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File:Painting miri.jpg|A painting on [[Miri's planet]]<br />({{TOS|Miri}}) |
File:Painting miri.jpg|A painting on [[Miri's planet]]<br />({{TOS|Miri}}) |
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File:Painting miri 2.jpg|A painting on Miri's planet<br />({{TOS|Miri}}) |
File:Painting miri 2.jpg|A painting on Miri's planet<br />({{TOS|Miri}}) |
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| + | File:Starbase 11 Mendez secretary.jpg|A painting of a [[Jupiter]]-like planet on [[Starbase 11]] ({{TOS|The Menagerie, Part I}}) |
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File:Painting thomas leighton home 1.jpg|An abstract painting in [[Thomas Leighton]]'s home<br />({{TOS|The Conscience of the King}}) |
File:Painting thomas leighton home 1.jpg|An abstract painting in [[Thomas Leighton]]'s home<br />({{TOS|The Conscience of the King}}) |
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File:Painting thomas leighton home 2.jpg|An abstract painting in Thomas Leighton's home<br />({{TOS|The Conscience of the King}}) |
File:Painting thomas leighton home 2.jpg|An abstract painting in Thomas Leighton's home<br />({{TOS|The Conscience of the King}}) |
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Revision as of 21:25, 6 November 2012
A young Jonathan Archer paints his model spacecraft.
Jean-Luc Picard painting on the Enterprise.
Captain Janeway painting to relax after her encounter with the Macrocosm.
Chakotay painting with colored sands.
Painting is the practice of applying paint to a medium as a means of creating a work of art, or as a means of enhancing the aesthetics of an existing object.
The USS Enterprise's historian Marla McGivers enjoyed painting images of men she admired, such as Napoléon Bonaparte, Leif Ericson, Flavius, and Khan Noonien Singh. (TOS: "Space Seed")
In 2366, Captain Jean-Luc Picard and a few fellow officers on the USS Enterprise-D held a painting class on the ship. Lieutenant Commander Data, however, criticized Picard's painting. (TNG: "A Matter of Perspective")
There are many examples of painters in the UFP, and Starfleet. As a child, Jonathan Archer painted a model starship he built, (ENT: "Broken Bow") as did a few members of the crew of the USS Voyager. Kathryn Janeway was one such member who would paint to relax as form of recreation. (VOY: "Macrocosm")
In 2369 the shapeshifter Odo imitated a painting of a Bajoran landscape and surprised the Tosk in a corridor. (DS9: "Captive Pursuit")
There have been many forms of paintings throughout the ages. Morn had an Earth painting of a matador in his quarters, which was destroyed when Nahsk smashed it over Quark's head. The key to Morn's locker was inside of it. This painting looked suspiciously similar to one Quark once tried to auction off, when Quark called it the inspiration for the flag of a colony on Mars. (DS9: "Who Mourns for Morn?", "In the Cards")
Painters
- Jessie Arms Botke
- Marc Chagall
- Salvador Dali
- Data
- Leonardo da Vinci
- Thomas Gainsborough
- Kathryn Janeway
- Fernand Léger
- Kira Meru
- Nanpart Malor
- Michelangelo
- Claude Monet
- Marla McGivers
- Pablo Picasso
- Reginald Pollack
- Gideon Seyetik
- Sten
- Taranullus
- Norvo Tigan
- Topek
- Tora Ziyal
- Vincent van Gogh
- Johannes Vermeer
- Y'Raka
Schools and styles
- Andorian Academy (Andorian)
- Cardassian Institute of Art (Cardassian)
- Icon paintings (Bajoran)
- Valonnan School (Cardassian)
Gallery of paintings
A painting in Edith Keeler's room at the Twenty-First Street Mission
(TOS: "The City on the Edge of Forever")
(TOS: "The City on the Edge of Forever")
Several alien landscapes in the Enterprise officers' lounge, and later in Kirk's quarters
(TOS: "Is There in Truth No Beauty?", "The Tholian Web", "The Way to Eden", "Requiem for Methuselah", "Turnabout Intruder")
(TOS: "Is There in Truth No Beauty?", "The Tholian Web", "The Way to Eden", "Requiem for Methuselah", "Turnabout Intruder")
Alien landscapes in Kirk's quarters and it's Gideon duplicate
