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{{realworld}}
 
{{realworld}}
 
[[File:ILM logo.jpg|right|Industrial Light and Magic logo]]
 
[[File:ILM logo.jpg|right|Industrial Light and Magic logo]]
'''Industrial Light & Magic''', or '''ILM''', is a visual effects company. Founded and owned by {{w|George Lucas}}, it was set up to provide effects for his movie ''[[w:c:starwars:Star Wars|Star Wars]]'' and quickly became a prolific effects house, working on numerous feature films, including doing visual effects sequences for the following ''[[Star Trek]]'' productions:
+
'''Industrial Light & Magic''', or '''ILM''', is a [[:Category: Visual effects companies|visual effects (VFX) company]]. Founded and owned by {{w|George Lucas}}, it was set up to provide effects for his movie ''[[w:c:starwars:Star Wars|Star Wars]]'' and quickly became a prolific effects house, working on numerous feature films, including doing visual effects sequences for the following ''[[Star Trek]]'' productions:
  +
<div class="appear">
 
  +
*{{Star Trek films}} and live-action television series
* {{film|2}}
 
* {{film|3}}
+
** {{film|2}}
* {{film|4}}
+
** {{film|3}}
 
** {{film|4}}
* {{TNG|Encounter at Farpoint}} (footage reused throughout the series)
+
** {{TNG|Encounter at Farpoint}} (Company credit only, footage reused throughout the series)
* {{film|6}}
 
* {{film|7}}
+
** {{film|6}}
  +
** {{DS9|Explorers}} ([[Bajoran lightship]] by [[John Knoll]], otherwise uncredited)
* {{film|8}}
 
  +
** {{film|7}} (including reused footage from ''The Undiscovered Country)
* {{film|11}}
 
  +
** {{DS9|The Way of the Warrior}} ([[CGI]] elements in new title sequence by John Knoll, otherwise uncredited)
* {{film|12}}
 
 
** {{film|8}}
 
 
** {{film|11}}
 
** {{film|12}}
  +
</div>
 
Additionally, many ''Star Trek'' films and television episodes featured stock footage from these projects, done by ILM, including:
 
Additionally, many ''Star Trek'' films and television episodes featured stock footage from these projects, done by ILM, including:
  +
<div class="appear">
  +
* Reused stock footage
 
** {{TNG|11001001}} (from {{film|3}})
 
** {{TNG|Conspiracy}} (from {{film|4}})
 
** {{TNG|A Matter Of Honor}} (from {{film|3}})
 
** {{film|5}} (from {{film|2}}, {{film|3}} and {{film|4}})
 
** {{TNG|The Best of Both Worlds}} (from {{film|2}})
 
** {{TNG|Remember Me}} (from {{film|3}})
 
** {{TNG|Redemption II}} (from {{film|4}})
 
** {{TNG|Ensign Ro}} (from {{film|3}})
 
** {{TNG|Unification I}} (from {{film|3}})
 
** {{DS9|Vortex}} (from {{film|2}})
 
** {{TNG|Phantasms}} (from {{film|3}})
 
** {{VOY|Non Sequitur}} (from {{film|4}} and {{film|6}})
 
** {{VOY|Persistence of Vision}} (from {{film|4}})
 
** {{DS9|Return to Grace}} (from {{film|3}})
 
** {{VOY|Flashback}} (from {{film|6}})
  +
** {{DS9|Blaze of Glory}} (from {{film|2}})
  +
** {{VOY|In the Flesh}} (from {{film|6}})
  +
</div>
  +
Industrial Light & Magic, A Division of Lucasfilm Ltd. received credit as VFX company in the end credits of all seven season of ''[[Star Trek: The Next Generation]]''. Originally the company was hired only to built the first two [[Galaxy class model|''Enterprise''-D studio models]] for the TNG pilot {{e|Encounter at Farpoint}}, but were eventually also contracted to produce the subsequent 69 shots with some 300 elements. (''[[The Official Star Trek: The Next Generation Magazine]]'' Vol. 2, p. 38-39)
   
  +
== General history ==
* {{TNG|11001001}} (from {{film|3}})
 
 
ILM has provided "special visual effects" (an intermediate term they themselves invented in the mid-1980s to begin [[:Category:Special and Visual effects companies|discriminating]] between [[:Category: Visual effects companies|visual effects]] and [[:Category: Special effects companies|special effects]]} for over three hundred films and television series. In addition to the ''Star Trek'' films listed above and the six ''Star Wars'' films, their motion picture credits include ''Raiders of the Lost Ark'', ''E.T. the Extra-Terrestrial'', ''Poltergeist'', ''Indiana Jones and the Temple of Doom'', ''Cocoon'', ''Back to the Future'' and its sequels (starring [[Christopher Lloyd]]), ''Who Framed Roger Rabbit'' (also starring Christopher Lloyd), ''Field of Dreams'', ''Ghostbusters II'', ''Indiana Jones and the Last Crusade'', ''The Abyss'', ''The Hunt for Red October'', ''Total Recall'', ''Die Hard 2'', ''Ghost'', ''Terminator 2: Judgment Day'', ''Jurassic Park'' and its sequels, ''Forrest Gump'', ''Twister'', ''Mission: Impossible'', ''Men in Black'' and its sequel, ''Titanic'', ''Saving Private Ryan'', ''Galaxy Quest'', ''The Mummy'', ''Pearl Harbor'', ''The Bourne Identity'', ''Minority Report'', all of the ''Harry Potter'' movies, all three ''Pirates of the Caribbean'' films, ''The Day After Tomorrow'', ''The Bourne Supremacy'', and the [[J.J. Abrams]]-directed ''Mission: Impossible III''. Their current projects include ''Indiana Jones and the Kingdom of the Crystal Skull'' and ''Iron Man'' for Paramount as well as ''Speed Racer'' and ''Harry Potter and the Half-Blood Prince'' for Warner Bros. Pictures.
* {{TNG|Conspiracy}} (from {{film|4}})
 
* {{TNG|A Matter Of Honor}} (from {{film|3}})
 
* {{film|5}} (from {{film|2}}, {{film|3}} and {{film|4}})
 
* {{TNG|The Best of Both Worlds}} (from {{film|2}})
 
* {{TNG|Remember Me}} (from {{film|3}})
 
* {{TNG|Redemption II}} (from {{film|4}})
 
* {{TNG|Ensign Ro}} (from {{film|3}})
 
* {{TNG|Unification I}} (from {{film|3}})
 
* {{DS9|Vortex}} (from {{film|2}})
 
* {{TNG|Phantasms}} (from {{film|3}})
 
* {{DS9|Return to Grace}} (from {{film|3}})
 
* {{DS9|Blaze of Glory}} (from {{film|2}})
 
* {{VOY|Persistence of Vision}} (from {{film|4}})
 
* {{VOY|Flashback}} (from {{film|6}})
 
   
 
[[John Knoll]] is one of the leading members of ILM. ''[[Star Trek: Deep Space Nine]]''{{'}}s visual effects coordinator [[Judy Elkins]] worked at ILM as an animator on films such as ''Raiders of the Lost Ark'' and ''Poltergeist''. Other past and present members of ILM who worked on ''Star Trek'' include [[Martin Brenneis]], [[Loren Carpenter]], [[Sean Casey]], [[Ed Catmull]], [[Brian Chin]], [[Bob Diepenbrock]], [[John Duncan]], [[Scott Farrar]], [[John Goodson]], [[Mike Fulmer]], [[Steve Gawley]], [[Bill George]], [[Alex Jaeger]], [[Stewart Lew]], [[Jeff Mann]], [[Mark S. Miller]], [[Steve Sanders]], and [[Larry Tan]].
Industrial Light & Magic, A Division of Lucasfilm Ltd. received credit as special effects company in the end credits of all seven season of ''[[Star Trek: The Next Generation]]''.
 
