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== Summary ==
 
== Summary ==
 
===Teaser===
 
===Teaser===
[[Spock]] and [[Doctor|Dr.]] [[Leonard McCoy|McCoy]] are walking through the [[corridor]]s of the {{USS|Enterprise|NCC-1701}}, where they encounter [[Crewman]] [[Norman]]. McCoy mentions that Norman is odd and unemotional; for some reason, Spock hasn't noticed. Norman makes his way into [[Auxiliary Control Center|auxiliary control]], where he knocks out the crewman on duty and activates the override.
+
[[Spock]] and [[Doctor|Dr.]] [[Leonard McCoy|McCoy]] are walking through the [[corridor]]s of the {{USS|Enterprise|NCC-1701}}, where they encounter [[Crewman]] [[Norman]]. McCoy mentions that Norman is odd and unemotional; for some reason, Spock hasn't noticed. Norman makes his way into [[Auxiliary Control Center|auxiliary control]], where he knocks out [[Jordan]], the crewman on duty and activates the override.
   
 
[[File:Norman lurks outside auxiliary control.jpg|thumb|[[Norman]] lurks outside [[Auxiliary Control Center|auxiliary control]]]]
 
[[File:Norman lurks outside auxiliary control.jpg|thumb|[[Norman]] lurks outside [[Auxiliary Control Center|auxiliary control]]]]
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===Act One===
 
===Act One===
 
[[File:Overload.jpg|thumb|left|Norman's handiwork]]
 
[[File:Overload.jpg|thumb|left|Norman's handiwork]]
Norman announces that he's locked the controls and that they will arrive at their destination in four days. He then promptly shuts down in front of the [[turbolift]].
+
Norman announces that he's locked the controls and that they will arrive at their destination in four solar days. He then promptly shuts down in front of the bridge's [[turbolift]].
   
 
:"''Captain's log, stardate 4513.3. After having been taken over by an android, the ''Enterprise'' has been underway at warp 7 for four days. Now, we are entering orbit around a planet which has never been charted.''"
 
:"''Captain's log, stardate 4513.3. After having been taken over by an android, the ''Enterprise'' has been underway at warp 7 for four days. Now, we are entering orbit around a planet which has never been charted.''"
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Harry Mudd is surrounded by androids, who for the most part are a slew of beauties – 500 in the [[Alice series|Alice]] class alone. He implies that these androids can provide for him anything he wants.
 
Harry Mudd is surrounded by androids, who for the most part are a slew of beauties – 500 in the [[Alice series|Alice]] class alone. He implies that these androids can provide for him anything he wants.
   
Mudd goes on to explain his presence on the planet and tells them that he had been sent to prison by Kirk and company after his last appearance. After his escape, he had been employing himself by illegally reselling patents. He was caught and sentenced to death on [[Deneb V]]; fortunately for him he was able to steal a ship and get away. After drifting aimlessly for a while, he found himself on his planet.
+
Mudd goes on to explain his presence on the planet and tells them that he had been sent to prison by Kirk and company after [[Mudd's Women (episode)|his last appearance]]. After his escape, he had been employing himself by illegally reselling patents. He was caught and sentenced to death on [[Deneb V]]; fortunately for him he was able to steal a ship and get away. After drifting aimlessly for a while, he found himself on his planet.
   
 
The problem is, of course, that he has gotten bored, and the androids won't let him go. Kirk and his crewmates are there because he told the androids to go and get a starship, so the crew could stay and he could leave.
 
The problem is, of course, that he has gotten bored, and the androids won't let him go. Kirk and his crewmates are there because he told the androids to go and get a starship, so the crew could stay and he could leave.
   
Mudd then demonstrates an android replica of his shrewish wife [[Stella Mudd|Stella]]; he amuses himself by telling her to shut up whenever he likes.
+
Mudd then demonstrates an android replica of his shrewish wife [[Stella Mudd|Stella]]; he amuses himself by telling her to shut up whenever he likes, thereby finally getting the last word with his wife.
   
The androids bring them to a recreation area, where they reveal that they were made by a [[humanoid]] race from the [[Andromeda Galaxy]] (presumably not the [[Kelvan Empire]]). Their home planet's sun went [[nova (star)|nova]] and only a few exploratory [[outpost]]s survived. After the androids leave the room Spock, surmises that the number of androids and their interactions are such that they cannot operate independently, and there should logically be a central control system which guides the entire android population.
+
The androids bring them to a recreation area, where they reveal that they were made by a [[humanoid]] race from the [[Andromeda Galaxy]] (presumably not the [[Kelvan Empire]]). Their home planet's sun went [[nova (star)|nova]] and only a few exploratory [[outpost]]s survived. After the androids leave the room Spock, surmises that the number of androids and their interactions are such that they cannot operate independently, and there should [[logic]]ally be a central control system which guides the entire android population.
 
[[File:Barbara series.jpg|thumb|left|The "[[Barbara series]]" of robots]]
 
[[File:Barbara series.jpg|thumb|left|The "[[Barbara series]]" of robots]]
 
Spock finds what appears to be a central control room. Norman is there, but will not tell Spock much about the controls; he is "not programmed to respond in this area".
 
