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==Release==
 
==Release==
The film will premiere at the George Street Event Cinema in Sydney, Australia on April 23, 2013. Additional premieres will take place in Moscow (April 25), Berlin (April 29), and London (May 2), [http://trekmovie.com/2013/04/07/star-trek-into-darkness-gala-premiere-set-for-april-23rd-in-sydney-australia-more-cities-to-follow/] before wide release in Australia and the UK on May 9. It will premiere in Los Angeles on May 14, [http://trekmovie.com/2013/04/10/exclusive-domestic-poster-trailer-coming-next-week-hollywood-premier-may-14-more-promo-details/] before its release in the Philippines on May 16 and North America on May 17. [http://apps.paramountpictures.com/movie/startrek/releasedates/release-dates.html] IMAX 3D preview screenings in North America will take place on May 15. [http://trekmovie.com/2013/02/03/buy-tickets-now-for-star-trek-into-darkness-fan-sneak-screenings-may-15th/]
+
The film premiered at the George Street Event Cinema in Sydney, Australia on April 23, 2013. Additional premieres took place in Moscow (April 25), Berlin (April 29), and London (May 2), before wide release in Australia and the UK on May 9. It will premiere in Los Angeles on May 14, [http://trekmovie.com/2013/04/10/exclusive-domestic-poster-trailer-coming-next-week-hollywood-premier-may-14-more-promo-details/] before its release in the Philippines on May 16 and North America on May 17. [http://apps.paramountpictures.com/movie/startrek/releasedates/release-dates.html] IMAX 3D preview screenings in North America will take place on May 15. [http://trekmovie.com/2013/02/03/buy-tickets-now-for-star-trek-into-darkness-fan-sneak-screenings-may-15th/]
   
 
Within hours of tickets going on sale in the UK on April 9, 2013, the [[Wikipedia:London IMAX|London IMAX]]'s website crashed due to heavy traffic. [http://www.comicbookmovie.com/fansites/JoshWildingNewsAndReviews/news/?a=77332]
 
Within hours of tickets going on sale in the UK on April 9, 2013, the [[Wikipedia:London IMAX|London IMAX]]'s website crashed due to heavy traffic. [http://www.comicbookmovie.com/fansites/JoshWildingNewsAndReviews/news/?a=77332]

Revision as of 15:17, 4 May 2013

Template:Realworld

MA 2009 Warning!
This page contains information regarding material for the upcoming Star Trek film, and thus may contain spoilers.


Memory Alpha contains spoilers to released material only, so no information about this movie can be added until Paramount announces a film or identified studio sources discuss information with a press outlet, such as a news service. Because of our desire to exclude unconfirmed data, please use the talk page to suggest or explain an addition to this article, only if it has a citation that could be referenced here.

Star Trek Into Darkness (temporarily titled in the media as Star Trek 2 or Star Trek XII) is the follow-up to the 2009 film Star Trek. The creative team of director J.J. Abrams, writers Roberto Orci, Alex Kurtzman, and Damon Lindelof and producer Bryan Burk of Bad Robot Productions will return. [1] The sequel is currently set for release on 17 May 2013 and will be the first Star Trek movie to be released in 3D. [2]

Title

Abrams noted that if they make a sequel, "it would have a subtitle instead of a number." [3] At the end of the Star Trek audio commentary, Damon Lindelof jokingly refers to the sequel as Pineapple. By 2012, the writers had not settled on a title. Lindelof commented Star Trek 2 was taken by Star Trek II: The Wrath of Khan, and did not want a colon in the title. "Not that Star Trek: Insurrection or First Contact aren't good titles," he said, "it's just that everything that people are turned off about when it comes to Trek is represented by the colon." [4] During production, the film was codenamed Project HH. [5]

On 7 September 2012, it was announced that a title had been chosen for the sequel. [6] Later that day, the title was rumored and then confirmed to be Star Trek Into Darkness. [7] [8] Abrams acknowledged the title was "odd", but declared "It definitely feels like the title's appropriate: this is a story about these characters being challenged and tested and taken to a place that's about sacrifice and life and death." Additonally, Into Darkness was ambigious enough to not spoil the story. "I remember there was a movie, An Innocent Man, and I was like, doesn't that kinda ruin everything?!?" Abrams joked. [9]

Story

On 27 November 2012, Paramount released the official plot synopsis for the film:

In Summer 2013, pioneering director J.J. Abrams will deliver an explosive action thriller that takes Star Trek Into Darkness.
When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis.
With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one man weapon of mass destruction.
As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew. [10]

Excerpts of copyrighted sources are included for review purposes only, without any intention of infringement.

Alex Kurtzman commented, "Sequels are about the bad guy. [...] In a second movie, the reason the bad guy is so important is because he tests them. And that is always the joy of the best sequels." [11] He added Kirk has "never sent men and women to their deaths before, so what's going to happen when that kind of question comes up for him?" [12] Chris Pine said that "I'd say the threat is even greater in this one. The force [the crew] are met with is much more frightening." [13]

At the 2011 Los Angeles Times Hero Complex Film Festival, Orci, Kurtzman, and Lindelof confirmed the film would acknowledge the "ripple effect" of Vulcan's destruction. They said between films the crew would've had a few more adventures, but they are still not fully familiar with each other. [14]

Mike Johnson, writer of the Star Trek comic book said the first, fourth and twelfth issues contained hints of events in the film. "They are more retroactive, in the sense that after you see the movie you can go back and see where things were set up. Some are very direct; others are more thematic." [15] [16]

Cast

File:Man held in the brig.jpg

Benedict Cumberbatch as "John Harrison"

All of the major actors in the first film – namely, those portraying the core crew members of the USS Enterprise (John Cho, Simon Pegg, Chris Pine, Zachary Quinto, Zoë Saldana, Karl Urban, and Anton Yelchin) – will return. [17] Bruce Greenwood will also return as Admiral Christopher Pike. [18]