   
  +
ILM was, and is, arguably the most influential VFX company the motion picture industry has ever spawned. From its very inception in 1976 the company, by being a vigorously pioneering company, did continuously push the technological possibilities in creating VFX (both produced in the traditional methods, as well as later on in the computerized methods) to their outermost boundaries, either by developing the technologies (computerized {{w|motion control photography}}) themselves, or by making the fullest use as pioneers of new technologies ([[CGI]]), developed by others.
ILM has provided special visual effects for over 300 films and television series. In addition to the ''Star Trek'' films listed above and the six ''Star Wars'' films, their motion picture credits include ''Raiders of the Lost Ark'', ''E.T. the Extra-Terrestrial'', ''Poltergeist'', ''Indiana Jones and the Temple of Doom'', ''Cocoon'', ''Back to the Future'' and its sequels (starring [[Christopher Lloyd]]), ''Who Framed Roger Rabbit'' (also starring Christopher Lloyd), ''Field of Dreams'', ''Ghostbusters II'', ''Indiana Jones and the Last Crusade'', ''The Abyss'', ''The Hunt for Red October'', ''Total Recall'', ''Die Hard 2'', ''Ghost'', ''Terminator 2: Judgment Day'', ''Jurassic Park'' and its sequels, ''Forrest Gump'', ''Twister'', ''Mission: Impossible'', ''Men in Black'' and its sequel, ''Titanic'', ''Saving Private Ryan'', ''Galaxy Quest'', ''The Mummy'', ''Pearl Harbor'', ''The Bourne Identity'', ''Minority Report'', all of the ''Harry Potter'' movies, all three ''Pirates of the Caribbean'' films, ''The Day After Tomorrow'', ''The Bourne Supremacy'' and the [[J.J. Abrams]]-directed ''Mission: Impossible III''. Their current projects include ''Indiana Jones and the Kingdom of the Crystal Skull'' and ''Iron Man'' for Paramount as well as ''Speed Racer'' and ''Harry Potter and the Half-Blood Prince'' for Warner Bros. Pictures.
 
   
 
In 2005, ILM moved their digital effects departments from Kerner Blvd. in San Rafael, California, to the Presidio in San Francisco. In that year Lucasfilm, Inc. made the conscious decision to split off the traditional visual effects departments from the CGI effects departments, as it decided to concentrate on the latter. The departments responsible for the physical aspects of ILM's visual effects (models and miniatures, pyrotechnics, etc.) remained in the original San Rafael facility and became their own independent company, [[Kerner Optical]]. ILM has a non-exclusive agreement with Kerner Optical which allows the two companies to work together on projects, including 2009's ''Star Trek''. [http://digitalcontentproducer.com/pr/kerner_optical_083106/]
[[John Knoll]] is one of the leading members of ILM. ''[[Star Trek: Deep Space Nine]]''{{'}}s visual effects coordinator [[Judy Elkins]] worked at ILM as an animator on films such as ''Raiders of the Lost Ark'' and ''Poltergeist''. Other past and present members of ILM who worked on ''Star Trek'' include [[Martin Brenneis]], [[Loren Carpenter]], [[Sean Casey]], [[Ed Catmull]], [[Brian Chin]], [[Bob Diepenbrock]], [[John Duncan]], [[Scott Farrar]], [[John Goodson]], [[Mike Fulmer]], [[Steve Gawley]], [[Bill George]], [[Alex Jaeger]], [[Stewart Lew]], [[Jeff Mann]], [[Mark S. Miller]], [[Steve Sanders]], and [[Larry Tan]].
 
   
  +
In 2012, ILM, as part of Lucasfilm Ltd., was acquired by the {{w|The Walt Disney Company}} in the process reuniting the company with [[Pixar]]. [http://articles.latimes.com/2012/oct/31/business/la-fi-ct-disney-lucasfilm-20121101] Pixar started out as the former Lucasfilm company "The Graphics Group", the company that was responsible for the creation of the very first full-textured CGI effect ever shown in the motion picture industry, the [[Genesis Device]] effect in ''The Wrath of Khan''.
In 2005, ILM moved their digital effects departments from Kerner Blvd. in San Rafael, California, to the Presidio in San Francisco. The departments responsible for the physical aspects of ILM's visual effects (models and miniatures, pyrotechnics, etc.) remained in the original San Rafael facility and became their own independent company, [[Kerner Optical]]. ILM has a non-exclusive agreement with Kerner Optical which allows the two companies to work together on projects, including 2009's ''Star Trek''. [http://digitalcontentproducer.com/pr/kerner_optical_083106/]
 
   
 
== ''Star Trek: The Next Generation'' crew ==
 
== ''Star Trek: The Next Generation'' crew ==
 
On the pilot episode {{e|Encounter at Farpoint}}, the following members of ILM worked on the special effects.
 
On the pilot episode {{e|Encounter at Farpoint}}, the following members of ILM worked on the special effects.
 
<div class="appear">
 
<div class="appear">
** [[Shawn A. Sequiera]]
 
 
* Visual Effects Director of Photography
 
* Visual Effects Director of Photography
 
** [[Pat Sweeney]]
 
** [[Pat Sweeney]]
 
* Visual Effects Manager
 
* Visual Effects Manager
 
** [[Patricia Blau]]
 
** [[Patricia Blau]]
* Visual Effects Artists
+
* Visual Effects Supervisor
 
** [[David Carson (ILM)|David Carson]]
 
** [[David Carson (ILM)|David Carson]]
  +
* Visual Effects Artists
 
** [[John Knoll]]
 
** [[John Knoll]]
 
* Model Shop Supervisor
 
* Model Shop Supervisor
Line 63: Line 74:
 
** [[Larry Tan]]
 
** [[Larry Tan]]
 
** [[Howie Weed]]
 
** [[Howie Weed]]
  +
* Visual Effects Assistant Camera Man
  +
** [[Robert Hill]]
 
* Assistant Lighting Camera Operator
 
* Assistant Lighting Camera Operator
 
** [[Ray Gilberti]]
 
** [[Ray Gilberti]]
 
* Technician
 
* Technician
 
** [[Michael Olague]]
 
** [[Michael Olague]]
  +
* Animator
  +
** [[Wes Takahashi]]
 
</div>
 
</div>
   
Line 141: Line 156:
 
**[[Visual Concepts Engineering]]
 
**[[Visual Concepts Engineering]]
 
*Supervising Effects Editor
 
*Supervising Effects Editor
**[[Arhtur Repola]]
+
**[[Arthur Repola]]
 
*Effects Editor
 
*Effects Editor
 
**[[Peter Amundson]]
 
**[[Peter Amundson]]
Line 229: Line 244:
 
*Supervising Modelmaker
 
*Supervising Modelmaker
 
**[[Steve Gawley]]
 
**[[Steve Gawley]]
*Additonal Spacecraft Design
+
*Additional Spacecraft Design
 
**[[William George]]
 
**[[William George]]
 
*Model Makers
 
*Model Makers
Line 325: Line 340:
 
*Whale Operators/Puppeteers
 
*Whale Operators/Puppeteers
 
**[[Tony Hudson]]
 
**[[Tony Hudson]]
**[[Mark Miller]]
+
**[[Mark S. Miller|Mark Miller]]
 
*Underwater Whale Photography
 
*Underwater Whale Photography
 
**[[Pete Romano]]
 
**[[Pete Romano]]
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** [[Jim Morris]]
 
** [[Jim Morris]]
 
</div>
 
</div>
:''According to the Internet Movie Database, [http://www.imdb.com/name/nm0370845/ Aaron Haye] was a modelmaker for ILM on ''First Contact''. This has not been verified, however; if he was involved in the production, he was not credited.''
+
{{bginfo|According to the Internet Movie Database, [http://www.imdb.com/name/nm0370845/ Aaron Haye] was a modelmaker for ILM on ''First Contact''. This has not been verified, however; if he was involved in the production, he was not credited.}}
   
