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'''Mordan IV''' was the [[fourth planets|fourth]] [[planet]] in the Mordan planetary [[star system|system]]. The [[atmosphere]] was capable of supporting [[humanoid]] life-forms. This was the [[homeworld]] for a [[humanoid]] [[species]], the [[Mordanite]]s. In [[2364]], [[Karnas]] was the leader of the planet.
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'''Mordan IV''' was the [[inhabited planets|inhabited]] [[fourth planets|fourth]] [[planet]] of the Mordan [[star system|system]]. This was the [[homeworld]] of the [[Mordanite]]s, a spacefaring [[humanoid]] [[species]]. The Mordanite government was led by a [[governor]]. In [[2364]], that role was filled by [[Karnas]].
   
 
== History ==
 
== History ==
 
[[File:Mordan IV logo.png|left|thumb|The banner of Mordan IV]]
 
[[File:Mordan IV logo.png|left|thumb|The banner of Mordan IV]]
Traditionally, the population of Mordan was made up of a number of different tribes, each with its own leader. In [[2319]], the leader of one of the tribes was assassinated by his enemies from another tribe. His son, Karnas, was determined to avenge his father's death. To this end he took hostage the 63 passengers aboard a [[starliner]], and demanded weapons from [[Starfleet]] in exchange for their release. Two negotiators were sent in by Starfleet, and both of them were killed. Then [[Commander]] [[Mark Jameson]] was dispatched to Mordan, successfully negotiating the release of the hostages. Unknown to Starfleet, Jameson had given Karnas the weapons he wanted, but troubled by his breaking of the [[Prime Directive]], he also gave weapons to Karnas' enemies. This caused [[Mordan IV civil war|a bloody civil war]] between the two factions, which ended in Karnas becoming leader of Mordan in [[2359]].
+
Traditionally, the population of Mordan was made up of a number of different tribes, each with its own leader. In [[2319]], the leader of one of the tribes was [[assassinate]]d by his enemies from another tribe. His son, Karnas, was determined to avenge his father's death. To this end he took hostage the 63 passengers aboard a [[starliner]], and demanded weapons from [[Starfleet]] in exchange for their release. Two negotiators were sent in by Starfleet, and both of them were killed. Then [[Captain]] [[Mark Jameson]] was dispatched to Mordan, successfully negotiating the release of the hostages. Unknown to Starfleet, Jameson had given Karnas the weapons he wanted, but troubled by his breaking of the [[Prime Directive]], he also gave weapons to Karnas' enemies. This caused [[Mordan IV civil war|a bloody civil war]] between the two factions, which ended in Karnas becoming leader of Mordan in [[2359]].
   
Much of the original capital city was destroyed during the civil war, only the tunnels beneath the city surviving intact. [[2364|Five years later]], the [[Federation]] [[ambassador]], [[Hawkins (ambassador)|Hawkins]], was taken hostage by Karnas in an attempt to lure Jameson to Mordan. Karnas blamed Jameson for the forty years of civil war. He initially blamed the kidnappings on terrorists, but Jameson realized that Karnas was responsible. He mounted a failed rescue attempt, and when Karnas requested his life in exchange for the hostages, he agreed. Jameson died in front of him due to an age-reversing drug he had taken, but Karnas was satisfied he was dead, and released the hostages. ({{TNG|Too Short a Season}})
+
Much of the original capital city was destroyed during the civil war, only the tunnels beneath the city surviving intact. Five years later, the [[Federation]] [[ambassador]], {{dis|Hawkins|ambassador}}, was taken hostage by Karnas in an attempt to lure Jameson to Mordan. Karnas blamed Jameson for the forty years of civil war. He initially blamed the kidnappings on terrorists, but Jameson realized that Karnas was responsible. He mounted a failed rescue attempt, and when Karnas requested his life in exchange for the hostages, he agreed. Jameson died in front of him due to an age-reversing drug he had taken, but Karnas was satisfied he was dead, and released the hostages. ({{TNG|Too Short a Season}})
  +
{{clear}}
  +
 
==Background information==
  +
The planet model for Mordan IV was later modified and used to represent [[Relva VII]] in {{e|Coming of Age}} and [[Starbase 179]] in {{e|A Matter Of Honor}}.
   