On November 4, 2011, Variety reported that Academy Award-winning actor Benicio del Toro (Traffic, Che) would be offered the role of the villain in the sequel. [19] Latino Review reported that Del Toro would play Khan Noonien Singh, a report which Abrams said was "not true." [20] Soon thereafter, it was revealed that del Toro's deal fell through and that he would not be appearing in the film. [21] Edgar Ramirez and Jordi Molla were named as possible replacements, [22] but on January 4, 2012, Variety announced Benedict Cumberbatch would be playing the villain. [23]

On November 30, 2011, it was announced that Alice Eve had been selected for a lead role in the film. [24] On December 5, Peter Weller was announced as having joined the cast in an unknown role. [25] Weller previously played John Frederick Paxton on Star Trek: Enterprise. Following press screenings of the film's first half hour in Brazil, it was confirmed he was playing Admiral Marcus. [26] On January 4, 2012, Variety reported British actor Noel Clarke will be joining the cast as a family man with a wife and young daughter. [27] Two days later, Entertainment Weekly announced that Nazneen Contractor will be playing the wife of Clarke's character. On 10 December 2012 it was reported by TrekMovie.com that Eve's character would be Carol Marcus. [28]

On April 30, 2012, it was reported that Cumberbatch's role in the film is that of Khan Noonien Singh, [29] [30] but Simon Pegg shot down this report, calling it "a myth." [31] Karl Urban stated "He's awesome, he's a great addition, and I think his Gary Mitchell is going to be exemplary." [32] He later said, though, that "I did that interview after a 22-hour flight from New Zealand. I literally hopped off the plane into the interview." [33] Orci reiterated Urban's latter statement, while confirming Cumberbatch and Eve's characters had appeared in Star Trek canon. [34] When interviewed himself, Cumberbatch continued the secrecy by merely pointing to a promotional image and stating he played "that person there." (The One Show BBC One, broadcast 24th August, 2012) On December 10, 2012, StarTrek.com released a photo featuring Cumberbatch's character in a holding cell with Spock and Kirk looking on from the other side. The site also reported that Cumberbatch's character is named "John Harrison", in apparent contrast to Orci's previous comment that his character had previously appeared in Star Trek canon. Star Trek Into Darkness

Leonard Nimoy has stated that he did not expect to return as the original Spock in this movie, [35] but, alongside the Khan report, it was claimed that he would indeed be returning for the sequel. [36] [37]

With the announcement of the sequel, fans once again began a campaign to bring Christopher Doohan back to the Enterprise, stating that the Enterprise needs a Doohan. IMDB states that Christopher Doohan did indeed get a role as a Transport Officer. Chris noted on his twitter page @chrisdoohan that he would not have got the part without the help of Simon Pegg. [38]

Michael Dorn was contacted for a role during the start of filming, and was asked to play "an officer – a soldier." Eventually it was decided that "they didn’t want to mix the old with the new": Dorn had played Worf and his grandfather in the previous films and television series. [39]

Development

The sequel's development was announced on March 30, 2009, over a month before the first film was released. Writers Roberto Orci, Alex Kurtzman, and Damon Lindelof were aiming to deliver the script to Paramount by December 2009 for a possible summer 2011 release, but the release changed to 2012 as no script had been written when that initial target neared. [40] [41] Orci attributed the initial delay to other projects they wanted to do; then deciding if the initial story they thought of was the best one; and the "scary" notion of a new timeline where they had absolute freedom. "Since we freed it from the original timeline we had narrative freedom, which is sometimes worse. Absolute freedom is sometimes scarier than what you have to do," he said. [42]

Lindelof said the jumping off point for the story was deciding whether Khan Noonien Singh would be the villain, and they weighed the pros and cons of him appearing. [43] Abrams felt "It'll be fun to hear what Alex and Bob are thinking about Khan. The fun of this timeline is arguing that different stories, with the same characters, could be equally if not more compelling than what's been told before. [...] Certain people are destined to cross paths and come together, and Khan is out there... even if he doesn't have the same issues." [44] Lindelof added another important decision was deciding whether to dedicate the film entirely to the fallout of Vulcan's destruction, or letting it simmer for another film. [45]

Abrams and Orci told the Los Angeles Times they heard that fans would like modern, relevant issues to be explored in the sequel. [46] At the Blu-ray/DVD launch for Star Trek, Lindelof indicated some of the film may be set during the time frame of the previous film, which was from 2233 to 2258. Orci told Anthony Pascale he was looking at novels by Arthur C. Clarke or Larry Niven - such as The Mote in God's Eye, in a reply made on Pascale's forum - for inspiration. He also rewatched the original episodes, examining how they would unfold in the alternate reality, [47] and looked for Star Trek novels he hadn't read yet for further inspiration. [48]

In February 2011, Orci and Lindelof announced they were in the process of writing the script for the the film and had relocated themselves to a hotel room for five weeks in order to better do it without any distractions. They also asked for fan input on what the general consensus is for the "proper" name of the main deflector dish that has been an integral part of starship design throughout Star Trek. [49] Orci indicated that filming would begin in fall 2011. He added the film would build on the previous one, but it still had to attract new fans and stand by itself without relying on its predecessor. [50]

The film's pre-production or "prep" began in April 2011, based on a detailed seventy-page outline of the story. Orci stated they were awaiting Abrams' approval on a completed script, as he was preoccupied with completing Super 8. [51] After that film's release, Abrams estimated that making Super 8 had put the Star Trek sequel "probably six months behind". [52] Orci, Kurtzman, and Lindelof added that while Abrams could begin filming that September and have the film out the following June as he did on Super 8, ultimately it may not be best for the film, as Star Trek would naturally require more intensive post-production. [53] After the release of Super 8, it was announced Abrams would direct in September 2011. [54]