 
== ''Star Trek'' (2009) crew ==
 
== ''Star Trek'' (2009) crew ==
Line 1,066: Line 1,081:
 
**[[David Washburn]]
 
**[[David Washburn]]
 
**[[Talmage Watson]]
 
**[[Talmage Watson]]
**[[Ronnie Williams, Jr.]],
+
**[[Ronnie Williams, Jr.]]
 
**[[Dan Wheaton]]
 
**[[Dan Wheaton]]
 
**[[John Whisnant]]
 
**[[John Whisnant]]
Line 1,173: Line 1,188:
   
 
=== Uncredited crew ===
 
=== Uncredited crew ===
  +
* [[Ling Chen]] - Digital Compositor
*[[Robert Hoffmeister]] &ndash; Visual Effects Artist
+
* [[Robert Hoffmeister]] - Visual Effects Artist
   
 
=== Unconfirmed crew ===
 
=== Unconfirmed crew ===
*'''Kai Cheng''' - Digital Artist
+
* '''Kai Cheng''' - Digital Artist
*'''Ling Chen'''[http://www.lingchenart.net/] - Digital Compositor
+
* '''Sam Lee''' - Digital Artist
*'''Sam Lee''' - Digital Artist
+
* '''John M. Levin''' - Layout Artist
*'''John M. Levin''' - Layout Artist
+
* '''Ryan Martin''' - Technical Assistant
*'''Ryan Martin''' - Technical Assistant
+
* '''Benjamin Mattress''' - Digital Artist
*'''Benjamin Mattress''' - Digital Artist
+
* '''Spencer Reynolds''' - Clonecam Operator
*'''Spencer Reynolds''' - Clonecam Operator
+
* '''Craig Rowe''' - Digital Compositor
*'''Craig Rowe''' - Digital Compositor
+
* '''James Soukup''' - On-Set Matchmover
*'''James Soukup''' - On-Set Matchmover
+
* '''Teh-wei Yeh''' - Digital Artist
*'''Teh-wei Yeh''' - Digital Artist
 
   
==References pertaining specifically to ''Star Trek''==
+
== ''Star Trek Into Darkness'' ==
  +
=== San Francisco Unit ===
*Brad Munson, ''The Last Voyage of the Starship "Enterprise"'', [[Cinefex]], Issue 18, August 1984, pp.42-68
 
  +
<div class="appear">
*Jody Duncan Shay, ''Humpback to Future'', Cinefex, Issue 29, February 1987, pp.4-31
 
  +
* FX Technical Director
*Glenn Campbell & Donna Trotter, ''Special Effects The Next Generation'', Cinefex, Issue 37, February 1989, pp.4-21
 
  +
** [[Noel Hocquet]]
*Kevin H. Martin, ''Letting Slip the Dogs of Wars'', Cinefex, Issue 49, February 1992, pp.38-60
 
  +
* Lighting & Effects Technical Director
*Kevin H. Martin, ''Kirk Out'', Cinefex, Issue 61, March 1995, pp.62-77
 
  +
** [[Mark Chataway]]
*Kevin H. Martin, ''Phoenix Rising'', Cinefex, Issue 69, March 1997, pp.98-119
 
  +
* Lead Animator
  +
** [[Jean-Denis Haas]]
  +
* Animators
  +
** [[Stephen King]]
  +
** [[Jeff Vacanti]]
  +
* Digital Matte Painter
  +
** [[Jérémie Touzery]]
  +
* Senior Generalist Artist
  +
** [[Jacobo Barreiro]]
  +
* Production Assistants
  +
** [[Chris Bonura]]
  +
** [[Andrew Ewert]]
 
** [[Derek A. Johnson]]
  +
</div>
  +
  +
=== Singapore Unit ===
  +
<div class="appear">
  +
* Creature Technical Director
  +
** [[Natapon Huangsakuncharoen]]
  +
* Senior Texture / Lookdev Artist
  +
** [[Michael Peter]]
  +
* Texture Painter / Look Development Artist
  +
** [[Dongjin Seo]]
  +
* ENV / DMP
  +
** [[Antoine Goncalves]]
  +
* Digital Artists
  +
** [[Chin Chee Cheah]]
  +
** [[Azzard Gordon]]
  +
* Digital Matte Painters
  +
** [[Shuwan Mok]]
  +
** [[Lionel Taillens]]
  +
* Lead Compositor
  +
** [[Jamie Wood]]
  +
* Compositors
  +
** [[Santhoshi Bala]]
  +
** [[Woon Chi Ong]]
  +
** [[Amit Sharma]]
  +
* Digital Compositor
  +
** [[Sam Bassett]]
  +
* Lead Assets Artist
  +
** [[Adam Walker]]
  +
* Texture Artist
  +
** [[Daniil Alikov]]
  +
* Visual Effects Animator
  +
** [[Maureen Seng]]
  +
* Hard Surface Modeler & Texturer
  +
** [[Ted Moowon Kim]]
  +
</div>
  +
  +
=== Unconfirmed crew ===
  +
* '''Owen Calouro''' - Layout Artist
  +
* '''Christian Castaneda''' - Digital Compositor
  +
* '''Karhoe Chan''' - Layout Artist
  +
* '''Sonia Contreras''' - Layout Artist
  +
* '''Devin Fairbairn''' - Layout Artist
 
* '''Bridgette Foo''' - Digital Artist
  +
* '''Mei Gangwen''' - Effects Technical Director
  +
* '''[[Jeff Grebe]]''' - FX Technical Director
  +
* '''[[Sherry Hitch]]''' - Sequence Supervisor
  +
* '''Dean Koonjul''' - Digital Compositor - Singapore
  +
* '''David Larochelle''' - Compositor
  +
* '''Yann Larochette''' - Senior Compositor
  +
* '''Chulev Marko''' - Modeler / Texture Artist
  +
* '''[[Timothy Mueller]]''' - Digimatte Sequence Lead
  +
* ''' Jia-Hao Ng''' - Digital Matte Artist
  +
* '''[[Sheau Horng Ng]]''' - Digital Artist
  +
* '''Christin Quek''' - Digital Artist
  +
* '''Wajid Raza''' - Assistant Technical Director
  +
* '''Patric Roos''' - Visual Effects Supervisor - Singapore
  +
* '''Ryan Rubi''' - Creature Technical Director
  +
* '''Geoff Sayer''' - Digital Compositor
  +
* '''Lai Lin Tang''' - Layout Artist
  +
* '''[[Chad Taylor]]''' - Sequence Supervisor
  +
* '''Dennis Trutanic''' - Senior Layout Artist
  +
* '''Marion Voignier''' - Digital Artist
  +
* '''Vong Yonghow''' - Lighting Technical Director
  +
  +
== Further reading ==
  +
* ''[[Cinefantastique]]'', "Star Trek: The Wrath of Khan", Kay Anderson, Vol 12 #5/6, 1982, pp. 50-55, 57-61, 63-68, 70-74
  +
* ''[[American Cinematographer]]'', October 1982
  +
** "Warp Speed and Beyond", [[Jim Veilleux]], pp. 1030-1034, 1054-1058
  +
** "Mama Eel and the Nebulae", [[Ken Ralston]], pp. 1035-1037, 1052
  +
** "The Genesis Demo", [[Alvy Ray Smith]], pp. 1038-1039, 1048-1050
 