Spock finds what appears to be a central control room. Norman is there, but will not tell Spock much about the controls; he is "not programmed to respond in this area".
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Kirk and his crewmates are planning to escape – Uhura and Chekov seem to be enjoying it there, but Kirk snaps them out of it. An Alice comes in and promises anything to make them happy, and Kirk says he can't be happy without their ship. Alice doesn't respond to this very well; she asks Norman (who is not present) to coordinate, and promptly leaves.
 
Kirk and his crewmates are planning to escape – Uhura and Chekov seem to be enjoying it there, but Kirk snaps them out of it. An Alice comes in and promises anything to make them happy, and Kirk says he can't be happy without their ship. Alice doesn't respond to this very well; she asks Norman (who is not present) to coordinate, and promptly leaves.
 
[[File:imaginarydance.jpg|thumb|left|Imagination trumps logic]]
 
[[File:imaginarydance.jpg|thumb|left|Imagination trumps logic]]
Mudd is saying goodbye to the androids when Kirk comes in to have a chat with him. To no one's surprise but Mudd's, the androids won't let him leave. The androids then reveal their plan: to "serve" Humans until they will become completely dependent upon the androids. "''Their aggressive and acquisitive instincts will be under our control. We shall... take care of them.''"
+
Mudd is saying goodbye to the androids when Kirk comes in to have a chat with him. To no one's surprise but Mudd's, the androids won't let him leave. The androids then reveal their plan: to "serve" Humans until they will become completely dependent upon the androids. "''Their aggressive and acquisitive instincts will be under our control. We shall... take care of them.''"
   
 
===Act Four===
 
===Act Four===
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When this seems to work, they decide to take down Norman. After a series of over the top speeches, android imitations and pantomimed deaths and explosions, a recitation of the Liar's Paradox ("''Everything I say is a lie. I am lying.''" Am I a liar or not?) finally incapacitates Norman and, with him, the remainder of the androids.
 
When this seems to work, they decide to take down Norman. After a series of over the top speeches, android imitations and pantomimed deaths and explosions, a recitation of the Liar's Paradox ("''Everything I say is a lie. I am lying.''" Am I a liar or not?) finally incapacitates Norman and, with him, the remainder of the androids.
   
Mudd is left on the planet for an indeterminate amount of time under a type of "parole". He is quite happy with his sentence – the androids can provide him with as much of whatever he wants as he likes – until he learns that he has to share the planet with at least three and possibly up to 500 copies of his wife. Furthermore, he has no control over them and they are programmed to harangue and annoy him as much as possible.
+
Mudd is left on the planet for an indeterminate amount of time under a type of "parole" as an example to the androids of a human failure. He is quite happy with his sentence – the androids can provide him with as much of whatever he wants as he likes – until he learns that he has to share the planet with at least three and possibly up to ''500 ''copies of his wife. Furthermore, he has ''no '' control over them and they are programmed to harangue and annoy him as much as possible.
   
 
== Memorable Quotes ==
 
== Memorable Quotes ==
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  +
"''Harry Mudd, you're a liar and an outlaw and in deep trouble!''"
"''She urged me on into outer space. Not that she meant to, but with her continual, eternal, confounded nagging... Well, I think of her constantly. And every time I do, I go further out into space.''"
 
  +
: - '''Kirk''', upon meeting Mudd [[Mudd's Women (episode)|again]]
  +
  +
 
"''She urged me on into outer space. Not that she meant to, but with her continual, eternal, confounded ''nagging''... Well, I think of her constantly. And every time I do, I go further out into space.''"
 
: - '''Mudd''', on his wife Stella
 
: - '''Mudd''', on his wife Stella
   
   
 
"''Harcourt Fenton Mudd, where have you been? What have you been up to? Have you been drinking again, you miserable sot! You good-for-nothing thing!''"
 
"''Harcourt Fenton Mudd, where have you been? What have you been up to? Have you been drinking again, you miserable sot! You good-for-nothing thing!''"
: - Stella Mudd
+
: - '''Stella Mudd'''
   
   
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== Background Information ==
 
== Background Information ==
===Story and production===
+
===Story and Production===
  +
* Possible inspirations for the title include:
* The title is a possible reference to ''I, Robot'', Isaac Asimov's 1950 android-themed short story collection, ''I, Claudius'', a 1934 novel by Robert Graves about the life of the Roman Emperor Claudius, or lines from Kurt Vonnegut's 1963 novel ''Cat's Cradle'', which detail the creation myth of Bokononism: “I, mud, sat up and saw what a nice job God had done.”
 
  +
** ''I, Robot'', Isaac Asimov's 1950 android-themed short story collection, the title of which was itself inspired by...
  +
** "I, Robot", Eando Binder's 1939 short story with an android hero, which had been adapted for TV in 1964 with Leonard Nimoy in a supporting role.
  +
** ''I, Claudius'', a 1934 novel by Robert Graves about the life of the Roman Emperor Claudius (the 1976 BBC production of which featured [[Patrick Stewart]]). Like Mudd "The First" in this episode, the subject of ''I, Claudius'' is also a despotic ruler who views himself in a more flattering light.
  +
** Lines from Kurt Vonnegut's 1963 novel ''Cat's Cradle'', which detail the creation myth of Bokononism: "I, mud, sat up and saw what a nice job God had done."{{incite}}
 
* The first draft of the script devoted more attention to Norman's act of diverting the ''Enterprise'' to Mudd, with the crew only arriving at the end of the second act. {{st.com|trek-writer-david-gerrold-looks-back-part-1||article}} After an examination revealed Norman as an android, Scotty expressed an urge to take Norman apart – quickly adding that it was "nothing personal." Norman understood. (''[[The Star Trek Compendium]]'')
 