Production

On November 23, 2011, it was reported that the sequel will be shot in 3D for a 17 May 2013 release. [55] Abrams later clarified the film will be shot in 2D and converted into 3D during post-production. [56] It will be the first official 3D Star Trek production. Abrams was convinced to convert the film in 3D after watching converted footage of the scene in Star Trek where the USS Enterprise arrives at Vulcan. After shooting each scene, Abrams did a pass with a 3D camera which replicated the original camera moves, to help the conversion process. [57]

TrekMovie reported that shooting of the sequel started on January 12, 2012. Due to the permanent sets of NCIS: Los Angeles on Paramount Stage 8 and 9 the production will also be filming at the Sony Studios in Culver City. The larger sound stages enabled the filmmakers to build interconnected interiors for the Enterprise, similar to the original television show. [58] It also appeared that Hawaii was not chosen for "jungle scenes" but a location in Southern California. [59] Paramount officially announced the start of principal photography on 14 January 2012. [60] Other filming locations include Budweiser Brewery, Dodger Stadium, Long Beach City Hall, MCAS Tustin, and the Vasquez Rocks [61] as well as the Crystal Cathedral in Garden Grove, California. [62]

On Thursday 2 February 2012 and Tuesday 7 February 2012, Headquarters Casting, owned by Carla Lewis, sought background talents for the Trek sequel. According to the casting note they were searching for "attractive / refined / upscale or exotic talent ages 35-55 who are well postured / athletic to thin. Men should be in good shape, ladies must not be overly busty or curvy. The wardrobe is fitted so we need performers who are in great shape and/or on the thin side. Seeking a wide array of different ethnicities for this group, including ethnically ambiguous talent. The work date(s) are TBD, but could be numerous depending on the scene you are selected for. Would require at least one wardrobe fitting. We are submitting additional photos and the photos MUST be current and representative of how you look NOW. Some of the spots that will be picture picked will be quite featured. This is background work and we are seeking both SAG & Non-Union talent. It's possible that non-union performers may need to work SAG (depending on the work day(s) they are ultimately fit for and the number of performers working that day.)". The open call was held at 3108 W. Magnolia Blvd., Burbank, California 91505. [63]

In the final week of January 2012, NASA astronaut and engineer Gregory Chamitoff visited the set of the Star Trek sequel. Following the appearance of several images from the filming, [64] a short video clip also appeared on the web showing a fight scene between Zachary Quinto and Benedict Cumberbatch. [65] [66] More pictures from behind the scenes appeared on the web showing Zoe Saldana and Chris Pine. [67] [68] In addition, OnLocationVacations confirmed the filming location of the previously seen images. The large green screen and the fighting scenes were filmed in Marina del Rey, California, along Jefferson Blvd. and near Grosvenor Blvd. on 23 February 2012. [69]

On 16 April 2012 a new photo from the filming went online showing Zachary Quinto in a Starfleet space suit on a wire in front of a green screen. According to the description from On Location News a volcano is somehow involved. [70] On 17 April 2012 Go for Location reported that the Star Trek sequel is filming exterior and interior scenes all week in Downtown Los Angeles, especially Bunker Hill and the historic core areas [71] [72] and at Flower and Olympic. [73] They're also filming on multiple units at Raleigh Studios PlayaVista lot. [74] On Friday, 20 April 2012 production filmed at 710 S. Grand Avenue, Los Angeles (7:00 am – 10:00 pm). [75]

On 21 April 2012 the cast and crew filmed scenes at 710 S. Grand Ave., Los Angeles (4/21 - 4/22/2012, 7:00 am – 10:00 pm), 650 S. Spring St. (4/21/2012, 7:00 am – 10:00 pm), in the Grand Ave. Crosswalk, between Cal Plaza and Wells Fargo Plaza (4/21 6:00 am – 10:00 pm) 350 S. Grand Ave. (4/21 6:00 am – 10:00 pm), 333 S. Grand Ave. (4/21/2012 6:00 am – 10:00 pm), 523 W. 6th St. (4/21, 7:00 am – 10:00 pm). Base camp was set up at Grand and 8th Ave. [76]

Several photos from the set in Marina del Rey, California appeared on the web showing red prop trees which were used for the surface of a red planet and a storm scene. According to a crewmember the production will wrap in Los Angeles this week and heading to the San Francisco area for the final week of filming. According to On Location Vacations there was a radio casting call in San Francisco for a big motion picture and shooting will start on 1 May 2012. [77] Just a few days later, On Location Vacations reported that an anonymous source reported about a location filming at National Ignition Facility at the Lawrence Livermore National Laboratory in Livermore, California prior to the filming in San Francisco. [78] [79] They will also film in Pleasanton. [80]

Pegg and Quinto tweeted that filming wrapped on May 8, 2012. [81] Afterwards, second unit filming began in Iceland for visual effects shots. Abrams previously considered filming Delta Vega exterior sequences in Iceland for the previous film: this marks the first time a Star Trek film has shot outside the United States. [82]

At the 2011 San Diego Comic-Con, Roberto Orci hinted at changes to the Enterprise design and the opening credits. [83] He commented upon commencement of filming that the engineering designs have been altered. [84] Designer Neville Page has said if there were Klingons, he would have to explore a rationale for their appearance such as their long hair, and give their species a varied appearance, perhaps with different races. [85] Industrial Light & Magic began working on visual effects in November 2011, starting with shots of outer space that would not require live-action elements. [86] In an October 2012 interview on the talk show Conan, Abrams stated that the film was in the editing process, and debuted a three-frame clip of Spock in a volcano. [87]

Michael Giacchino confirmed he would return to compose the film's music score before filming began. [88] Giacchino composed new themes for Harrison, Admiral Marcus, the Klingons, as well as a more "personal" arrangement of Kirk's theme. He also incorporated a theme from the TV show: "I had just finished writing and shut off my computer and said I'm done done. I went downstairs and went on Twitter and someone tweeted to me 'Can you please use one of the themes from one of the old series in the new movie'... and I thought 'OK, OK' and so I went back upstairs and there was one I always particularly loved... so that will be there for you to find." [89]