* "The Last Voyage of the Starship 'Enterprise'", Brad Munson, ''[[Cinefex]]'', Issue 18, August 1984, pp. 42-68
  +
* ""Star Trek III: The Search for Spock", Nora Lee, ''American Cinematographer'', August/September 1984, pp. 54-63
  +
* "Blue Skies and Starfields", Ron Magid, ''American Cinematographer'', December 1986, pp. 62-74
  +
* ''[[Industrial Light & Magic: The Art of Special Effects]]'', 1986
  +
* ''Cinefantastique'', Vol 17 #3/4, 1987
  +
** "Special Effects; Industrial Light & Magic", Ron Magid, pp. 40-47
  +
** "Star Trek's ILM Look", Allen Malmquist, pp. 64-67
 
* "Humpback to Future", Jody Duncan Shay, ''Cinefex'', Issue 29, February 1987, pp. 4-31
  +
* "Creating Special Effects for ''Star Trek: The Next Generation''", David Hutchison, ''[[The Official Star Trek: The Next Generation Magazine]]'', Vol. 2, December 1987, pp. 26-41
 
* "Special Effects The Next Generation", Glenn Campbell & Donna Trotter, ''Cinefex'', Issue 37, February 1989, pp. 4-21
  +
* "ILM Gets 'Piece of the Action'", Ron Magid, ''American Cinematographer'', January 1992, pp. 58-65
 
* "Letting Slip the Dogs of Wars", Kevin H. Martin, ''Cinefex'', Issue 49, February 1992, pp. 38-60
 
* "Kirk Out", Kevin H. Martin, ''Cinefex'', Issue 61, March 1995, pp. 62-77
  +
* "ILM Creates New Universe of Effects for Star Trek: Generations", Ron Magid, ''American Cinematographer'', April 1995, pp. 78-88
 
* ''[[Industrial Light & Magic: Into the Digital Realm]]'', 1996
 
* "Phoenix Rising", Kevin H. Martin, ''Cinefex'', Issue 69, March 1997, pp. 98-119
   
 
== External links ==
 
== External links ==
* [http://www.ilm.com ILM Official Website]
+
* [http://www.ilm.com ILM.com] - official website
 
* [http://www.ilm.com/inside_timeline.html ILM Filmography]
 
* [http://www.ilm.com/inside_timeline.html ILM Filmography]
* [http://www.sasstudio.com SAS Studio Official Website]
 
 
* {{wikipedia}}
 
* {{wikipedia}}
 
* {{IMDb-link|page=co0072491|type=company}}
 
* {{IMDb-link|page=co0072491|type=company}}
   
[[cs:Industrial Light & Magic]]
 
[[de:Industrial Light & Magic]]
 
[[nl:Industrial Light and Magic]]
 
[[Category:Matte painting companies]]
 
[[Category:Model and miniature effects companies]]
 
[[Category:Digital visual effects companies]]
 
 
[[Category:Matte painting companies]]
 
[[Category:Matte painting companies]]
 
[[Category:Model and miniature effects companies]]
 
[[Category:Model and miniature effects companies]]
 
[[Category:Digital visual effects companies]]
 
[[Category:Digital visual effects companies]]
  +
  +
[[cs:Industrial Light & Magic]]
 
[[de:Industrial Light & Magic]]
  +
[[fr:Industrial Light & Magic]]
 
[[nl:Industrial Light and Magic]]

Revision as of 21:36, 5 November 2014

Template:Realworld

Industrial Light and Magic logo

Industrial Light & Magic, or ILM, is a visual effects (VFX) company. Founded and owned by George Lucas, it was set up to provide effects for his movie Star Wars and quickly became a prolific effects house, working on numerous feature films, including doing visual effects sequences for the following Star Trek productions:

Additionally, many Star Trek films and television episodes featured stock footage from these projects, done by ILM, including:

Industrial Light & Magic, A Division of Lucasfilm Ltd. received credit as VFX company in the end credits of all seven season of Star Trek: The Next Generation. Originally the company was hired only to built the first two Enterprise-D studio models for the TNG pilot "Encounter at Farpoint", but were eventually also contracted to produce the subsequent 69 shots with some 300 elements. (The Official Star Trek: The Next Generation Magazine Vol. 2, p. 38-39)

General history

ILM has provided "special visual effects" (an intermediate term they themselves invented in the mid-1980s to begin discriminating between visual effects and special effects} for over three hundred films and television series. In addition to the Star Trek films listed above and the six Star Wars films, their motion picture credits include Raiders of the Lost Ark, E.T. the Extra-Terrestrial, Poltergeist, Indiana Jones and the Temple of Doom, Cocoon, Back to the Future and its sequels (starring Christopher Lloyd), Who Framed Roger Rabbit (also starring Christopher Lloyd), Field of Dreams, Ghostbusters II, Indiana Jones and the Last Crusade, The Abyss, The Hunt for Red October, Total Recall, Die Hard 2, Ghost, Terminator 2: Judgment Day, Jurassic Park and its sequels, Forrest Gump, Twister, Mission: Impossible, Men in Black and its sequel, Titanic, Saving Private Ryan, Galaxy Quest, The Mummy, Pearl Harbor, The Bourne Identity, Minority Report, all of the Harry Potter movies, all three Pirates of the Caribbean films, The Day After Tomorrow, The Bourne Supremacy, and the J.J. Abrams-directed Mission: Impossible III. Their current projects include Indiana Jones and the Kingdom of the Crystal Skull and Iron Man for Paramount as well as Speed Racer and Harry Potter and the Half-Blood Prince for Warner Bros. Pictures.

John Knoll is one of the leading members of ILM. Star Trek: Deep Space Nine's visual effects coordinator Judy Elkins worked at ILM as an animator on films such as Raiders of the Lost Ark and Poltergeist. Other past and present members of ILM who worked on Star Trek include Martin Brenneis, Loren Carpenter, Sean Casey, Ed Catmull, Brian Chin, Bob Diepenbrock, John Duncan, Scott Farrar, John Goodson, Mike Fulmer, Steve Gawley, Bill George, Alex Jaeger, Stewart Lew, Jeff Mann, Mark S. Miller, Steve Sanders, and Larry Tan.

ILM was, and is, arguably the most influential VFX company the motion picture industry has ever spawned. From its very inception in 1976 the company, by being a vigorously pioneering company, did continuously push the technological possibilities in creating VFX (both produced in the traditional methods, as well as later on in the computerized methods) to their outermost boundaries, either by developing the technologies (computerized motion control photography) themselves, or by making the fullest use as pioneers of new technologies (CGI), developed by others.

In 2005, ILM moved their digital effects departments from Kerner Blvd. in San Rafael, California, to the Presidio in San Francisco. In that year Lucasfilm, Inc. made the conscious decision to split off the traditional visual effects departments from the CGI effects departments, as it decided to concentrate on the latter. The departments responsible for the physical aspects of ILM's visual effects (models and miniatures, pyrotechnics, etc.) remained in the original San Rafael facility and became their own independent company, Kerner Optical. ILM has a non-exclusive agreement with Kerner Optical which allows the two companies to work together on projects, including 2009's Star Trek. [1]

In 2012, ILM, as part of Lucasfilm Ltd., was acquired by the The Walt Disney Company in the process reuniting the company with Pixar. [2] Pixar started out as the former Lucasfilm company "The Graphics Group", the company that was responsible for the creation of the very first full-textured CGI effect ever shown in the motion picture industry, the Genesis Device effect in The Wrath of Khan.

Star Trek: The Next Generation crew

On the pilot episode "Encounter at Farpoint", the following members of ILM worked on the special effects.

The Wrath of Khan crew

Those ILM members who specifically worked on Star Trek II: The Wrath of Khan are listed below.