* The first draft of the script devoted more attention to Norman's act of diverting the ''Enterprise'' to Mudd, with the crew only arriving at the end of the second act. {{st.com|trek-writer-david-gerrold-looks-back-part-1||article}} After an examination revealed Norman as an android, Scotty expressed an urge to take Norman apart – quickly adding that it was "nothing personal." Norman understood. (''[[The Star Trek Compendium]]'')
 
* [[David Gerrold]] did an uncredited rewrite on this episode. One of the significant changes he made, at [[Gene Coon]]'s request, was to get the crew on to the planet by the end of the first act. Other notable contributions were the gag of the five hundred identical female robots, and more material relating to Stella. Coon offered to submit the script for arbitration so that Gerrold would receive credit and residuals. However, Gerrold declined as he felt it would be stealing from [[Stephen Kandel]], who had created Harry Mudd. {{st.com|trek-writer-david-gerrold-looks-back-part-1||article}}
 
* [[David Gerrold]] did an uncredited rewrite on this episode. One of the significant changes he made, at [[Gene Coon]]'s request, was to get the crew on to the planet by the end of the first act. Other notable contributions were the gag of the five hundred identical female robots, and more material relating to Stella. Coon offered to submit the script for arbitration so that Gerrold would receive credit and residuals. However, Gerrold declined as he felt it would be stealing from [[Stephen Kandel]], who had created Harry Mudd. {{st.com|trek-writer-david-gerrold-looks-back-part-1||article}}
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===Filming===
 
===Filming===
 
[[File:Alice series.jpg|thumb|Twins and their false doubles]]
 
[[File:Alice series.jpg|thumb|Twins and their false doubles]]
* Using identical twins for each android "series" aided the photographic-effects budget for the episode. With imaginative use of twins and split screens, as many as six of one model were shown at once, while two of the same model required nothing but an additional costume. This ultimately gave the illusion of a planet of thousands of androids. (''[[The Star Trek Compendium]]'')
+
* Using identical twins for each android "series" aided the photographic-effects budget for the episode. With imaginative use of twins and split screens, as many as six of one model were shown at once, while two of the same model required nothing but an additional costume. This ultimately gave the illusion of a planet of thousands of androids. (''[[The Star Trek Compendium]]'')
 
* While searching for identical twins to play androids, casting director [[Joseph D'Agosta]] found two young girls (apparently prostitutes) walking on Hollywood Boulevard with their pet wild cat. He brought the two girls to meet producer [[Gene L. Coon]] and associate producer [[Robert H. Justman]]. While they inspected the girls, Coon had to hold the wild cat (named Marlon), which consequently scratched him with its claws and tore his entire shirt. The girls were deemed unsuitable for the role.[http://www.youtube.com/watch?v=Hu6y4vARGq0] (''[[Inside Star Trek: The Real Story]]'', pp 332-333)
 
* While searching for identical twins to play androids, casting director [[Joseph D'Agosta]] found two young girls (apparently prostitutes) walking on Hollywood Boulevard with their pet wild cat. He brought the two girls to meet producer [[Gene L. Coon]] and associate producer [[Robert H. Justman]]. While they inspected the girls, Coon had to hold the wild cat (named Marlon), which consequently scratched him with its claws and tore his entire shirt. The girls were deemed unsuitable for the role.[http://www.youtube.com/watch?v=Hu6y4vARGq0] (''[[Inside Star Trek: The Real Story]]'', pp 332-333)
* "I, Mudd" featured one of the few hand-held camera shots in the series, as the crew dances to the imaginary music. One of the blooper reels offered a behind-the-scenes look at the filming of this sequence.
+
* One of the blooper reels offered a behind-the-scenes look at the filming of the sequence where the crew dances to the imaginary music. The blooper reel clip featured actual music, specifically the theme to the Desilu/Paramount series "Mannix".
* The [[TOS Season 2]] blooper reel contained a scene from this episode where Kirk grabs Mudd by the lapel as Mudd declares his control of the ''Enterprise''. In the blooper scene, William Shatner reaches up and grabs Roger C. Carmel's mustache and as Carmel laughs, Shatner turns and grins at the camera.
+
* The [[TOS Season 2]] blooper reel contains a blown scene from this episode in which Harry declares his androids have taken control of the ''Enterprise''. In the aired scene, William Shatner grabs Roger C. Carmel by his tunic, as if ready to throttle him. In the blooper, Shatner reaches up and grabs Carmel's mustache and as Carmel laughs, apparently surrendering with arms raised, Shatner turns and grins at the camera, his eyebrows waggling.
   