Business Wire announced that Star Trek Into Darkness will be released with Dolby Atmos "to deliver a more natural and realistic soundtrack that moves sound around and above audiences, transporting them into the outer regions of the universe". [90] [91]

Release

The film premiered at the George Street Event Cinema in Sydney, Australia on April 23, 2013. Additional premieres took place in Moscow (April 25), Berlin (April 29), and London (May 2), before wide release in Australia and the UK on May 9. It will premiere in Los Angeles on May 14, [92] before its release in the Philippines on May 16 and North America on May 17. [93] IMAX 3D preview screenings in North America will take place on May 15. [94]

Within hours of tickets going on sale in the UK on April 9, 2013, the London IMAX's website crashed due to heavy traffic. [95]

Marketing

Spock in Volcano Suit, silhouette

The first image released from the film

IDW Publishing solicited a four-issue prequel comic book to the film titled Star Trek: Countdown to Darkness. Like the previous film's comic book prequel, Star Trek: Countdown, it was written by Mike Johnson and drawn by David Messina.

Hasbro will release toys, including Kre-O models, to promote the film. Mattel will also release at least one new Hot Wheels starship model.

A video game, Star Trek, will be released before the film. Its story and development cycle was independent of the films, but its release was delayed to promote the second film.

Alan Dean Foster will write the novelization of the film. Star Trek Into Darkness

The soundtrack will be released by Varèse Sarabande Records.

The first nine minutes of the film was shown before IMAX 3D screenings of The Hobbit: An Unexpected Journey on 14 December 2012. [96] The first trailer was shown before non-IMAX screenings of the film. [97]

The announcement trailer was released on the web on 5 December 2012. The Japanese version of the trailer has an additional revealing scene. [98]

While showing scenes from the film at CinemaCon on April 15, 2013, members of the cast and crew expressed discomfort at promoting the film just hours after the 2013 Boston Marathon bombings. Chris Pine acknowledged the parallels between the film's plot and the real world: "Terrorism is a huge part of our lives, and we all know the effects of that." [99] Before the film's Australian premiere, Abrams commented the parallels were "horrible and unfortunate and heartbreaking [...] but I would argue that it is also one of the reasons we go to the movies - to look at our lives, to ask questions about things we are trying to figure out, to find ways to make some sense of these things."[100]

Posters

Awards and honors

Star Trek Into Darkness received the following awards and honors.

Year Group Award Nominee(s) Result
2012 California on Location Awards Location Team of the Year - Studio Feature Films Becky Brake, Supervising Location Manager; Steve Woroniecki, Location Manager; Taylor Boyd, Leo Fialho, Peter Gluck, Kathy McCurdy, Golden Robert Swenson, Scott Trimble, Key Assistant Location Managers; Shelly Armstrong, Christina Otteson, Assistant Location Managers Won