  • Special Visual Effects Supervisors
  • Effects Cameramen
  • Camera Operator
    • Stewart Barbee
  • Assistant Camera Operators
  • Optical Photography Supervisor
    • Bruce Nicholson
  • Optical Printer Operators
    • David Berry
    • Keneth Smith
    • Mark Vargo
    • John Ellis
    • Donald Clark
  • Optical Line-up
    • Thomas Rosseter
    • Ed Jones
    • Ralph Gordon
  • Optical Laboratory Technicians
    • Tim Geideman
    • Duncan Myers
    • Bob Chrisoulis
  • General Manager
    • Tom Smith
  • Production Supervisor
  • Production Coordinator
    • Warren Franklin
  • Matte Painting Artists
  • Matte Photography
    • Neil Krepela
  • Matte Photography Assistant
  • Supervising Modelmaker
  • Modelmakers
  • Model Electronics
  • Animation Supervisor
    • Samuel Comstock
  • Animators
    • Kim Knowlton
    • Scott Caple
    • Jim Keefer
    • Kathryn Lenihan
    • Judy Elkins
    • Jay Davis
  • Additional Animation
    • Visual Concepts Engineering
  • Supervising Effects Editor
    • Arthur Repola
  • Effects Editor
    • Peter Amundson
  • Computer Database Management
    • Malcom Blanchard
  • Computer Graphics
  • Starfield Effects
    • Evans & Sutheland, Digstar System
  • Tactical Displays
    • Evans & Sutherland, Picture System
    • Brent Watson
    • Steve McAllister
    • Neil Harrington
    • Jeri Panek
  • Molecular Computer Graphics
    • Computer Graphics Laboratory, University of California, San Francisco, Dr. Robert Langridge
  • Still Photographer
    • Terry Chostner
  • Still Lab Technicians
    • Robert McGrath
    • Kerry Nordquist
  • Supervising Stage Technician
    • T.E. Moehnke
  • Stage Technicians
    • Dave Childers
    • Harold Cole
    • Dick Dova
    • Bobby Fink III
    • Patrick Fitzsimmons
    • Edward Hirsh
    • John McLeod
    • Peter Stolz
  • Pyrotechnics
    • Thaine Morris
  • Equipment Coordinator
    • Wade Childress
  • Ultra High Speed Camera
    • Bruce Hill Productions
  • Assistant to Tom Smith
    • Kyle Turner
  • Travel Arrangements
    • Kathy Shine

The Search for Spock crew

Those ILM members who specifically worked on Star Trek III: The Search for Spock are listed below.

  • Supervisor of Visual Effects
  • Visual Effects Art Directors
  • Optical Photography Supervisor
    • Kenneth F. Smith
  • Visual Effects Cameraman
  • Assistant Cameramen
  • Optical Camera Operators
  • Optical Line-Up
    • Ralph Gordon
    • David Berry
  • General Manager
    • Tom Smith
  • Production Supervisor
    • Warren Franklin
  • Production Coordinator
    • Laurie Vermont
  • Supervising Modelmaker
  • Additional Spacecraft Design
  • Model Makers
  • Creature Supervisor
  • Matte Painting Supervisor
  • Matte Artist
  • Matte Camera Supervisor
  • Animation Supervisor
    • Charles Mullen
  • Effects Animators
  • Chief Visual Effects Editor
    • Bill Kimberlin
  • Visual Effects Editor
    • Jay Ignaszewski
  • Miniature Pyrotechnics and Fire Effects
    • Ted Moehnke
  • Stage Technicians
    • ILM Stage Crew
  • Still Photography Supervisor
    • Terry Chostner
  • Equipment Engineering Supervisor
    • Michael MacKenzie

The Voyage Home crew

Those ILM members who specifically worked on Star Trek IV: The Voyage Home are listed below.

  • Visual Effects Supervisor
  • Effects Director of Photography
    • Don Dow
  • Visual Effects Art Director
  • Optical Supervisor
    • Ralph Gordon
  • Whale Design & Project Supervisor
  • Visual Effects Editor
    • Mike Gleason
  • Matte Painting Supervisor
  • Model Shop Supervisor
  • Animation Supervisor
    • Ellen Lichtwardt
  • General Manager
    • Warren Franklin
  • Visual Effects Coordinator
    • Erik Jensen
  • Production Manager
    • Ed Hirsch
  • Storyboard Artist
    • John Bell
  • Cameraman Operators
    • Selwyn Eddy III
    • John V. Fante
    • Peter Daulton
    • Toby Heindel
    • Pat Sweeney
  • Assistant Camerapersons
  • Optical Camera Operators
    • Don Clark
    • Dave McCue
    • Jim Hagedorn
  • Optical Lineup
    • Peg Hunter
    • Bruce Vecchitto
  • Optical Coordinator
    • Lori J. Nelson
  • Lab Technicians
    • Tim Geideman
    • Todd Heindel
  • Whale Mold Supervisor
  • Whale Mechanical Designer
    • Rick Anderson
  • Whale Operators/Puppeteers
    • Tony Hudson
    • Mark Miller
  • Underwater Whale Photography
    • Pete Romano
  • Assistant Effects Editor
    • Terry Peck
  • Matte Artists
    • Frank Ordaz
    • Caroleen Green
    • Sean Joyce
  • Matte Photography
    • Randy Johnson
  • Chief Modelmaker
  • Modelmakers
    • Eric Christensen
    • Paul Kraus
  • Animation Camera Operators
    • Bruce Walters
    • Jay Riddle
  • Rotoscope Artist
    • Ellen Ferguson
  • Visual Consultant
  • Pyrotechnician
    • Bob Finley, Jr.
  • Stage Technicians
  • Production Assistant
    • Ned Gorman
  • Time Travel
  • Creatures Created by

The Undiscovered Country crew

Those ILM members who specifically worked on Star Trek VI: The Undiscovered Country are listed below.

  • Visual Effects Supervisor
  • Visual Effects Editor
    • Thomas R. Bryant
  • Visual Effects Producer
    • Peter Takeuchi
  • Visual Effects Art Directors
  • Optical Photography Supervisor
    • Bradley Kuehn
  • Computer Graphics Supervisor
    • Jay Riddle
  • Visual Effects Coordinator
    • Jil-Sheree Bergin
  • Visual Effects Editor
    • Michael McGovern
  • Motion Control Camera Operators
    • Peter Daulton
    • Patrick Sweeny
  • Motion Control Camera Assistants
    • David Hanks
    • Katie O'Neill
  • Plate Camera operator
    • Patrick Turner
  • Plate Camera Assistant
  • Computer Animation
    • Scott Anderson
    • Eric Armstrong
    • John Berton
    • Richard Cohen
    • Wade Howie
    • Joe Letteri
    • Jim Mitchell
    • Joe Pasquale
    • Alex Sieden
  • Computer Graphics Production Supervisor
    • Gail Curry
  • Optical Camera Operators
    • Jon Alexander
    • Donald Clark
    • Jefferey Doran
    • Selwyn Eddy III
    • Keith Johnson
    • Patrick Repola
    • Kenneth Smith
  • Optical Line Up
    • Peg Hunter
    • David Karpman
    • Jennifer Lee
    • Thomas Rosseter
    • John D. Whisnant
    • Debra Wolff
  • Optical Processing
    • Michael Ellis
    • Robert Fernley
    • Nelson Hall
  • Optical Scanning Coordinator
    • Lisa Vaughn
  • Effects Camera Supervisor
    • Bruce Walters
  • Effects Camera Operators
    • Charlie Clavadetscher
    • John Graves
    • Steven Reding
    • Eric Swenson
  • Rotoscope Supervisor
    • Thomas Bertino
  • Rotoscope Artist
    • Kathleen Beeler
    • Rebecca Petrulli-Heskes
    • Sandy Houston
    • Terry Molatore
    • Jack Monogovan
    • Ellen Mueller
    • Carolyn Rendu
  • Animation Supervisor
  • Animation Effects Animators
    • Gordon Baker
    • Christor Green
    • Peter Crosman
  • Animation Effects Coordinator
    • Shari Malyn
  • Scanning
    • Joshua Pines
    • Randall K. Bean
    • George Gambatta
  • Assistant Visual Effects Editor
    • Robin Lee
  • Negative Cutter/Projectionist
    • Timothy Greenwood
    • Preston Richards
  • Model Shop Supervisor
  • Model Makers
    • Jon Foreman
    • Brian Gernand
    • Jon Goodson, Jr.
    • Jack Haye
    • Richard Miller
    • Alan Peterson
    • Susan Ross (Painter for space dock/ Klingon planet model)
    • Kim Smith
    • Eben Stromquist
    • Paul Theren
    • Wim Van Thilo
    • Charles Wiley
  • Stage
  • Production Assistants
    • Carol Lee Griswald
    • Alia Almeida Agha
    • Nancy Luckoff
    • Tina Matthies
  • Production Accountant
    • Pam Kaye
  • Matte Painting Effects
  • Supervising Matte Photographer
  • Matte Artist Supervisor
  • Executive of Product Management
    • Krystyna Dekowicz
  • Camera Assistant
    • Paul Oehlke
  • Motion Control Camera
    • Joel Hladecek
  • Camera Operator
    • Wade Childress
  • VCE photographic Effects
    • Peter Kuran
  • Animation Effects
    • Al Magliochetti
    • Kevin Kutchaver
  • Optical Effects Line Up
    • Linda Henry
    • Tim Segulin
  • Optical Printing
    • Rick Hannigan
    • David Tucker
  • VCE Administration
    • Jacqueline Zietlow
  • Additional Digital Compostiting
    • Pacific Data Images
  • Optical Supervisor
    • Les Dittert
  • Animator
    • Barb Meier
  • Production Support
    • Karen Logan