(TOS: "Wink of an Eye", "The Mark of Gideon")
(TOS: "Wink of an Eye", "The Mark of Gideon")
A space walk painting
(Star Trek: The Motion Picture)
(Star Trek: The Motion Picture)
A painting of the frigate Enterprise
(Star Trek: The Motion Picture)
(Star Trek: The Motion Picture)
A painting of the USS Enterprise (CV-6)
(Star Trek: The Motion Picture)
(Star Trek: The Motion Picture)
A painting of the Enterprise (OV-101)
(Star Trek: The Motion Picture)
(Star Trek: The Motion Picture)
A painting of the USS Enterprise (XCV 330)
(Star Trek: The Motion Picture)
(Star Trek: The Motion Picture)
A painting of the USS Enterprise (NCC-1701)
(Star Trek: The Motion Picture)
(Star Trek: The Motion Picture)
A landscape painting
(Star Trek VI: The Undiscovered Country)
(Star Trek VI: The Undiscovered Country)
A landscape painting
(Star Trek VI: The Undiscovered Country)
(Star Trek VI: The Undiscovered Country)
A painting in the Federation President's office
(Star Trek VI: The Undiscovered Country)
(Star Trek VI: The Undiscovered Country)
A painting in the Enterprise-D's observation lounge and later in Geordi La Forge's quarters
(TNG: "Encounter at Farpoint", "The Naked Now", "Code of Honor", "Haven", "The Last Outpost", "Too Short a Season", "The Big Goodbye", "Datalore", "Home Soil", "When The Bough Breaks", "Coming of Age", "Skin of Evil", "Symbiosis", "We'll Always Have Paris", "The Neutral Zone", "The Most Toys")
(TNG: "Encounter at Farpoint", "The Naked Now", "Code of Honor", "Haven", "The Last Outpost", "Too Short a Season", "The Big Goodbye", "Datalore", "Home Soil", "When The Bough Breaks", "Coming of Age", "Skin of Evil", "Symbiosis", "We'll Always Have Paris", "The Neutral Zone", "The Most Toys")
A painting in the Enterprise-D's observation lounge
(TNG: "Encounter at Farpoint", "Code of Honor", "The Big Goodbye", "Datalore", "Home Soil", "Coming of Age", "Skin of Evil", "Symbiosis", "We'll Always Have Paris", "Conspiracy")
(TNG: "Encounter at Farpoint", "Code of Honor", "The Big Goodbye", "Datalore", "Home Soil", "Coming of Age", "Skin of Evil", "Symbiosis", "We'll Always Have Paris", "Conspiracy")
A painting in the waiting room of the sickbay aboard the Enterprise-D
(TNG: "Encounter at Farpoint", "The Naked Now", "Haven", "Where No One Has Gone Before", "Lonely Among Us", "Justice", "Too Short a Season", "Datalore", "11001001", "Heart of Glory", "Symbiosis", "We'll Always Have Paris", "Conspiracy", "The Neutral Zone", "The Child", "Loud As A Whisper", "The Dauphin", "The Icarus Factor", "Pen Pals", "Samaritan Snare", "Up The Long Ladder", "Shades of Gray", "Ethics" "The Outcast", "Cause and Effect", "The First Duty", "The Perfect Mate", "The Next Phase", "Realm of Fear", "Relics", "Schisms", "Rascals", "The Quality of Life", "Chain of Command, Part II", "Ship in a Bottle", "Aquiel", "Tapestry", "Birthright, Part I", "Starship Mine", "Lessons", "The Chase", "Suspicions", "Interface", "Phantasms", "Dark Page", "Inheritance", "The Pegasus", "Homeward", "Lower Decks", "Thine Own Self", "Eye of the Beholder", "Genesis", "Bloodlines", "Emergence", "All Good Things...")
(TNG: "Encounter at Farpoint", "The Naked Now", "Haven", "Where No One Has Gone Before", "Lonely Among Us", "Justice", "Too Short a Season", "Datalore", "11001001", "Heart of Glory", "Symbiosis", "We'll Always Have Paris", "Conspiracy", "The Neutral Zone", "The Child", "Loud As A Whisper", "The Dauphin", "The Icarus Factor", "Pen Pals", "Samaritan Snare", "Up The Long Ladder", "Shades of Gray", "Ethics" "The Outcast", "Cause and Effect", "The First Duty", "The Perfect Mate", "The Next Phase", "Realm of Fear", "Relics", "Schisms", "Rascals", "The Quality of Life", "Chain of Command, Part II", "Ship in a Bottle", "Aquiel", "Tapestry", "Birthright, Part I", "Starship Mine", "Lessons", "The Chase", "Suspicions", "Interface", "Phantasms", "Dark Page", "Inheritance", "The Pegasus", "Homeward", "Lower Decks", "Thine Own Self", "Eye of the Beholder", "Genesis", "Bloodlines", "Emergence", "All Good Things...")