 
===Music===
 
===Music===
 
* This episode, which used string-and-brass melodies to capture both the humor of the situations and Kirk's serious intent, was composer [[Samuel Matlovsky]]'s only ''Star Trek'' assignment. (''[[The Star Trek Compendium]]'')
 
* This episode, which used string-and-brass melodies to capture both the humor of the situations and Kirk's serious intent, was composer [[Samuel Matlovsky]]'s only ''Star Trek'' assignment. (''[[The Star Trek Compendium]]'')
* Besides Matlovsky's cues, the episode also used recycled music from various episodes by [[Fred Steiner]] and [[Gerald Fried]] (most notably {{e|Catspaw}}). A short segment from [[George Duning]]'s score for {{e|Metamorphosis}} can also be heard when Chekov laments on Mudd's planet being "better than [[Leningrad]]".
+
* Besides Matlovsky's cues, the episode also used recycled music from various episodes by [[Fred Steiner]], [[Gerald Fried]] (most notably {{e|Catspaw}}) and [[Sol Kaplan]] (excerpt from "[[The Doomsday Machine]]" score during the scene where Uhura "spoils" the "plot" to get back on board). A short segment from [[George Duning]]'s score for {{e|Metamorphosis}} can also be heard when Chekov laments on Mudd's planet being "better than [[Leningrad]]".
   
===Props===
+
===Props and costumes===
 
[[File:Nanopulse laser device.jpg|thumb|Norman's advanced nanopulse laser device]]
 
[[File:Nanopulse laser device.jpg|thumb|Norman's advanced nanopulse laser device]]
* The piece of equipment found in Norman's lab and workshop would be recycled for future episode, appearing in the corridors of the ''Enterprise''. Parts of the device that contained the [[nanopulse laser]] were later seen in Dr. McCoy's lab.
+
* The piece of equipment found in Norman's lab and workshop would be recycled for future episode, appearing in the corridors of the ''Enterprise''. Parts of the device that contained the [[nanopulse laser]] were later seen in Dr. McCoy's lab.
  +
* A large number of costumes are reused from previous installments. The [[Annabelle series]] android is wearing the costume originally worn by [[Marlys Burdette]] in {{e|Wolf in the Fold}} (it's possible the performer playing the part is actually Burdette herself). The [[Trudy series]] is wearing a costume worn by another [[Argelian]] woman in the same episode. The [[Maisie series]] and the [[Barbara series]] androids are wearing costumes left over from {{e|Mudd's Women}}, worn by [[Karen Steele]] and [[Maggie Thrett]] respectively. [[Stella Mudd]] is wearing a dress (with slight modifications), which was seen on [[Martha Leighton]] ([[Natalie Norwick]]) in {{e|The Conscience of the King}}.
  +
* The body suits worn by the male androids were later reused on [[Bele]] and [[Lokai]] in {{e|Let That Be Your Last Battlefield}}.
   
 
===Cast===
 
===Cast===
* This episode marks George Takei's [[Main character non-appearances|last appearance]] in the series until {{e|Return to Tomorrow}}. During his fourteen episode absence, Takei was on the East Coast filming ''{{w|The Green Berets (film)|The Green Berets}}''.
+
* This episode marks George Takei's [[Main character non-appearances|last appearance]] in the series until {{e|Return to Tomorrow}}. During his nine episode absence, Takei was on the East Coast filming ''{{w|The Green Berets (film)|The Green Berets}}''.
  +
* With the exception of those actors who played members of the ''Enterprise'' crew, Roger C. Carmel was the only actor to play the same character in more than one episode of the series.
* Shatner had put on quite a bit of weight by the filming of this episode. Just as some of the production team were about to put unflattering profile photos in his mail, he increased his workout schedule and began to trim down.
 
   
 
===Continuity===
 
===Continuity===
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===Reception===
 
===Reception===
* According to [[Walter Koenig]], [[NBC]] considered making a spin-off series detailing the comical adventures of [[Harry Mudd]] after the success of this episode. They assigned [[Gene Roddenberry]] to develop the idea, but being busy with ''Star Trek'' and other projects, he didn't have time for it, and the series was never concieved.[http://www.youtube.com/watch?v=DHDGBrkA_Fg&feature=watch_response]
+
* According to [[Walter Koenig]], [[NBC]] considered making a spin-off series detailing the comical adventures of [[Harry Mudd]] after the success of this episode. They assigned [[Gene Roddenberry]] to develop the idea, but being busy with ''Star Trek'' and other projects, he didn't have time for it, and the series was never conceived.[http://www.youtube.com/watch?v=DHDGBrkA_Fg&feature=watch_response] However, Mudd appears in the cartoon version of Star Trek up to his usual tricks.
   
 
===Remastered information===
 
===Remastered information===
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=== Production timeline ===
 
=== Production timeline ===
  +
* ''[[Star Trek is...]]'' series proposal by [[Gene Roddenberry]]: {{d|11|March|1964}} - mentions story idea "Reason"
* Story outline: {{d|23|March|1967}}
 
* Story outline by [[Stephen Kandel]]: {{d|20|April|1967}}
+
* Story concept "I, Mudd" by Roddenberry and [[Gene L. Coon]]: {{d|5|December|1966}}
* First draft script: {{d|23|May|1967}}
+
* Story outline by [[Stephen Kandel]]: {{d|23|March|1967}}
* Teleplay: {{d|25|June|1967}}
+
* Revised story outline: {{d|20|April|1967}}
* Revised final draft teleplay: {{d|4|August|1967}}
+
* First draft teleplay: {{d|31|May|1967}}
  +
* Second draft teleplay: {{d|25|June|1967}}
* [[David Gerrold]] did an uncredited rewrite of this episode.
 
  +
* Revised draft by Roddenberry: {{d|21|July|1967}}
* Filmed in mid-[[August 1967]].
 