Links and references

Cast

Stunt performers

Stand-ins

Crew

  • Based upon Star Trek created by Gene Roddenberry
  • Alex Kurtzman - Screenplay / Producer
  • Damon Lindelof - Screenplay / Producer
  • Roberto Orci - Screenplay / Producer
  • J.J. Abrams - Producer / Director
  • Bryan Burk - Producer
  • Ben Rosenblatt - Producer
  • Jeffrey Chernov - Executive Producer
  • David Ellison - Executive Producer
  • Dana Goldberg - Executive Producer
  • Paul Schwake - Executive Producer
  • David Baronoff - Associate Producer
  • Dan Mindel - Cinematographer
  • Scott Chambliss - Production Designer
  • Maryann Brandon - Editor
  • Mary Jo Markey - Editor
  • Michael Kaplan - Costume Designer
  • Michael Giacchino - Composer
  • April Webster - Casting Director, CSA
  • Alyssa Weisberg - Casting Director
  • Carla Lewis - Extras Casting
  • Tommy Gormley - First Assistant Director/Co-Producer
  • Andrew Stahl - Additional Second Assistant Director
  • Kathleen Doise - DGA Trainee
  • Ramsey Avery - Supervising Art Director
  • Neville Page - Lead Creature Designer
  • Easton Michael Smith - Senior Set Designer
  • Kevin Cross - Set Designer
  • Tex Kadonaga - Set Designer
  • Raj Rihal - Concept Illustrator
  • Christopher S. Ross - Conceptual Illustrator
  • Ryan Church - Concept Designer
  • Phillip Boutte, Jr. - Conceptual Designer
  • Clint Carney - Concept Artist/ Prop Maker
  • Maury Ruiz - Concept Artist
  • James Clyne - Art Director
  • Harry E. Otto - Art Director
  • Jason Baldwin Stewart - Art Director
  • Shawn D. Bronson - Art Assistant
  • Ann Foley - Assistant Costume Designer
  • Keith Christensen - Costume Concept Artist
  • Jonathan Burdeshaw - Sculptor
  • Elisabeth Brown - Sculptor/Model Builder
  • David LeRoy Anderson - Head of Makeup Department; Special FX Makeup Artist
  • Dave Snyder - Makeup Artist
  • Jeanne Van Phue - Makeup Artist
  • Jamie Kelman - Prosthetic Makeup Artist: AFX Studio
  • Brian Sipe - Special Makeup Effects Artist
  • Eryn Krueger Mekash - Special Makeup Effects Artist
  • Don Rutherford - Makeup Artist/Background Makeup Supervisor
  • Deborah Patino Rutherford - Key Makeup Artist/Assistant Makeup Department Head
  • Heather Langenkamp - Makeup Artist
  • Clark Kelly - Sculptor
  • Rita DaSilva - First Assistant Editor
  • Shannon M.E. Weiss - A.C.E. Intern
  • Karl J. Martin - Set Designer
  • Anne Porter - Set Designer
  • Scott Schneider - Senior Set Designer
  • Ken Palkow - Prop Fabricator
  • Becky Brake - Supervising Location Manager
  • Steve Woroniecki - Location Manager
  • Taylor Boyd - Key Assistant Location Manager
  • Leo Fialho - Key Assistant Location Manager
  • Peter Gluck - Key Assistant Location Manager
  • Kathy McCurdy - Key Assistant Location Manager
  • Rob Swenson - Key Assistant Location Manager
  • Scott Trimble - Key Assistant Location Manager
  • Shelly Armstrong - Location Coordinator/Assistant Location Manager
  • Christina Otteson - Assistant Location Manager
  • Michael Kehoe - Craft Service
  • Jessica F. Sherman - Casting Assistant
  • Brooke Shoemaker - Casting Assistant
  • Rachel Steele - Extras Casting Assistant
  • Martin Allan Kloner - Visual Effects Editor
  • Carina Berlin - 2nd Unit Art Department Assistant
  • Michelle Brattson - Production Supervisor
  • George J. Hrico - Production Secretary
  • Jason De Meo - Second Assistant Accountant
  • Jason W. Mesias - Production Assistant
  • John Dutcher - Confidentially Production Assistant
  • Gabe de Kelaita - Set Production Assistant
  • Bess Johnson - Camera Production Assistant
  • Brian Runnels - Office Production Assistant
  • Samantha Hatch - Additional Set Production Assistant
  • Michael Ambrose - Second Unit Gaffer
  • Jaimie Trueblood - Still Photographer
  • Clark James - Custom Electronics
  • Noel Hocquet - FX Technical Director: ILM
  • Mark Chataway - Lighting & Effects Technical Director: ILM
  • Jean-Denis Haas - Lead Animator: ILM
  • Stephen King - Animator: ILM
  • Jeff Vacanti - Animator: ILM
  • Jérémie Touzery - Digital Matte Painter: ILM
  • Jacobo Barreiro - Senior Generalist Artist: ILM
  • Derek A. Johnson - Visual Effects Post Production Assistant: ILM
  • Andrew Ewert - Visual Effects Production Assistant: ILM
  • Chris Bonura - Art Department Production Assistant: ILM
  • Phil Weisgerber - CNC Operations
  • Michael Teixeira - Production Assistant
  • Margaret Blakemore - Production Assistant
  • Beatriz Aguilar - Intern/Production Assistant
  • Julie Minasian - Score Vocalist
  • Ayana Haviv - Ensemble Singer
  • Michael John Mollo - Electronic Music Programming
  • Michael Peter - Senior Texture/Lookdev Artist: ILM Singapore
  • Antoine Goncalves - ENV/DMP: ILM Singapore
  • Chin Chee Cheah - Digital Artist: ILM Singapore
  • Shuwan Mok - Digital Matte Painter: ILM Singapore
  • Jamie Wood - Lead Compositor: ILM Singapore
  • Lionel Taillens - Digital Matte Painter: ILM Singapore
  • Woon Chi Ong - Compositor: ILM Singapore
  • Azzard Gordon - Digital Artist: ILM Singapore
  • Adam Walker - Lead Assets Artist: ILM Singapore
  • Daniil Alikov - Texture Artist: ILM Singapore
  • Maureen Seng - Visual Effects Animator: ILM Singapore
  • Amit Sharma - Compositor: ILM Singapore
  • Sam Bassett - Digital Compositor: ILM Singapore
  • Dongjin Seo - Texture Painter/Look Development Artist: ILM Singapore