A painting in Natasha Yar's and later in Beverly Crusher's and the guest quarters
(TNG: "The Naked Now", "Lonely Among Us", "The Neutral Zone")
(TNG: "The Naked Now", "Lonely Among Us", "The Neutral Zone")
A painting in Natasha Yar's and later in Geordi La Forge's and Wyatt Miller's (guest) quarters
(TNG: "The Naked Now", "Code of Honor", "Haven")
(TNG: "The Naked Now", "Code of Honor", "Haven")
A painting in Beverly Crusher's and later in B.G. Robinson's quarters
(TNG: "The Naked Now", "The Outrageous Okona")
(TNG: "The Naked Now", "The Outrageous Okona")
A painting in Beverly Crusher's quarters and later in the observation lounge
(TNG: "The Naked Now", "The Child", "Where Silence Has Lease", "Loud As A Whisper", "Unnatural Selection", "The Emissary", "Evolution", "The Survivors", "Who Watches The Watchers", "The Price", "The Defector", "The High Ground", "The Offspring", "Tin Man", "The Best of Both Worlds", "Galaxy's Child")
(TNG: "The Naked Now", "The Child", "Where Silence Has Lease", "Loud As A Whisper", "Unnatural Selection", "The Emissary", "Evolution", "The Survivors", "Who Watches The Watchers", "The Price", "The Defector", "The High Ground", "The Offspring", "Tin Man", "The Best of Both Worlds", "Galaxy's Child")
A starbase painting in Picard's quarters
(TNG: "The Battle", "Angel One", "Pen Pals", "Allegiance", "Captain's Holiday", "Sarek", "Suddenly Human", "Legacy", "Qpid", "The Game", "I Borg", "Rascals", "A Fistful of Datas"; "Chain of Command, Part I", "Lessons", "The Chase", "Suspicions", "Attached", "The Pegasus", "Journey's End", Star Trek Generations)
(TNG: "The Battle", "Angel One", "Pen Pals", "Allegiance", "Captain's Holiday", "Sarek", "Suddenly Human", "Legacy", "Qpid", "The Game", "I Borg", "Rascals", "A Fistful of Datas"; "Chain of Command, Part I", "Lessons", "The Chase", "Suspicions", "Attached", "The Pegasus", "Journey's End", Star Trek Generations)
A painting in the observation lounge, guest and Marla Aster's quarters
(TNG: "Where Silence Has Lease", "Loud As A Whisper", "Unnatural Selection", "The Royale", "Time Squared", "The Icarus Factor", "Pen Pals", "Q Who", "Samaritan Snare", "Up The Long Ladder", "The Emissary", "Peak Performance", "Evolution", "The Survivors", "The Bonding", "Booby Trap", "The Price", "The Defector", "Deja Q", "Tin Man", "Transfigurations", "The Best of Both Worlds")
(TNG: "Where Silence Has Lease", "Loud As A Whisper", "Unnatural Selection", "The Royale", "Time Squared", "The Icarus Factor", "Pen Pals", "Q Who", "Samaritan Snare", "Up The Long Ladder", "The Emissary", "Peak Performance", "Evolution", "The Survivors", "The Bonding", "Booby Trap", "The Price", "The Defector", "Deja Q", "Tin Man", "Transfigurations", "The Best of Both Worlds")
A painting in William T. Riker's quarters
(TNG: "Time Squared", "The Icarus Factor", "Up The Long Ladder")
(TNG: "Time Squared", "The Icarus Factor", "Up The Long Ladder")
A painting in Leah Brahms' lab, later in the Enterprise-D guest quarters and Data's quarters
(TNG: "Booby Trap", "Qpid", "In Theory")
(TNG: "Booby Trap", "Qpid", "In Theory")
A painting in the Enterprise-D's guest quarters/Data's quarters
(TNG: "The Defector", "Tin Man", "Sarek", "Suddenly Human", "Reunion", TNG: "Future Imperfect", "Data's Day", "The Wounded", "Clues", "Night Terrors")
(TNG: "The Defector", "Tin Man", "Sarek", "Suddenly Human", "Reunion", TNG: "Future Imperfect", "Data's Day", "The Wounded", "Clues", "Night Terrors")
"Tableau I with Red, Black, Blue and Yellow" by Piet Mondrian, in Data's quarters
(TNG: "The Offspring", "In Theory", "Silicon Avatar", "A Matter of Time", "Hero Worship", "The Quality of Life", "Descent, Part II", "Phantasms")
(TNG: "The Offspring", "In Theory", "Silicon Avatar", "A Matter of Time", "Hero Worship", "The Quality of Life", "Descent, Part II", "Phantasms")
A painting in the Enterprise-D guest quarters and Riker's quarters