Generations crew

Those ILM members who specifically worked on Star Trek Generations are listed below.

  • Visual Effects Supervisor
  • Visual Effects Co-Supervisor
    • Alex Seiden
  • Visual Effects Producer
    • Roni McKinley
  • Visual Effects Art Director
  • Computer Graphics Supervisor
    • John Schlag
  • Visual Effects Coordinators
    • Alia Almeida Agha
    • Giner Theisen
  • Computer Graphics Sequence Supervisor
    • Bart Giovannetti
  • Computer Graphic Artists
    • Joel Aron
    • Barbara Brennan
    • Donald S. Butler
    • Rob Coleman
    • Scott Frankel
    • Peg Hunter
    • Henry LaBounta
    • Stewart W. Lew
    • Mary McCulloch
    • Pat Myers
    • Barbara L. Nellis
    • Doug Mythe
    • Ben Snow
    • Laurence Treweek
    • Dennis Turner
    • Habib Zargarpour
  • Concept Designer
    • Mark Moore
  • Visual Effects Editor
    • Michael McGovern
  • Visual Effects Camera Operator
    • Patrick Sweeny
  • Visual Effects Camera Assistants
    • Katie O'Neill
    • Joe Biggins
  • Visual Effects Chief Lighting Technician
  • Model Supervisor
  • Model Department Supervisor
    • Jeff Olson
  • Chief Model Makers
  • Model Makers
    • Mark Anderson
    • Charlie Bailey
    • Michael Cummins (Veridian landscape model)
    • Giovanni Donovan
    • Nelson Hall
    • Michael Lynch
    • Scott McNamara
    • Richard Miller
    • Chris Reed
    • Kim Smith
    • Tony Sommers
    • Steve Walton
    • Howie Weed
  • Digital Matte Artists

Miniature Crash Sequence Photography Unit

  • Director of Photography
    • Kim Marks
  • Stage Manager
    • Edward Hirsh
  • First Assistant Photographer
    • Pat McArdle
  • Key Rigging Technician
    • David Heron
  • Effects Riggers
    • Geoff Heron
    • Joseph Fulmer
  • First Company Grip
    • Dick Dova
  • Grip
    • Carl Assmus
  • Camera Engineer
    • Duncan Sutherland
  • Supervising Stage Technician
    • Pat Fitzsimmons
  • Optical Supervisor
    • Bruce Vecchitto
  • CG Software Developer
    • Zoran Kacic-Alesic
  • Scanning Supervisor
    • Joshua Pines
  • Scanning Operator
    • Mike Ellis
  • Optical Line-Up
    • Tim Geideman
  • CG Technical Assistants
    • Chris Chaplin
    • Michael Min
  • Systems Support Specialist
    • Ken Corvino
  • CG Production Assistant
    • John Stillman
  • Production Assistant
    • Margaret Lynch
  • Payroll Supervisor
  • Executive in Charge of Production
  • ILM President
    • Jim Morris

First Contact crew

Those ILM members who specifically worked on Star Trek: First Contact are listed below.

  • Visual Effects Producers
  • Associate Visual Effects Supervisor
    • George Murphy
  • Visual Effects Art Director
  • CG Supervisor/Animator
    • Habib Zargarpour
  • CG Sequence Supervisor
    • Dennis Turner
  • Digital Effects Artists
    • Joakin Arnesson
    • Mike Bauer
    • Steve Braggs
    • Kyeng-Im Chung
    • Marc Cooper
    • Mitch Deoudes
    • Jeremey Goldman
    • Matt Hendershot
    • Stu Maschwitz
    • Steve Molin
    • Pat Myers
    • Eric Texter
    • Ken Wesley
  • Assistant Digital Effects Artist
    • Doug Smith
  • Sabre Compositing Artists
  • Production Coordinators
    • Luke O'Byrne
    • Heather Smith
  • Art Consultant
  • Digital Matte
    • Noel Brevick
    • Tad Leckman
    • Chris Stillman
  • Digital Animatic Artist
    • Jonathan Rothbart
  • Digital Modelers
  • Digital Compositors
    • Tim Alexander
    • Kathleen Beeler
    • Don Butler
    • Betsy Cox
    • Jeff Doran
    • Scott Frankel
    • Greg Maloney
    • Tom Rosseter
  • Digital Rotoscope and Paint
    • Cathy Burrow
    • Kate Elsen
    • Deb Fought
    • Susan Kelly Andrews
    • Heidi Zabit
  • Digital Matchmovers
    • Selwyn Eddy III
    • Dave Hanks
    • Jodie Maier
    • Patrice D. Saenz
  • Visual Effect Editors
    • Mike McGovern
    • Mike Gleason
  • Assistant Visual Effects Editors
  • Projectionist
    • Tim Greenwood
  • Optical Supervisor
    • Kenneth Smith
  • Negative Supervisor
  • Film Scanning/Recording Supervisor
    • Joshua Pines
  • Senior Scanning Operator
    • George Gambetta
  • Scanning Operators
    • Todd Mitchell
    • Earl Beyer
  • Optical Scanning Department Coordinator
    • Amanda Micheli
  • Optical Scanning Department PA
    • Jodi Birdsong
  • Negative Line-up
    • Andrea Biklian
    • Timothy Geidman
  • Dirt Removal
    • Nancy Jencks
  • Gaffer