==Background==
 
 
===Mordan IV cityscape maquette===
 
===Mordan IV cityscape maquette===
[[File:Mordan IV cityscape maquette with creators Mike Okuda and Rick Sternbach.jpg|thumb|The maquette inspected by builders Okuda and Sternbach...]]
 
 
[[File:Mordan IV cityscape maquette overviews,jpg.jpg|thumb|left|Overhead views of the Mordan IV cityscape maquette...]]
 
[[File:Mordan IV cityscape maquette overviews,jpg.jpg|thumb|left|Overhead views of the Mordan IV cityscape maquette...]]
  +
{| class="wiki-sidebar" style="float:right;"
[[File:Captain Picard with view on Mordan IV city.jpg|thumb|...and as featured]]
 
  +
|-
A view on Mordan IV city and its surrounding landscape was proffered from [[Karnas]]'s office, though only barely. The near indiscernible, almost throw-away visual, belied the rather substantial effort, that went into its creation. It was not even a [[matte painting]], the method of choice in the franchise for creating longview landscape visuals of vistas, but rather a cityscape [[Studio_model#Maquette|maquette]], combined with a background landscape painting. One of its creators, [[Mike Okuda]] has noted in this respect, "''Creating models wasn't really our job. We weren't set up for model making in the art department, and we were lucky enough to have the services of [[Paramount Television|Paramount]]'s effects shop, as well as talented outside vendors like [professional model makers] [[Greg Jein]] and [[Tony Meininger]]. But we tried to help out when the vendors were too busy, or if it was something small that we thought was cool but the budget didn't allow. Mostly we painted a few found objects and a tabletop to create a loose impression of a cityscape. I recall that we used a bog wok for the dome of one large building.''" (''[[Star Trek: The Next Generation 365]]'', p. 43) In regard to the Mordan IV cityscape maquette, he has further remarked, "''[[Rick Sternbach|Rick]] made most of the model city buildings. He used hot melt glue to create some cool sculptural detail on the skyscrapers. Very simple, but it looked good when photographed. I did paint and tape detail on dome structures what were mostly made from found objects. I recall that one big dome was a cooking wok. Later, I borrowed the shapes of the buildings for the animated city map graphic on the main viewer.''" [http://www.ex-astris-scientia.org/observations/tooshortaseason.htm]
 
 
| colspan="1" align="center" | [[File:Mordan IV maquette with creators Mike Okuda and Rick Sternbach.jpg|thumb|180px]]
 
| colspan="1" align="center" | [[File:Captain Picard with view on Mordan IV city.jpg|thumb|180px]]
  +
|-
  +
| class="even" | <center>The maquette inspected by builders Okuda and Sternbach...</center>
  +
| class="even" | <center>...and as featured</center>
  +
|-
 
| colspan="1" align="center" | [[File:Mordan IV cityscape maquette with creators Mike Okuda and Rick Sternbach.jpg|thumb|180px]]
  +
| colspan="1" align="center" | [[File:Toya and Alexandra in their quarters.jpg|thumb|180px]]
  +
|-
  +
| class="even" | <center>Surveying the maquette, featuring the transparent domes...</center>
  +
| class="even" | <center>...one of them salvaged to double as Alexandra's toy</center>
  +
|}
 