  • Ted Moowon Kim - Hard Surface Modeler & Texturer: ILM Singapore
  • Santhoshi Balasubramaniam - Compositor/Digital Artist: ILM Singapore
  • Natapon Huangsakuncharoen - Creature Technical Director: ILM Singapore
  • Vong Yonghow - Lighting Technical Director: ILM Singapore
  • Alessandro Zanforlin - Nuke Compositor: ILM Singapore
  • Matthew Gilson - Digital Matte Painter
  • Monte Swann - Supervising Video Engineer
  • Dan Engle - Model Maker
  • David Vegezzi - Interface Art Designer: OOOii
  • Andrew Tamandl - Senior Character Animator: OOOii
  • Marcos Shih - 3D Matte Painter/Concept Artist: Pixomondo
  • Uwe Majer - Compositor: Pixomondo
  • Trea Cotton - Digital Paint Artist: Pixomondo
  • Lon Krung - Modeling and Texturing CG Artist: Pixomondo
  • Robert Jackson - 2D Lead Compositor: Pixomondo
  • Johannes Groß - Senior Shading & Lighting Artist: Pixomondo
  • Aitor Arroyo - Nuke Artist: Pixomondo
  • Thierry Hamel - Lead Matchmove and Environment TD: Pixomondo
  • Thomas Middleton - Digital Compositor: Pixomondo
  • Aymeric Perceval - Digital Compositor: Pixomondo
  • Simon Carr - Digital Supervisor: Pixomondo
  • David Lucas Vivaldini - Digital Compositor: Pixomondo
  • Marcos Lohnefink de Barros - 3D Generalist: Pixomondo
  • Ali Ingham - Senior Production Coordinator: Pixomondo
  • Gareth Stevenson - 3D Generalist: Pixomondo
  • Darrell Abney - Modeler: Pixomondo
  • Jonny Gu - Compositor: Pixomondo
  • Fedor Odegov - Pipeline TD Post Production: Pixomondo
  • Duncan Rochfort - Editor: Pixomondo
  • Tony Lyons - Compositor: Pixomondo
  • Giang T. Nguyen - Animator: Pixomondo
  • Roman Schmidt - Division CG Supervisor: Pixomondo
  • Soyeon Olivia Jung - Rotoscope/Paint Artist: Pixomondo
  • Kolby Kember - Lighting and Shading Artist: Pixomondo
  • Kelly Fischer - Compositor: Pixomondo
  • Alexander Köhl - Digital Compositor
  • Jessica Hickam - Production Assistant/Assistant to Neville Page
  • P.J. Tobyansen - Visual Effects Production Assistant: Data Wrangler during Photography
  • Peter Woods - Accounting Assistant
  • Matt Brooks - 3D Database Developer
  • Joseph Civitate - Senior 3D Generalist
  • Valentina Vee - Post Production Intern
  • Graham D. Clark - Head of Stereography: Stereo D
  • Aisling Harbert - Stereoscopic Lead Artist: Stereo D
  • Elliot Contreras - Senior Stereoscopic Compositor: Stereo D
  • Michael Buck - Lead Stereoscopic Assistant Editor: Stereo D
  • Naren Naidoo - Stereoscopic Roto Artist: Stereo D
  • David Miller III - Senior Stereoscopic Artist: Stereo D
  • Priscilla Landerer - Stereoscopic Compositor: Stereo D
  • David Maldonado - Lead Stereoscopic Depth Artist: Stereo D
  • Derek N. Prusak - Stereoscopic Editorial Supervisor: Stereo D
  • Grover Richardson - Stereoscopic Compositor: Stereo D
  • Daniel Perez - Stereoscopic/Roto Artist
  • Osni Omena - 3D Artist/Maya Generalist
  • Carlos J. Rosario - Digital Artist
  • Yanick Dusseault - Matte Painter
  • Guy Riessen - Digital Matte Painter: Atomic Fiction
  • Michael G. Jackson - Postvis Artist: Halon Entertainment
  • Brian Adler - Digital & Visual Effects Executive Producer: Gentle Giant Studios
  • Dane Allan Smith - Visual Effects Producer 3D Scanning: Giant Studios
  • Nick Jordan - Cast and Travel Coordinator
  • Maria E. Ortiz - Paramount Pictures Consultant
  • Sarah Elgart - Choreographer
Unconfirmed cast
  • Kraisit Agnew as Nikicha Tomser
  • Tom Archdeacon as Ensign Spyke
  • Alexandra Aristy as Starfleet HQ staff #2
  • Paris Benjamin as Enterprise crew engineer
  • Paul K. Daniel as shuttle pilot
  • Leni Ford as Cosmoe
  • Ryan T. Husk as Starfleet officer
  • Britanni Johnson as NYU nurse
  • Mike Kalinowski as Starfleet officer
  • Hina Khan as cadet
  • Dave Kim as Starfleet Enlisted Soldier
  • Ariel D. King as Starfleet civilian
  • Jacqueline King as deck crew #9
  • Andrew Maiorano as Starfleet HQ staff #3
  • Brent McGee as Enterprise crew engineer
  • Westley Nguyen as civilian
  • Preston Queen as bar patron #3
  • Joel Shock as security officer
  • Gianna Simone as deck crew #7
  • Thomas W. Stewart as Enterprise crew engineer
  • John Tomkins
  • James Tran as observation deck crew #10
  • Kyle Valle as Starfleet civilian
  • David C. Waite as Starfleet Command
Unconfirmed stunt performers
  • John Ashker - stunts
  • Brian Avery - stunt double: Simon Pegg
  • Maryellen Aviano - stunts
  • Marco Bianco - utility stunts/key stunt rigger
  • Chris Brewster - stunt double: Anton Yelchin
  • Tim Connolly - stunt double: Karl Urban
  • George Cottle - stunts
  • Brycen Counts - stunts
  • Sam Creed - stunts
  • Jahnel Curfman - stunts
  • Steve DeCastro - stunts
  • Cory DeMeyers - stunts
  • Shauna Duggins - stunts
  • Wade Eastwood - stunts
  • Robert C. Escobar - stunts
  • Ryan Gray - utility stunts
  • Nick Hermz - stunts
  • Brett A. Jones - utility stunts
  • Antal Kalik - stunts
  • Zero Kazama - stunts
  • Bobby C. King - stunts
  • Henry Kingi, Jr. - stunts
  • Hiro Koda - stunts
  • Dave Lane - stunt rigger
  • Malosi Leonard - stunts
  • Tom McComas - stunts
  • Mike Mukatis - stunts
  • Eric Norris - stunts
  • Lin Oeding - stunts
  • J.J. Perry - stunts
  • Peewee Piemonte - utility stunts
  • Denney Pierce - stunts
  • Mark Rayner - stunts
  • Rex Reddick - stunts
  • Larry Rippenkroeger - stunts
  • Jimmy N. Roberts - stunts
  • Todd Schneider - stunts