  +
* Final draft teleplay by [[David Gerrold]]: late-{{m|July|1967}}
  +
* Revised final draft by [[D.C. Fontana]]: {{d|4|August|1967}}
  +
* Additional page revisions by Coon: {{d|7|August|1967}}, {{d|8|August|1967}}
  +
* Filmed: {{d|14|August|1967}} - {{d|21|August|1967}}
 
* Score recording: {{d|22|September|1967}}.
 
* Score recording: {{d|22|September|1967}}.
* Original airdate, {{d|3|November|1967}}
+
* Original airdate: {{d|3|November|1967}}
* Rerun airdate, {{d|5|April|1968}}
+
* Rerun airdate: {{d|5|April|1968}}
 
* First UK airdate: {{d|27|July|1970}}
 
* First UK airdate: {{d|27|July|1970}}
   
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=== Uncredited co-stars ===
 
=== Uncredited co-stars ===
* [[Bobby Bass]] as an [[Unnamed USS Enterprise (NCC-1701) personnel#engineer|engineer]]
+
* [[Bobby Bass]] as [[Unnamed USS Enterprise (NCC-1701) personnel#engineer|engineer]]
* [[William Blackburn]] as one of Mudd's androids
+
* [[William Blackburn]] as Mudd android
 
* [[Roger Holloway]] as [[Roger Lemli]]
 
* [[Roger Holloway]] as [[Roger Lemli]]
* [[Tom LeGarde|Tom]] and [[Ted LeGarde]] as the [[Herman series]]
+
* [[Ted LeGarde]] as [[Herman series]]
* [[Jeannie Malone]] as [[Unnamed USS Enterprise (NCC-1701) personnel|Yeoman]]
+
* [[Tom LeGarde]] as [[Herman series]]
* [[Bob Orrison]] as an [[Unnamed USS Enterprise (NCC-1701) personnel#Engineer|engineer]]
+
* [[Jeannie Malone]] as [[Unnamed USS Enterprise (NCC-1701) personnel|yeoman]]
  +
* [[Bob Orrison]] as [[Unnamed USS Enterprise (NCC-1701) operations personnel#Engineering technician #9|engineer]]
* [[Colleen Thornton|Colleen]] and [[Morreen Thornton]] as the [[Barbara series]]
 
* [[Tamara Wilson|Tamara]] and [[Starr Wilson]] as the [[Maisie series]]
+
* [[Colleen Thornton]] as [[Barbara series]]
* [[Unknown performer]]s as:
+
* [[Morreen Thornton]] as [[Barbara series]]
** the [[Annabelle series]]
+
* [[Starr Wilson]] as [[Maisie series]]
** the [[Oscar series]]
+
* [[Tamara Wilson]] as [[Maisie series]]
** the [[Trudy series]]
+
* [[Unknown performer]]s as
  +
** [[Annabelle series]]
  +
** [[Oscar series]]
  +
** [[Trudy series]]
   
 
=== Stunt double ===
 
=== Stunt double ===
* [[Loren Janes]] as Richard Tatro's [[stunt double]]
+
* [[Loren Janes]] as [[stunt double]] for [[Richard Tatro]]
   
 
=== References ===
 
=== References ===
[[alloy]]; ''[[Alice in Wonderland]]''; [[Amanda Grayson|Amanda]]; [[android]]; [[Andromeda Galaxy]]; [[antiseptic]]; [[Auxiliary Control]]; [[baseball]]; [[beryllium]]; [[central control complex]]; [[cogwheel]]; [[communications officer]]; [[death penalty]]; [[Deneb V]]; [[Denebian]]s; [[Denebian patrol ship]]; [[Denebian spaceship]]; [[detonator]]; [[directional master controls]]; [[emergency manual monitor]]; [[explosive]]; [[fraud]]; [[free-enterprise system]]; [[fuel synthesizer]]; [[fuse]]; [[Gargantua]]; [[golf]]; [[glowing badge]]; [[hive mind]]; [[Human being]]; [[induced self-destruction]]; [[Intellectual property]]; [[Class K planet|K type]]; [[Kulak]]; [[Leningrad]]; [[life support system]]s; [[logic]]; [[lord]]; [[main navigational bank]]; [[Makers]]; [[mashie]]; [[matter-antimatter pod]]; [[medi-robot]]; [[medical officer]]; [[microvision]]; [[Mudd]]; [[music]]; [[nanopulse laser]]; [[navigator]]; [[patent]]; [[pressure dome]]; [[physical exam]]; [[primer]]; [[Rigel XII|Rigel mining planet]]; [[robot]]; [[royalties]]; [[science officer]]; [[self-renewing plastic]]; [[solar day]]; [[Starfleet]]; [[titanium]]; [[trigger relay]]/[[trigger mechanism]]; [[Vulcan]]; [[Vulcan nerve pinch]]
+
[[alloy]]; ''[[Alice in Wonderland]]''; [[Amanda Grayson|Amanda]]; [[android]]; [[Andromeda Galaxy]]; [[antiseptic]]; [[Auxiliary Control]]; [[baseball]]; [[beryllium]]; "[[Bones]]"; [[central control complex]]; [[cogwheel]]; [[communications officer]]; [[death penalty]]; [[Deneb V]]; [[Denebian]]s; [[Denebian patrol ship]]; [[Denebian spaceship]]; [[detonator]]; [[directional master controls]]; [[emergency manual monitor]]; [[explosive]]; [[fraud]]; [[free-enterprise system]]; [[fuel synthesizer]]; [[fuse]]; [[Gargantua]]; [[golf]]; [[glowing badge]]; [[Amanda Grayson|Grayson, Amanda]]; [[hive mind]]; [[Human being]]; [[induced self-destruction]]; [[Intellectual property]]; [[Class K planet|K type]]; [[Kulak]]; [[Leningrad]]; [[lie]]; [[life support system]]s; [[logic]]; [[lord]]; [[main navigational bank]]; [[Makers]]; [[mashie]]; [[matter-antimatter pod]]; [[medi-robot]]; [[medical officer]]; [[microvision]]; [[Milky Way Galaxy]]; [[Mudd]]; [[music]]; [[nanopulse laser]]; [[navigator]]; [[patent]]; [[pressure dome]]; [[physical exam]]; [[primer]]; [[Rigel XII|Rigel mining planet]]; [[robot]]; [[royalties]]; [[science officer]]; [[self-renewing plastic]]; [[solar day]]; [[Starfleet]]; [[titanium]]; [[toad]]; [[trigger relay]]/[[trigger mechanism]]; [[Vulcan]]; [[Vulcan nerve pinch]]
   