(TNG: "Symbiosis", "Time Squared", "Up The Long Ladder", "Remember Me", "Night Terrors")
(TNG: "Symbiosis", "Time Squared", "Up The Long Ladder", "Remember Me", "Night Terrors")
A painting in the captain's ready room in an illusory 2383/Beverly Crusher's quarters
(TNG: "Future Imperfect", "The Host")
(TNG: "Future Imperfect", "The Host")
A painting in the Enterprise-D guest quarters/Counselor Troi's quarters
(TNG: "Half a Life", "The Mind's Eye", "Ensign Ro", "Hero Worship", "Violations", "Conundrum", "Ethics", "The Outcast", "Cause and Effect", "Cost of Living", "Imaginary Friend", "I Borg", "Man of the People", "Schisms", "True Q", "Rascals", "A Fistful of Datas", "Chain of Command, Part I", "Aquiel", "Lessons", "The Chase", "Suspicions", "Rightful Heir", "Second Chances", "Dark Page", "Attached", "Parallels", "The Pegasus", "Homeward", "Lower Decks", "Masks", "Eye of the Beholder", "Journey's End", "Firstborn")
(TNG: "Half a Life", "The Mind's Eye", "Ensign Ro", "Hero Worship", "Violations", "Conundrum", "Ethics", "The Outcast", "Cause and Effect", "Cost of Living", "Imaginary Friend", "I Borg", "Man of the People", "Schisms", "True Q", "Rascals", "A Fistful of Datas", "Chain of Command, Part I", "Aquiel", "Lessons", "The Chase", "Suspicions", "Rightful Heir", "Second Chances", "Dark Page", "Attached", "Parallels", "The Pegasus", "Homeward", "Lower Decks", "Masks", "Eye of the Beholder", "Journey's End", "Firstborn")
A painting in the Enterprise-D guest quarters
(TNG: "Half a Life", "Ensign Ro", "The Game", "Hero Worship", "Conundrum", "The Outcast", "Cause and Effect", "Cost of Living", "The Perfect Mate", "Imaginary Friend", "I Borg", "The Inner Light", "Realm of Fear", "Man of the People", "True Q", "Rascals", "A Fistful of Datas", "Chain of Command, Part II", "Ship in a Bottle", "Birthright, Part I", "Lessons", "Suspicions", "Rightful Heir", "Second Chances", "Liaisons", "Gambit, Part I", "Dark Page", "Attached", "The Pegasus", "Homeward", "Lower Decks", "Journey's End", "Bloodlines", "Preemptive Strike", "All Good Things...")
(TNG: "Half a Life", "Ensign Ro", "The Game", "Hero Worship", "Conundrum", "The Outcast", "Cause and Effect", "Cost of Living", "The Perfect Mate", "Imaginary Friend", "I Borg", "The Inner Light", "Realm of Fear", "Man of the People", "True Q", "Rascals", "A Fistful of Datas", "Chain of Command, Part II", "Ship in a Bottle", "Birthright, Part I", "Lessons", "Suspicions", "Rightful Heir", "Second Chances", "Liaisons", "Gambit, Part I", "Dark Page", "Attached", "The Pegasus", "Homeward", "Lower Decks", "Journey's End", "Bloodlines", "Preemptive Strike", "All Good Things...")
"A Woman Holding a Balance" by Johannes Vermeer
(TNG: "The Game", "A Matter of Time", "Hero Worship", "The Outcast", "The Quality of Life", "Birthright, Part I", "Descent", "Phantasms", "Inheritance", "Masks", "Genesis")
(TNG: "The Game", "A Matter of Time", "Hero Worship", "The Outcast", "The Quality of Life", "Birthright, Part I", "Descent", "Phantasms", "Inheritance", "Masks", "Genesis")
A portrait in the Nexus
(Star Trek Generations)
(Star Trek Generations)
A painting of the original USS Enterprise in James Kirk's imaginary home in the Nexus
(Star Trek Generations)
(Star Trek Generations)
A painting in Sisko's quarters/ Chu'lak's quarters
(DS9: "Move Along Home", "The Nagus", "If Wishes Were Horses", "Dramatis Personae", "Field of Fire")
(DS9: "Move Along Home", "The Nagus", "If Wishes Were Horses", "Dramatis Personae", "Field of Fire")
A painting of four planets of the Sol system in DS9's classroom; Also appeared in crew quarters
(DS9: "The Nagus", "Field of Fire")
(DS9: "The Nagus", "Field of Fire")
![A landscape at night in Miles O'Briens quarters (DS9: "If Wishes Were Horses", "Cardassians" [1])](/wiki/File:Painting_in_O%27Brien%27s_quarters.jpg "Painting in O'Brien's quarters.jpg (6 KB)")