  • Monty L. Simons - stunt rigger
  • Brian Simpson - stunts
  • Aaron Toney - stunts
  • Steve Upton - stunt rigger
  • Cord Walker - utility stunts
  • Nico Woulard - stunts
Unconfirmed stand-ins
Unconfirmed crew
  • Eri Adachi - Compositor: Pixomondo
  • Jan Adamczyk - Division Compositing Supervisor: Pixomondo
  • Milton Adamou - Stereoscopic Post Executive
  • Chris Adams - Special Effects Toolman
  • Rose Adler - Matchmove Artist: Pixomondo
  • Nikita Agrawal - Stereo Production Coordinator
  • Anjel Alcaraz - Lead Stereoscopic Artist: Stereo D
  • William Aldridge - Special Effects Second Pyrotechnic Foreman
  • Bradley Alexander - Previsualization Supervisor: Halon Entertainment
  • Anthony Almaraz - Set Costumer
  • Tom Altobello - Property Assistant
  • Ron Ames - Visual Effects Producer
  • John Amorelli - Rigging Draftsman
  • Xuzhen An - Compositor: Pixomondo
  • Colin Anderson - "A" Camera Operator
  • Katie R. Anderson - Office Production Assistant
  • Pedro Andrade - Digital Compositor
  • Rich Andrade - Set Dresser
  • Callie Andreadis - Art Department Assistant
  • Beverley Joy Ang - Assistant Technical Director
  • Siau Yene Ang - Lighting Technical Director
  • Dave Anglin - Second Unit Camera Production Assistant
  • Carlos Anguiano - Pipeline Developer: Pixomondo
  • Jason Apperson - Additional Electrician
  • Oliver Arnold - Division Visual Effects Producer: Pixomondo
  • Florian Ast - Compositing Intern: Pixomondo
  • Lauren Astore - Coordinator: Digital Caliber Inc.
  • Ilya Astrakhan - Lead Lighting Artist: Pixomondo
  • Alan Au - Art Director
  • Adam Austin - Libra Head Operator
  • Maryellen Aviano - Extras Casting Coordinator
  • Ando Avila - Compositor: Pixomondo
  • Paul A. Baccam - Stereoscopic Rotoscope Artist
  • Christian Bahr - Lighting Artist: Pixomondo
  • Uli Baier - FX Artist: Pixomondo
  • Buffy Bailey - Previs Artist
  • Kevin Baillie - Visual Effects Supervisor: Atomic Fiction
  • Justin Ball - Compositor: Pixomondo
  • James Ballard - Compositor
  • Frank Willis Balzer - Special Effects Assistant
  • Zheng Bao - Compositor: Pixomondo
  • Teri J. Barber - Set Production Assistant
  • Scott Barnes - Lighting Programmer
  • Fernando Barrios - Rigging Grip
  • Jose F. Barrios - Rigging Grip Foreman
  • Steven Barthen - CG Intern: Pixomondo
  • Sara Bartkiewicz - Assistant Production Coordinator
  • Brandon Bartlett - Division CG Supervisor: Pixomondo
  • Chris Basso - Generator Operator / Driver, Production Van Operator
  • Ted Basso - Production Van Driver Operator
  • Michael Bauer - Digital Production Supervisor
  • Daniel Baxter - Production Assistant
  • Fritz Beck - Lighting Artist: Pixomondo
  • Harald Belker - Concept Designer
  • Todd Bennett - Plasterer
  • Frank Berbert - Digital Compositor: ILM
  • Jeff Berrington - Special Effects Welder
  • Kelly Berthold - Additional Production Assistant
  • Annalyn Betinol - Rotoscope/Paint Artist: Pixomondo
  • Jürgen Bilstein - Lighting Artist: Pixomondo
  • Michael Binczek - Special Effects Model Maker Gang Boss
  • Brian Bishop - Rigging Grip
  • Kerry Joseph Blackman - Assistant Editor
  • Daniel Blöcher - CG Artist: Pixomondo
  • Scott Bobbitt - Art Department Lead Man
  • Ioan Boieriu - FX Artist: Pixomondo
  • Jason Bomstein - Stereoscopic Artist
  • Jason Bond - Rotoscope/Paint Artist: Pixomondo
  • John Bonnin - Libra Head Operator
  • Siksit Boonyodom - Compositor
  • Konstantin Borchert - Compositor: Pixomondo
  • Cris Borgnine - Visual Effects Rigging Supervisor
  • Bill Bost - Assistant: David Ellison
  • Chloe Bostian - Matte Painter: Pixomondo
  • Frankie Bourne - Production Assistant
  • Jason Bowers - Compositor: Pixomondo
  • John Bowers - Compositor: Pixomondo
  • Jacon Brades - Set Production Assistant
  • Chris Bramante - Production Assistant
  • Simon Brenner - Animator: Pixomondo
  • Maxwell Britton - Set Dresser
  • Laura N. Brooks - Production Assistant
  • Michael Broom - Conceptual Designer
  • Bo Bruce - Vocals
  • Chris Bryant - Key Production Assistant
  • Dorothy Bulac - Specialty Costumer
  • Andreas Bundenthal - FX Artist: Pixomondo
  • Aaron Burnitt - Systems Administrator: Pixomondo
  • Alex E. Burns - Driver: Day Player
  • Chris Burr - Rigging Electrician
  • David Burton - Division Visual Effects Supervisor: Pixomondo
  • Sebastian Butenberg - Animation Supervisor: Pixomondo
  • Andrew Byrne - FX Artist: Pixomondo
  • Moises Flores Cabrera - Stereoscopic Compositor
  • Ian Calip - Second Assistant Director
  • Douglas Calli - Special Effects Mechanical Engineer
  • Owen Calouro - Layout Artist: ILM
  • Adam Camacho - Grip
  • Lorrie Campbell - Set Designer
  • Roberto "Boceno" Campbell - Second Assistant Camera Operator: "C" Camera
  • Sue Campbell - Animator: Pixomondo
  • Kevin A. Canamar - Supervising Set Medic
  • Jay Cannavo - Splinter Unit Production Assistant
  • Jake Capistron - Eclipse Technician
  • Deborah Carlson - FX Technical Director: ILM
  • Philippe Carr-Forster - Camera Operator
  • Steve Casa - Visual Effects Photographer
  • Kyle Cascadden - IT Trainee: Pixomondo
  • Christian Castaneda - Digital Compositor: ILM
  • Marco Castellani - Compositor: Pixomondo
  • Tom Caton - Splinter Unit Boom Operator
  • Laura Caulfield - Production Legal
  • Karhoe Chan - Layout Artist: ILM
  • Steven Chapman - Lidar Technician