Motion Control and Pyrotechnics Unit

  • Visual Effects Director of Photography:
    • Marty Rosenberg
  • Additional Visual Effects Photography
  • Visual Effects Camera Assistant
  • Camera Assistant
    • John Gadzik
  • Model Support
    • Keith London
  • Key Grip/Lighting Technician
    • Brad Jerrell
  • Key Pyrotechnician
    • Geoff Heron
  • Key Grip
    • Bill Barr
  • Electric Gaffer
    • Tim Morgan
  • Best Boy Grip
    • Chuck Biagio
  • Electricians
    • Berny Demolski
    • David Murphy
  • Effects Technicians
    • Adam Bennes
    • Dan Nelson
  • Plate Coordinator
    • David Dranitzke
  • Model Project Supervisor
  • Chief Modelmakers
  • Mechanical Engineer
    • Bryan Dewe
  • Modelmakers
    • Rick Anderson
    • Jeff Brewer
    • Giovanni Donovan
    • John Duncan
    • Ira Keeler
    • Ed Miarecki
  • CG Resource Manager
    • Nancy Luckoff
  • CG Production Manager
    • Suzie Vissotzky Tooley
  • CG Resource Assistant
    • Amanda Montgomery
  • Digital Technical Assistants
    • Heidi Schmidt
    • Anthony Pitone
  • CG Software
    • Rodney Bogart
    • Jeffery Yost
  • CG Technical Assistants
    • Dugan Beach
    • Dan Shumaker
    • Christa Starr
    • Lam Van To
  • Electronic Editor
    • Angela Leaper
  • Still Photo
    • David Owen
  • Production Assistant
    • Heather McCurdy
  • ILM Senior Staff
According to the Internet Movie Database, Aaron Haye was a modelmaker for ILM on First Contact. This has not been verified, however; if he was involved in the production, he was not credited.

Star Trek (2009) crew

  • Visual Effects Supervisor
  • Visual Effects Editor:
  • Visual Effects Assistant Editor:
  • Visual Effects Supervisor:
  • Animation Supervisor:
  • Visual Effects Producers:
    • Jeff Olson
    • Jill Brooks
  • Associate Visual Effects Supervisor:
    • Eddie Pasquarello
  • Digital Production Supervisor:
    • Michael Dicomo
  • CG Supervisors:
    • Joakim Arnesson
    • Thomas Fejes
    • Hilmar Koch
    • Nigel Sumner
  • Visual Effects Art Director:
  • Digital Matte Supervisor:
    • Chris Stoski
  • Digital Model Supervisors:
    • Bruce Holcomb
    • Giovanni Nakpil
  • Viewpaint Supervisor:
    • Ron Woodall
  • Creature Supervisors:
    • James Tooley
    • Karin Cooper
  • Layout Supervisor:
    • Terry Chostner
  • Roto and Paint Supervisor:
    • Beth D'Amato
  • Sequence Supervisors:
    • Richard Bluff
    • Matt Brumit
    • Grady Cofer
    • Brian Connor
    • Jay Cooper
    • Raul Essig
    • Leandro Estebecorena
    • Conny Fauser
    • Gerald Gutschmidt
    • Jeff Grebe
    • Jen Howard
    • Polly Ing
    • Cyrus Jam
    • Katrin Klaiber
    • Francois Lambert
    • Tory Mercer
    • Mark Nettleton
    • Daniel Pearson
    • Jason Rosson
    • Greg Salter
    • Damian Steel
    • Chad Taylor
    • Todd Vaziri
    • John Walker
    • David Weitzberg
  • Animation Sequence Leads:
    • Steve Aplin
    • Colin Benoit
    • Derrick Carlin
  • Senior Production Manager:
    • Jessica Teach
  • Production Manager:
    • Lisa Todd
  • Visual Effects Editor:
  • Additional Visual Effects Art Direction:
    • Yanick Dusseault
  • Concept Artists:
    • Warren Fu
    • Jerome Moo
    • David Yee
  • Digital Artists:
    • Dan Akers
    • Jon Alexander
    • Okan Ataman
    • Trang Bach
    • Al Bailey
    • Katharine Baird
    • Christopher Balog
    • Daniel Bayona
    • Chris Bayz
    • Kevin Bell
    • Jill Berger
    • Jason Billington
    • Matthew Blackwell
    • Jeremy Bloch
    • Aron Bonar
    • Daniel Bornstein
    • Amanda Braggs
    • Steve Braggs
    • James Brown
    • Kela Cabrales
    • Michaela Calanchini-Carter
    • Owen Calouro
    • Marshall Candland
    • Tami Carter
    • Mark Casey
    • Lanny Cermak
    • Kien Geay Chan
    • Kai Chang
    • Cheah Chin Chi
    • Peter Chesloff
    • Paul Churchill
    • Michael Conte
    • Michael Cordova
    • Christopher Crowell
    • Peter Demarest
    • Eran Dinour
    • Kalene Dunsmoor
    • Selwyn Eddy III
    • Katharine Evans
    • Dan Feinstein
    • Simon Fillat
    • Shine Fitzner
    • Jason Fleming
    • Tim Fortenberry
    • Christian Foucher
    • David Fuhrer
    • Robb Gardner
    • Grantland Gears
    • Tau Gerber
    • Angela Giannoni
    • Timothy Gibbons
    • Bill Gilman
    • David Gottlieb
    • Bryant Griffin
    • David Gutman
    • Christian Haley
    • Tyler Ham
    • Craig Hammack
    • Giles Hancock
    • David Hanks
    • Jeff Hatchel
    • Wendy Hendrickson
    • Neil Herzinger
    • Shawn Hillier
    • David Hirschfield
    • David Hisanaga
    • Sherry Hitch
    • Zain Homer
    • Ryan Hopkins
    • Christopher Horvath
    • David Howe
    • Jiri Jacknowitz
    • Danny Janevski
    • Patrick Jarvis
    • Jeff A. Johnson
    • Stephen Kennedy
    • Michael Kennen
    • Drew Klausner
    • Susan Klausner
    • Justin Kosnikowski
    • Matt Krentz
    • Marshall Krasser
    • Kimberly Lashbrook
    • Asier Hernaez Lavina
    • John Legrande
    • Melissa Lin
    • Noll Linsangan
    • Michael Logan
    • Jennifer Mackenzie
    • Dev Mannemela
    • Patrik Marek
    • David Marsh
    • Tia Marshall
    • Marcel Martinez
    • Didier Mathieu
    • Kevin May
    • Regan McGee
    • Vicky McCann
    • Scott Mease
    • Joseph Metten
    • Christopher James Miller
    • Jack Mongovan
    • Carlos Monzon
    • Katie Morris
    • Michelle Motta
    • Betsy Mueller
    • Timothy Mueller
    • Melissa Mullin
    • Brett Northcutt
    • Ben O'Brien
    • Saro Orfali
    • Akira Orikasa
    • Kevin Page
    • Scott Palleiko
    • Frank Losasso Petterson
    • Phil Pham
    • Zoltan Pogonyi
    • Jason Porter
    • Pedro Pozo
    • Scott Prior
    • Ricardo Ramos
    • Satish Ratakonda
    • Michael Rich
    • Anthony Rispoli
    • Shane Roberts
    • Matthew Robinson
    • Elsa Rodriguez
    • Barry Safley
    • Jeff Saltzman
    • Sean Schur
    • Frederick Schmidt
    • Eric Schweickert
    • Misty Segura
    • Paul Sharpe
    • Amy Shepard
    • John Sigurdson
    • Ken Sjogren
    • Ryan Smith
    • Sam Stewart
    • Russ Sueyoshi
    • David Sullivan
    • Andre Surya
    • Jeff Sutherland
    • Masahiko Tani
    • Stephanie Taubert
    • Alan Travis
    • Alex Tropiec
    • Yusei Uesugi
    • Lee Uren
    • Bruce Vecchitto
    • David Washburn
    • Talmage Watson
    • Ronnie Williams, Jr.
    • Dan Wheaton
    • John Whisnant
    • Jeff Wozniak
    • Mark Youngren
    • Dean Yürke
    • Rita Zimmerman
  • Animators:
    • Michael Bomgat
    • C. Michael Easton
    • Jean-Denis Haas
    • Geoff Hemphill
    • Makoto Koyama
    • Chris Mitchell
    • Erik Morgansen
    • Marla Newall
    • Rick O'Connor
    • Steve Rawlins
    • Greg Towner
    • Delio Tramontozzi
    • Chi Chung Tse
    • Tim Waddy
    • Andy Wong
  • Digital Models and Simulation:
    • Ken Bailey
    • Leigh Barbier
    • Tim Brakensiek
    • Bradford De Caussin
    • Brian Clark
    • Rene Garcia
    • Maurizio Giglioli
    • Bridget Goodman
    • John Goodson
    • Greg Jonkajtys
    • Greg Killmaster
    • Robert Kosai
    • Jean-Claude Langer
    • Scott May
    • James Orara
    • Brian Paik
    • Steve Sauers
    • Renita Taylor
    • Howie Weed
  • Associate Production Managers:
    • Katherine Farrar
    • Chrysta Burton
    • Dale Taylor
  • Production Coordinators:
    • Stacy Bissell
    • Joseph Bell
    • Hui Ling Chang
    • Melanie Cussac
    • Cheng Peishan
  • Production Support:
    • Matt Baume
    • Terran Benveniste
    • Cathleen Carden
    • Marilyn Chan
    • Benjamin Chua
    • Jennifer Coronado
    • Rachel Galbraith
    • George Gambetta
    • John Giang
    • Larry Hoki
    • Christine Loo
    • Alejandro Melendez
    • David Owen
    • Erik Pampel
    • Nikita Patel
    • Andrew Russell
    • Michael Sanders
    • Marci Velando
  • Technical Support:
    • Sean Bittinger
    • Peter Bogatsky
    • Leah Brooks
    • Chantell Brown
    • Brian Cantwell
    • Jayesh Dalal
    • Jason Griger
    • Maura Hogan
    • Mark Kayfez
    • Charlie Ledogar
    • Brian McGraw
    • Kaz Mori
    • Elona Musha
    • Selma Sabera
    • Toh Zijing
  • Research & Development:
    • Tommy Burnette
    • Andre Mazzone
    • Dan Piponi
    • Jeff Smith
    • Jennifer Suter
    • Vivek Verma
  • ILM Executive Producer:
  • ILM Senior Staff:
    • Chrissie England
    • Lynwen Brennan
    • Miles Perkins
    • Janet Lewin
    • Vicki Dobbs Beck
    • Curt Miyashiro