A view on Mordan IV city and its surrounding landscape was proffered from [[Karnas]]'s office, though only barely. The near indiscernible, almost throw-away visual, belied the rather substantial effort, that went into its creation. It was not even a [[matte painting]], the method of choice in the franchise for creating long-view landscape visuals of vistas, but rather a cityscape [[Studio_model#Maquette|maquette]], combined with a background landscape painting. One of its creators, [[Mike Okuda]] has noted in this respect, "''Creating models wasn't really our job. We weren't set up for model making in the art department, and we were lucky enough to have the services of [[Paramount Television|Paramount]]'s effects shop, as well as talented outside vendors like [professional model makers] [[Greg Jein]] and [[Tony Meininger]]. But we tried to help out when the vendors were too busy, or if it was something small that we thought was cool but the budget didn't allow. Mostly we painted a few found objects and a tabletop to create a loose impression of a cityscape. I recall that we used a big wok for the dome of one large building.''" (''[[Star Trek: The Next Generation 365]]'', p. 43) In regard to the Mordan IV cityscape maquette, he had further remarked, "''[[Rick Sternbach|Rick]] made most of the model city buildings. He used hot melt glue to create some cool sculptural detail on the skyscrapers. Very simple, but it looked good when photographed. I did paint and tape detail on dome structures what were mostly made from found objects. I recall that one big dome was a cooking wok. Later, I borrowed the shapes of the buildings for the animated city map graphic on the main viewer.''"{{eas|observations/tooshortaseason.htm}}
   
 
The graphic, Okuda referred to, was the [[LCARS]] silhouette display on the [[main viewscreen]] of the {{USS|Enterprise|NCC-1701-D|-D}}, consulted by the crew in the episode. The Mordan IV maquette was only the second such model used in the ''[[Star Trek: The Next Generation]]'' series, after the [[Farpoint_Station#Farpoint_maquette_and_set|Farpoint Station landscape maquette]], used in the pilot {{e|Encounter at Farpoint}}, utilizing the same background painting that was used with the maquette in that episode. Superseded by matte paintings, it would remain so for years, until the [[TNG Season 6|season six]] episode {{e|Birthright, Part I}}, for which a smaller maquette of a [[Romulan]] prison camp would be created. (''[[Star Trek: The Next Generation Companion]]'', 3rd. ed., p. 43) Due to the usually large size of maquettes, like that of Mordan IV, they are almost always scrapped after use, this one no exception. Yet on rare occasions, parts of them are re-utilized for use in another capacity. One of the transparent domes turned up as [[Alexandra]]'s toy in [[Toya]]'s [[quarters]] aboard the {{USS|Enterprise|NCC-1701-D|-D}} in the later first season episode {{e|When The Bough Breaks}}.
[[File:Mordan IV maquette with creators Mike Okuda and Rick Sternbach.jpg|thumb|Surveying the maquette]]
 
The graphic, Okuda referred to, was the [[LCARS]] silhouette display on the [[main viewscreen]] of the {{USS|Enterprise|NCC-1701-D|-D}}, consulted by the crew in the episode. Utilizing the same background painting, the Mordan IV maquette was only the second such model used in the ''[[Star Trek: The Next Generation]]'' series, after the [[Farpoint_Station#Farpoint_maquette_and_set|Farpoint Station landscape maquette]], used in the pilot {{e|Encounter at Farpoint}}. Superseded by matte paintings, it would remain so for years, until the [[TNG Season 6|season six]] episode {{e|Birthright, Part I}}, for which a maquette of a [[Romulan]] prison camp would be created. (''[[Star Trek: The Next Generation Companion]]'', 3rd. ed., p. 43)
 
   
 
==External link==
 
==External link==

Revision as of 15:27, 4 April 2015

Mordan IV was the inhabited fourth planet of the Mordan system. This was the homeworld of the Mordanites, a spacefaring humanoid species. The Mordanite government was led by a governor. In 2364, that role was filled by Karnas.