=== External link ===
+
=== External links ===
* {{NCwiki|I, Mudd}}
+
* {{Startrek.com|i-mudd|"I, Mudd"}}
  +
* {{mbeta|I, Mudd|"I, Mudd"}}
  +
* {{wikipedia-quote|I, Mudd}}
  +
* {{ml|i-mudd|"I, Mudd"|external}}
   
 
{{TOS nav|season=2|last={{e|The Deadly Years}}|next={{e|The Trouble with Tribbles}}|lastair={{e|Catspaw}}|nextair={{e|Metamorphosis}}|lastair_remastered={{e|The City on the Edge of Forever}}|nextair_remastered={{e|Arena}}}}
 
{{TOS nav|season=2|last={{e|The Deadly Years}}|next={{e|The Trouble with Tribbles}}|lastair={{e|Catspaw}}|nextair={{e|Metamorphosis}}|lastair_remastered={{e|The City on the Edge of Forever}}|nextair_remastered={{e|Arena}}}}
 
 
   
 
[[de:Der dressierte Herrscher]]
 
[[de:Der dressierte Herrscher]]
 
[[es:I, Mudd]]
 
[[es:I, Mudd]]
[[fr:I, Mudd]]
+
[[fr:I, Mudd (épisode)]]
 
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[[it:Io, Mudd (episodio)]]
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Revision as of 18:26, 4 July 2015

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Harry Mudd, now ruler of a planet of androids, captures the Enterprise and attempts to imprison Kirk for revenge.

Summary

Teaser

Spock and Dr. McCoy are walking through the corridors of the USS Enterprise, where they encounter Crewman Norman. McCoy mentions that Norman is odd and unemotional; for some reason, Spock hasn't noticed. Norman makes his way into auxiliary control, where he knocks out Jordan, the crewman on duty and activates the override.

Norman lurks outside auxiliary control

Norman lurks outside auxiliary control

On the bridge, Sulu reports a course change whereupon Captain Kirk sends security to auxiliary control, but to no avail. Sulu tries to override the course change, but fails.

Norman then breaks into the emergency manual monitor and engineering section, knocks out much of the engineering crew, and jams the controls. Norman gets to the bridge and announces he is in control – any attempt to alter course will destroy the ship. He then opens up a panel in his abdominal region, revealing himself to be an android.

Act One

Overload

Norman's handiwork

Norman announces that he's locked the controls and that they will arrive at their destination in four solar days. He then promptly shuts down in front of the bridge's turbolift.

"Captain's log, stardate 4513.3. After having been taken over by an android, the Enterprise has been underway at warp 7 for four days. Now, we are entering orbit around a planet which has never been charted."

Four days later, the Enterprise enters orbit around an uncharted planet. Norman wakes up and announces that Kirk, Spock, McCoy, Uhura and Chekov must beam down, or he will destroy the engines.

Mudd the First

King Mudd the First

The planet is Class K, which means that it can be adapted for life with the help of a large amount of machinery. They are ushered into the presence of Harry Mudd, who declares that here he is Emperor: Mudd the First. He declares that Kirk must stay for the rest of his life on the planet, now also named Mudd.

Act Two

Harry Mudd is surrounded by androids, who for the most part are a slew of beauties – 500 in the Alice class alone. He implies that these androids can provide for him anything he wants.

Mudd goes on to explain his presence on the planet and tells them that he had been sent to prison by Kirk and company after his last appearance. After his escape, he had been employing himself by illegally reselling patents. He was caught and sentenced to death on Deneb V; fortunately for him he was able to steal a ship and get away. After drifting aimlessly for a while, he found himself on his planet.

The problem is, of course, that he has gotten bored, and the androids won't let him go. Kirk and his crewmates are there because he told the androids to go and get a starship, so the crew could stay and he could leave.

Mudd then demonstrates an android replica of his shrewish wife Stella; he amuses himself by telling her to shut up whenever he likes, thereby finally getting the last word with his wife.

The androids bring them to a recreation area, where they reveal that they were made by a humanoid race from the Andromeda Galaxy (presumably not the Kelvan Empire). Their home planet's sun went nova and only a few exploratory outposts survived. After the androids leave the room Spock, surmises that the number of androids and their interactions are such that they cannot operate independently, and there should logically be a central control system which guides the entire android population.