Uncredited crew

Unconfirmed crew

  • Kai Cheng - Digital Artist
  • Sam Lee - Digital Artist
  • John M. Levin - Layout Artist
  • Ryan Martin - Technical Assistant
  • Benjamin Mattress - Digital Artist
  • Spencer Reynolds - Clonecam Operator
  • Craig Rowe - Digital Compositor
  • James Soukup - On-Set Matchmover
  • Teh-wei Yeh - Digital Artist

Star Trek Into Darkness

San Francisco Unit

  • FX Technical Director
    • Noel Hocquet
  • Lighting & Effects Technical Director
    • Mark Chataway
  • Lead Animator
  • Animators
    • Stephen King
    • Jeff Vacanti
  • Digital Matte Painter
    • Jérémie Touzery
  • Senior Generalist Artist
    • Jacobo Barreiro
  • Production Assistants
    • Chris Bonura
    • Andrew Ewert
    • Derek A. Johnson

Singapore Unit

  • Creature Technical Director
    • Natapon Huangsakuncharoen
  • Senior Texture / Lookdev Artist
    • Michael Peter
  • Texture Painter / Look Development Artist
    • Dongjin Seo
  • ENV / DMP
    • Antoine Goncalves
  • Digital Artists
    • Chin Chee Cheah
    • Azzard Gordon
  • Digital Matte Painters
    • Shuwan Mok
    • Lionel Taillens
  • Lead Compositor
    • Jamie Wood
  • Compositors
    • Santhoshi Bala
    • Woon Chi Ong
    • Amit Sharma
  • Digital Compositor
    • Sam Bassett
  • Lead Assets Artist
    • Adam Walker
  • Texture Artist
    • Daniil Alikov
  • Visual Effects Animator
    • Maureen Seng
  • Hard Surface Modeler & Texturer
    • Ted Moowon Kim

Unconfirmed crew

  • Owen Calouro - Layout Artist
  • Christian Castaneda - Digital Compositor
  • Karhoe Chan - Layout Artist
  • Sonia Contreras - Layout Artist
  • Devin Fairbairn - Layout Artist
  • Bridgette Foo - Digital Artist
  • Mei Gangwen - Effects Technical Director
  • Jeff Grebe - FX Technical Director
  • Sherry Hitch - Sequence Supervisor
  • Dean Koonjul - Digital Compositor - Singapore
  • David Larochelle - Compositor
  • Yann Larochette - Senior Compositor
  • Chulev Marko - Modeler / Texture Artist
  • Timothy Mueller - Digimatte Sequence Lead
  • Jia-Hao Ng - Digital Matte Artist
  • Sheau Horng Ng - Digital Artist
  • Christin Quek - Digital Artist
  • Wajid Raza - Assistant Technical Director
  • Patric Roos - Visual Effects Supervisor - Singapore
  • Ryan Rubi - Creature Technical Director
  • Geoff Sayer - Digital Compositor
  • Lai Lin Tang - Layout Artist
  • Chad Taylor - Sequence Supervisor
  • Dennis Trutanic - Senior Layout Artist
  • Marion Voignier - Digital Artist
  • Vong Yonghow - Lighting Technical Director

Further reading

  • Cinefantastique, "Star Trek: The Wrath of Khan", Kay Anderson, Vol 12 #5/6, 1982, pp. 50-55, 57-61, 63-68, 70-74
  • American Cinematographer, October 1982
    • "Warp Speed and Beyond", Jim Veilleux, pp. 1030-1034, 1054-1058
    • "Mama Eel and the Nebulae", Ken Ralston, pp. 1035-1037, 1052
    • "The Genesis Demo", Alvy Ray Smith, pp. 1038-1039, 1048-1050
  • "The Last Voyage of the Starship 'Enterprise'", Brad Munson, Cinefex, Issue 18, August 1984, pp. 42-68
  • ""Star Trek III: The Search for Spock", Nora Lee, American Cinematographer, August/September 1984, pp. 54-63
  • "Blue Skies and Starfields", Ron Magid, American Cinematographer, December 1986, pp. 62-74
  • Industrial Light & Magic: The Art of Special Effects, 1986
  • Cinefantastique, Vol 17 #3/4, 1987
    • "Special Effects; Industrial Light & Magic", Ron Magid, pp. 40-47
    • "Star Trek's ILM Look", Allen Malmquist, pp. 64-67
  • "Humpback to Future", Jody Duncan Shay, Cinefex, Issue 29, February 1987, pp. 4-31
  • "Creating Special Effects for Star Trek: The Next Generation", David Hutchison, The Official Star Trek: The Next Generation Magazine, Vol. 2, December 1987, pp. 26-41
  • "Special Effects The Next Generation", Glenn Campbell & Donna Trotter, Cinefex, Issue 37, February 1989, pp. 4-21
  • "ILM Gets 'Piece of the Action'", Ron Magid, American Cinematographer, January 1992, pp. 58-65
  • "Letting Slip the Dogs of Wars", Kevin H. Martin, Cinefex, Issue 49, February 1992, pp. 38-60
  • "Kirk Out", Kevin H. Martin, Cinefex, Issue 61, March 1995, pp. 62-77
  • "ILM Creates New Universe of Effects for Star Trek: Generations", Ron Magid, American Cinematographer, April 1995, pp. 78-88
  • Industrial Light & Magic: Into the Digital Realm, 1996
  • "Phoenix Rising", Kevin H. Martin, Cinefex, Issue 69, March 1997, pp. 98-119

External links