.  It was through the store that Drexler met frequent collaborator Geoffrey Mandel, with whom he compiled one of the first technical reference works in Trek history: the USS Enterprise Officer's Manual, as well as Anthony Fredrickson, with whom he would author the Star Fleet Medical Reference Manual.
Drexler began working as a makeup artist in 1983 on the movie The Hunger, having been invited to do so by renowned makeup artist, Dick Smith. His other early work included Manhunter and Fatal Attraction.
After engaging in a long correspondence with Robert Justman and Michael Westmore during preproduction of Star Trek: The Next Generation, only to be unable to get a position on the series due to union rules, Drexler moved to Hollywood in 1990 to work on Dick Tracy (being made a member of the LA Union by Warren Beatty), for which he later won an Academy Award. Dick Tracy featured many Star Trek alumni in the cast: Colm Meaney, John Schuck, Ian Wolfe, Seymour Cassel, Hamilton Camp, Chuck Hicks, Mike Hagerty, Robert Costanzo, Ed McCready, Bert Remsen, Walker Edmiston and Michael J. Pollard.
Star Trek affiliation
Now able to work in California, Drexler approached Westmore to reapply for a position in the Next Generation make-up department. Westmore, incredulous at first that an Academy Award winner would want to work as a lesser paid makeup artist for a television show, hired him and Drexler's first assignment was putting on the Shakespeare makeup on Patrick Stewart for TNG: "The Defector". (The Official Star Trek: Deep Space Nine Magazine, issue 11, p. 53) Drexler worked as a make-up artist for three years, earning two Emmy nominations. Happy as Drexler was, working on Star Trek, he has professed that, "(...)the art department was calling to me and that's really where I wanted to be." He struck up a friendship with Michael Okuda, whom he admired, and kept in touch with him and his Scenic Art department, waiting for an opportunity to move over. That opportunity came when Star Trek: Deep Space Nine went into production and Okuda hired him, eventually becoming the lead scenic artist on the series. A grateful Drexler recalled, "Looking through the trade paper, Variety, I saw that Paramount had made up their minds and they were going to do Star Trek: Deep Space Nine. I got on the phone right away to Mike Okuda, who really stuck out his neck for me, and that's how it happened!" (The Official Star Trek: Deep Space Nine Magazine, issue 11, p. 54) After that series wrapped, Drexler moved over as a visual effects artist to Foundation Imaging, and worked on Star Trek: Voyager, the only time during his Star Trek years he was not employed by Paramount. He subsequently, back in the employ of Paramount, worked as Senior Illustrator on Star Trek: Enterprise, where he designed the Enterprise NX-01.
He was the co-author and illustrator of the Star Trek: Deep Space Nine Technical Manual, illustrator of the Star Trek Encyclopedia, and is a contributor and editor of the popular Ships of the Line calendars.
During his tenure as scenic artist on Deep Space Nine, Drexler taught himself the Adobe Illustrator software which served him well in providing the technical illustrations for the Manual and Encyclopedia. He went on to master the CGI LightWave 3D software as well, the build of the Breen warship for DS9: "Penumbra" being his first contribution in this format for the franchise. (Star Trek: The Magazine Volume 1, Issue 7, p. 50) His mastery of the software, aside for his regular work for televised Star Trek, also served him well, when he was asked by Pocket Books to provide (CGI) covers for several of their novels, most notably the covers of the Star Trek: Vanguard series. (Star Trek Magazine issue 162, pp. 82-84)
Post-Star Trek career
Drexler recently worked as Visual Effects CG Supervisor on Ronald D. Moore's Battlestar Galactica (two VFX Emmy wins), and its short lived prequel series, Caprica. Drexler acted as a technical consultant for the Remastered Original Series. Under the pseudonym "Max Rem" (occasionally also used in the Ships of the Line-calendars), Drexler also worked on the fan made internet series Star Trek: New Voyages (2004-2007). He worked as visual effects artist, executive producer, make-up artist, casting director, and editor on the series and wrote the story for the episode "In Harms Way".
Drexler is married to Enterprise food stylist Dorothy Duder.
Drexler has made two cameo appearances as a Starfleet officer. Upon starting work on Star Trek, he asked if he could appear as a background artist, in uniform, at some point. His wish was granted in the third season episode "Transfigurations", where he appeared as a command division Enterprise-D officer in several scenes set in Ten Forward. He also appeared in "These Are the Voyages..." as an Earth Starfleet ceremony attendee.
Star Trek credits
(This list is currently incomplete.)
- "The Defector" - Makeup Artist (uncredited, Season 3)
- "A Matter of Perspective" - Makeup Artist (uncredited)
- "Allegiance" - Special Effects Makeup Artist (uncredited)
- "Unification II" - Makeup Artist (uncredited, Season 5)
- "Violations" - Makeup Artist (uncredited)
- "Conundrum" - Makeup Artist (uncredited)
- "Power Play" - Makeup Artist (uncredited)
- "The Inner Light" - Special Effects Makeup Artist (uncredited)
- "Time's Arrow" - Makeup Artist (uncredited)
Emmy Award nominations
- 1990 Emmy Award nomination as for the episode "Allegiance" in the category Outstanding Achievement in Makeup for a Series, shared with Michael Westmore, Gerald Quist, June Westmore, Hank Edds, John Caglione, Jr., and Ron Walters
- 1993 Emmy Award nomination as for the episode "The Inner Light" in the category Outstanding Achievement in Makeup for a Series, shared with Michael Westmore, Gerald Quist, June Abston Haymore, Karen Westerfield, and Jill Rockow
Star Trek interviews
- DS9 Season 5 DVD special feature "A new Enterprise", interviewed on 7 November 2002
- ENT Season 4 DVD special feature "Inside the "Mirror" Episodes"
- Star Trek Giant Poster Book magazine series, 1976 – Author/Editor
- This Tree Bears Bitter Fruit, 1977 – Story Consultant
- Sweet Smell of Evil, 1977 – Co-author
- Star Fleet Medical Reference Manual, 1977 – Co-illustrator
- USS Enterprise Officer's Manual, 1980 – Illustrator
- Star Trek Encyclopedia, 2nd ed., 1997 & 3rd ed, 1999 – Illustrator
- Star Trek: Deep Space Nine Technical Manual, 1998 – Co-author/Illustrator
- Star Trek Sticker Book, 1999 – Illustrator
- Star Trek: Ships of the Line calendar series, from the 2004 issue onward – Co-Illustrator/Editor
- Star Trek: Vanguard novel series, 2005 – Cover Illustrator
- Ships of the Line (book), 2006 – Co-Illustrator/Co-Editor
- "Doug Drexler: Scenic Artist", David Hirsch, The Official Star Trek: Deep Space Nine Magazine, issue 11, March 1995, pp. 50-56
- "Doug Drexler", Star Trek: The Magazine Volume 1, Issue 21, January 2001, pp. 68-73
- "Doug Drexler (Part 2)", Star Trek: The Magazine Volume 1, Issue 22, February 2001, pp. 82-89
- "Behind the Scenes: Designing the Ti'Mur", Star Trek: The Magazine Volume 3, Issue 3, July 2002, pp. 20-24