Barbara series

The "Barbara series" of robots

Spock finds what appears to be a central control room. Norman is there, but will not tell Spock much about the controls; he is "not programmed to respond in this area".

Kirk, Uhura and Chekov are being shown the Barbara series of robots. Uhura asks how long they last; the answer comes back – 500,000 yrs. Plus, they can put a Human brain in the android. Uhura seems to respond well to this idea.

Back in the recreation room, Scott joins the crew, the last of the crew to be brought down. Androids are now running the ship.

Act Three

Because the androids can provide whatever the crew wants, Kirk is worried his crew will be tempted. Chekov, for example, is being serviced by two Alice androids, and seems to be enjoying it a great deal. Scott, on the other hand, is quite interested in their engineering facilities.

Leonard McCoy hypos Harry Mudd

Mudd gets knocked out

Kirk and his crewmates are planning to escape – Uhura and Chekov seem to be enjoying it there, but Kirk snaps them out of it. An Alice comes in and promises anything to make them happy, and Kirk says he can't be happy without their ship. Alice doesn't respond to this very well; she asks Norman (who is not present) to coordinate, and promptly leaves.

File:Imaginarydance.jpg

Imagination trumps logic

Mudd is saying goodbye to the androids when Kirk comes in to have a chat with him. To no one's surprise but Mudd's, the androids won't let him leave. The androids then reveal their plan: to "serve" Humans until they will become completely dependent upon the androids. "Their aggressive and acquisitive instincts will be under our control. We shall... take care of them."

Act Four

Spock figures out that Norman coordinates the androids, for two reasons: first, there is only one Norman, but many of the others, and second, when Alice was confused earlier, she asked Norman to coordinate. They decide to target Norman with insane logic in an attempt to overload the central control.

They decide to provide an escape attempt, because the androids will be expecting one. They knock Mudd out – over his vehement protests – and then tell the androids he will die without a trip to the Enterprise for treatment. Uhura then pretends to betray the crew for immortality.

At this point, the crew puts their real plan into action. They engage in a surreal pantomime for two of the Alice androids in order to confuse them. The androids cannot rationalize the conflicting and illogical inputs and suspend operation.

Muddhorror

Mudd reacts in horror as he realizes the full extent of his "parole".

Elsewhere, Spock tries to nerve pinch another Alice, but it has no effect. He then causes two other Alice androids to freeze up by telling one he loves her, but the other he hates her. The androids can't deal with this, as they are identical – it is illogical to love one and not the other.

When this seems to work, they decide to take down Norman. After a series of over the top speeches, android imitations and pantomimed deaths and explosions, a recitation of the Liar's Paradox ("Everything I say is a lie. I am lying." Am I a liar or not?) finally incapacitates Norman and, with him, the remainder of the androids.

Mudd is left on the planet for an indeterminate amount of time under a type of "parole" as an example to the androids of a human failure. He is quite happy with his sentence – the androids can provide him with as much of whatever he wants as he likes – until he learns that he has to share the planet with at least three and possibly up to 500 copies of his wife. Furthermore, he has no control over them and they are programmed to harangue and annoy him as much as possible.

Memorable Quotes

"He's probably terrified of your beads and rattles."

- Spock to McCoy, on why Norman has avoided his medical appointments


"Spock, you're going to love it here. They all talk just the way you do."

- Mudd, describing the planet's androids


"Harry Mudd, you're a liar and an outlaw and in deep trouble!"

- Kirk, upon meeting Mudd again


"She urged me on into outer space. Not that she meant to, but with her continual, eternal, confounded nagging... Well, I think of her constantly. And every time I do, I go further out into space."

- Mudd, on his wife Stella


"Harcourt Fenton Mudd, where have you been? What have you been up to? Have you been drinking again, you miserable sot! You good-for-nothing thing!"

- Stella Mudd


"This place is even better than Leningrad!"

- Chekov, after learning that Mudd programed the Alice androids to function as human females


"It's a beautiful lady, and we love her."

- Kirk, describing the Enterprise to Alice 471


"You may be a wonderful science officer, but believe me, you couldn't sell fake patents to your mother! "
"I fail to understand why I should care to induce my mother to purchase falsified patents."

- Mudd to Spock, as Kirk and Spock devise an escape plan


"Next, we take the Alices on a trip through Wonderland."

- Kirk, on the next phase of the escape plan


"Logic is a little tweeting bird, chirping in a meadow. Logic is wreath of pretty flowers that smell bad. Are you sure your circuits are registering correctly? Your ears are green!"

- Spock, as he confuses Norman
Normanexpires

Norman collapses under the weight of lies


"What is man but that lofty spirit, that sense of ... enterprise."

- Kirk, after Scott plays dead


"I am not programed to respond in that area."

- Kirk's final words to Norman as the android self-destructs


"Now you'll find yourself back among us illogical Humans again."
"Which I find eminently satisfactory, Doctor, for nowhere am I so desperately needed as among a shipload of illogical humans."