History

Mordan IV logo

The banner of Mordan IV

Traditionally, the population of Mordan was made up of a number of different tribes, each with its own leader. In 2319, the leader of one of the tribes was assassinated by his enemies from another tribe. His son, Karnas, was determined to avenge his father's death. To this end he took hostage the 63 passengers aboard a starliner, and demanded weapons from Starfleet in exchange for their release. Two negotiators were sent in by Starfleet, and both of them were killed. Then Captain Mark Jameson was dispatched to Mordan, successfully negotiating the release of the hostages. Unknown to Starfleet, Jameson had given Karnas the weapons he wanted, but troubled by his breaking of the Prime Directive, he also gave weapons to Karnas' enemies. This caused a bloody civil war between the two factions, which ended in Karnas becoming leader of Mordan in 2359.

Much of the original capital city was destroyed during the civil war, only the tunnels beneath the city surviving intact. Five years later, the Federation ambassador, Hawkins, was taken hostage by Karnas in an attempt to lure Jameson to Mordan. Karnas blamed Jameson for the forty years of civil war. He initially blamed the kidnappings on terrorists, but Jameson realized that Karnas was responsible. He mounted a failed rescue attempt, and when Karnas requested his life in exchange for the hostages, he agreed. Jameson died in front of him due to an age-reversing drug he had taken, but Karnas was satisfied he was dead, and released the hostages. (TNG: "Too Short a Season")

Background information

The planet model for Mordan IV was later modified and used to represent Relva VII in "Coming of Age" and Starbase 179 in "A Matter Of Honor".

Mordan IV cityscape maquette

Mordan IV cityscape maquette overviews,jpg

Overhead views of the Mordan IV cityscape maquette...

Mordan IV maquette with creators Mike Okuda and Rick Sternbach
File:Captain Picard with view on Mordan IV city.jpg
The maquette inspected by builders Okuda and Sternbach...
...and as featured
Mordan IV cityscape maquette with creators Mike Okuda and Rick Sternbach
Toya and Alexandra in their quarters
Surveying the maquette, featuring the transparent domes...
...one of them salvaged to double as Alexandra's toy

A view on Mordan IV city and its surrounding landscape was proffered from Karnas's office, though only barely. The near indiscernible, almost throw-away visual, belied the rather substantial effort, that went into its creation. It was not even a matte painting, the method of choice in the franchise for creating long-view landscape visuals of vistas, but rather a cityscape maquette, combined with a background landscape painting. One of its creators, Mike Okuda has noted in this respect, "Creating models wasn't really our job. We weren't set up for model making in the art department, and we were lucky enough to have the services of Paramount's effects shop, as well as talented outside vendors like [professional model makers] Greg Jein and Tony Meininger. But we tried to help out when the vendors were too busy, or if it was something small that we thought was cool but the budget didn't allow. Mostly we painted a few found objects and a tabletop to create a loose impression of a cityscape. I recall that we used a big wok for the dome of one large building." (Star Trek: The Next Generation 365, p. 43) In regard to the Mordan IV cityscape maquette, he had further remarked, "Rick made most of the model city buildings. He used hot melt glue to create some cool sculptural detail on the skyscrapers. Very simple, but it looked good when photographed. I did paint and tape detail on dome structures what were mostly made from found objects. I recall that one big dome was a cooking wok. Later, I borrowed the shapes of the buildings for the animated city map graphic on the main viewer."[1]

The graphic, Okuda referred to, was the LCARS silhouette display on the main viewscreen of the USS Enterprise-D, consulted by the crew in the episode. The Mordan IV maquette was only the second such model used in the Star Trek: The Next Generation series, after the Farpoint Station landscape maquette, used in the pilot "Encounter at Farpoint", utilizing the same background painting that was used with the maquette in that episode. Superseded by matte paintings, it would remain so for years, until the season six episode "Birthright, Part I", for which a smaller maquette of a Romulan prison camp would be created. (Star Trek: The Next Generation Companion, 3rd. ed., p. 43) Due to the usually large size of maquettes, like that of Mordan IV, they are almost always scrapped after use, this one no exception. Yet on rare occasions, parts of them are re-utilized for use in another capacity. One of the transparent domes turned up as Alexandra's toy in Toya's quarters aboard the USS Enterprise-D in the later first season episode "When The Bough Breaks".

External link

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