- McCoy and Spock, before leaving the planet

Background Information

Story and Production

  • Possible inspirations for the title include:
    • I, Robot, Isaac Asimov's 1950 android-themed short story collection, the title of which was itself inspired by...
    • "I, Robot", Eando Binder's 1939 short story with an android hero, which had been adapted for TV in 1964 with Leonard Nimoy in a supporting role.
    • I, Claudius, a 1934 novel by Robert Graves about the life of the Roman Emperor Claudius (the 1976 BBC production of which featured Patrick Stewart). Like Mudd "The First" in this episode, the subject of I, Claudius is also a despotic ruler who views himself in a more flattering light.
    • Lines from Kurt Vonnegut's 1963 novel Cat's Cradle, which detail the creation myth of Bokononism: "I, mud, sat up and saw what a nice job God had done." (citation needededit)
  • The first draft of the script devoted more attention to Norman's act of diverting the Enterprise to Mudd, with the crew only arriving at the end of the second act. I, Mudd (episode) After an examination revealed Norman as an android, Scotty expressed an urge to take Norman apart – quickly adding that it was "nothing personal." Norman understood. (The Star Trek Compendium)
  • David Gerrold did an uncredited rewrite on this episode. One of the significant changes he made, at Gene Coon's request, was to get the crew on to the planet by the end of the first act. Other notable contributions were the gag of the five hundred identical female robots, and more material relating to Stella. Coon offered to submit the script for arbitration so that Gerrold would receive credit and residuals. However, Gerrold declined as he felt it would be stealing from Stephen Kandel, who had created Harry Mudd. I, Mudd (episode)

Filming

Alice series

Twins and their false doubles

  • Using identical twins for each android "series" aided the photographic-effects budget for the episode. With imaginative use of twins and split screens, as many as six of one model were shown at once, while two of the same model required nothing but an additional costume. This ultimately gave the illusion of a planet of thousands of androids. (The Star Trek Compendium)
  • While searching for identical twins to play androids, casting director Joseph D'Agosta found two young girls (apparently prostitutes) walking on Hollywood Boulevard with their pet wild cat. He brought the two girls to meet producer Gene L. Coon and associate producer Robert H. Justman. While they inspected the girls, Coon had to hold the wild cat (named Marlon), which consequently scratched him with its claws and tore his entire shirt. The girls were deemed unsuitable for the role.[1] (Inside Star Trek: The Real Story, pp 332-333)
  • One of the blooper reels offered a behind-the-scenes look at the filming of the sequence where the crew dances to the imaginary music. The blooper reel clip featured actual music, specifically the theme to the Desilu/Paramount series "Mannix".
  • The TOS Season 2 blooper reel contains a blown scene from this episode in which Harry declares his androids have taken control of the Enterprise. In the aired scene, William Shatner grabs Roger C. Carmel by his tunic, as if ready to throttle him. In the blooper, Shatner reaches up and grabs Carmel's mustache and as Carmel laughs, apparently surrendering with arms raised, Shatner turns and grins at the camera, his eyebrows waggling.

Music

Props and costumes

Nanopulse laser device

Norman's advanced nanopulse laser device

Cast

  • This episode marks George Takei's last appearance in the series until "Return to Tomorrow". During his nine episode absence, Takei was on the East Coast filming The Green Berets.
  • With the exception of those actors who played members of the Enterprise crew, Roger C. Carmel was the only actor to play the same character in more than one episode of the series.

Continuity

Reception

  • According to Walter Koenig, NBC considered making a spin-off series detailing the comical adventures of Harry Mudd after the success of this episode. They assigned Gene Roddenberry to develop the idea, but being busy with Star Trek and other projects, he didn't have time for it, and the series was never conceived.[2] However, Mudd appears in the cartoon version of Star Trek up to his usual tricks.

Remastered information

"I, Mudd" was the sixth episode of the remastered version of The Original Series to air, premiering in syndication on the weekend of 14 October 2006.

Aside from the standard CGI replacement footage of the Enterprise, this episode most notably featured new effects shots of the planet Mudd (now a planet with a ring system), as well as a revision to the footage of Norman revealing his android circuitry.

The next remastered episode to air was "Arena".

Production timeline

Video and DVD releases

Links and references

Starring

Guest star

Co-starring

Featuring

Uncredited co-stars

Stunt double

References

alloy; Alice in Wonderland; Amanda; android; Andromeda Galaxy; antiseptic; Auxiliary Control; baseball; beryllium; "Bones"; central control complex; cogwheel; communications officer; death penalty; Deneb V; Denebians; Denebian patrol ship; Denebian spaceship; detonator; directional master controls; emergency manual monitor; explosive; fraud; free-enterprise system; fuel synthesizer; fuse; Gargantua; golf; glowing badge; Grayson, Amanda; hive mind; Human being; induced self-destruction; Intellectual property; K type; Kulak; Leningrad; lie; life support systems; logic; lord; main navigational bank; Makers; mashie; matter-antimatter pod; medi-robot; medical officer; microvision; Milky Way Galaxy; Mudd; music; nanopulse laser; navigator; patent; pressure dome; physical exam; primer; Rigel mining planet; robot; royalties; science officer; self-renewing plastic; solar day; Starfleet; titanium; toad; trigger relay/trigger mechanism; Vulcan; Vulcan nerve pinch

External links

Previous episode produced:
"The Deadly Years"
Star Trek: The Original Series
Season 2
Next episode produced:
"The Trouble with Tribbles"
Previous episode aired:
"Catspaw"
Next episode aired:
"Metamorphosis"
Previous remastered episode aired:
"The City on the Edge of Forever"
TOS Remastered Next remastered episode aired:
"Arena"