  • Terry Chapman - Special Effects Second Set Foreman
  • Matt Chase - Craft Service Assistant
  • Peter Chase - Craft Service
  • Jason Chen - Main Unit Data Wrangler
  • Zhongwei Chen - Matchmove Artist: Pixomondo
  • Cheng Cheng - Rotoscope/Paint Artist: Pixomondo
  • Alexander Chiles - Animator: Pixomondo
  • Tagui Chilyan - Stereo Production Assistant: Stereo D
  • Wally Chin - Rotoscope/Paint Artist: Pixomondo
  • Bryan Chojnowski - Previs Artist
  • Peter Chrimes - Second Unit Key Grip
  • Steve Christensen - Art Director
  • Darrell Claunch - Stereoscopic Compositor
  • Art Clever - Special Effects Welding Foreman
  • Michael Coady - Driver
  • Dan Cobbett - Compositing Supervisor: Pixomondo
  • David Cohen - Mold Shop Supervisor
  • Joseph Richard Collins - Specialty Costumer
  • Kit Conners - Production Assistant
  • Steve Constancio - Specialty Costumer
  • Sonia Contreras - Layout Artist: ILM
  • Jeremiah Cooke - Special Effects Hydraulic Foreman
  • Matt Cordero - Stereoscopic Compositor
  • Jack Cornelius - Set Dresser
  • Kristen Correll - Film Loader
  • Matt Corrigan - Special Effects Artist
  • Marcela Coto - Travel Assistant
  • Daniel Cotroneo - 2nd Unit Lighting Technician
  • Erik Coutts - Transportation department
  • David Cowles - Stereoscopic On-Line Editor
  • Edward J. Cox - Rigging Electric Gang Boss
  • Maurice Cox - Senior Stereoscopic Compositor
  • Andrae Crawford - Second Assistant Camera Operator
  • Clark Credle - Second Unit First Assistant Director
  • Tim Croshaw - Set Designer
  • Brian G. Curtis - Animator: Pixomondo
  • Greg Curtis - Special Effects Rigging Foreman
  • Jamie Daddio - First Assistant Accountant
  • Xu Dai - Rotoscope/Paint Artist: Pixomondo
  • Adam Dale - Aerial Director of Photography
  • Burt Dalton - Special Effects Supervisor
  • David Dame - Digital Artist
  • Tony Damjanov - Editorial Production Assistant
  • Enrico Damm - CG Supervisor: Pixomondo
  • Lorelei David - Visual Effects Editor: ILM
  • Keith B. Davis - First Assistant Camera Operator "B" Camera
  • James Davis, Jr. - Depth Artist
  • Gilbert Dawson-Kesson - CG Artist: Pixomondo
  • Curtis Decker - Special Effects Machinist
  • Albert Delgado - Special Effects Third Set Foreman
  • Brian Deming - Key Assistant Location Manager
  • Levon Shant Demirjian - Visual Effects Artist
  • Michelle Denering - Special Makeup Effects Artist
  • Del DePierro - Visual Effects Stereoscopic Supervisor: Pixomondo
  • Mark DeSimone - ADR Mixer
  • Rustin Devendorf - Stereoscopic Depth Artist
  • Leslie Devlin - Makeup Artist
  • Peter J. Devlin - Production Sound Mixer
  • Harish Devnani - Compositor: Pixomondo
  • Samantha Dewey-Gartner - Wardrobe Assistant
  • Kenny DiGiordano - Previs Artist
  • Allison Dillard - Production Safety Director
  • Matt DiNardo - Compositor: Pixomondo
  • Doris Ding - Rotoscope/Paint Artist: Pixomondo
  • Lucas di Rago - Digital Compositor
  • Matt DiSarro - Special Effects Technician
  • Gus Djuro - Senior Stereoscopic Compositor
  • George Doering - Musician
  • Michael Dohne - Compositor: Pixomondo
  • Maren Dolzmann - Visual Effects Coordinator: Pixomondo
  • Hugo Dominguez - Rotoscope/Paint Artist: Pixomondo
  • Don Domino - Rigging Grip
  • Sebastian Domula - Lighting Artist: Pixomondo
  • Lisa A. Doyle - Set Costumer
  • Dennis Drozdowski - Special Effects Technician
  • John Eaves - Conceptual Illustrator
  • Gregory M. Edgar - Property Assistant/Assistant Property Master
  • Sally Edwards - DGA Trainee
  • Sergej Eichmann - Lighting Artist: Pixomondo
  • Greg Emerson - Senior Stereoscopic On-Line Editor
  • Daniel Emmerich - CG Intern: Pixomondo
  • Sean England - Foley Artist
  • Simon England - Second Assistant Camera Operator "A" Camera
  • Juan Antonio Espigares Enriquez - Compositor: Pixomondo
  • Denny Ertanto - Compositor: Pixomondo
  • David Espinoza - Lighting Artist: Pixomondo
  • Dale Ettema - Special Effects General Foreman
  • Bryan T. Evans - Matchmove Artist
  • Benjamin Ey - Division Visual Effects Producer: Pixomondo
  • Maeve Eydmann - Matte Painter: Pixomondo
  • Blake Fabian - Digital Asset Manager
  • Paul Faeldo - Stereo Compositor: Stereo D
  • Kevin Fahey - Rigging Key Grip
  • Devin Fairbairn - Layout Artist: ILM
  • Heidi Falconer - Unit Publicist
  • Hsuanyi Fang - Matchmove Artist: Pixomondo
  • Kasra Farahani - Art Director
  • Salina Farkas - Accounting: Pixomondo
  • Junaid Farooq - FX Artist: Pixomondo
  • Susana Inés Fattorini - Location Accountant
  • Dean Faulder - Animator: Pixomondo
  • Daniel Fazel - Lighting Artist: Pixomondo
  • Robert Fechtman - Set Designer
  • Phylicia Feldman - Compositor: Pixomondo
  • Mariano Fernandez - Metal Shop Foreman
  • Erik Fernando - Lighting Artist: Pixomondo
  • Juan Carlos Ferrá - Stereoscopic Compositor
  • Francesco Ferrara - Painter
  • Giovanni Ferrara - Paint Foreman
  • Mark Ferrer - Stereoscopic Roto Artist: Stereo D
  • Dawn Fidrick - Stereoscopic Rotoscope Artist: Stereo D
  • Will Files - Sound Re-Recording Mixer
  • Claire Finbow - Assistant to Simon Pegg
  • Chad Finnerty - Visual Effects Supervisor Consultant
  • Chela Fiorini - Assistant Property Master
  • Felix Fissel - IT Manager: Pixomondo
  • Aaron C. Fitzgerald - Second Unit Second Second Assistant Director
  • Laura Fitzpatrick - Division Visual Effects Producer: Pixomondo
  • Cliff Fleming - Helicopter Pilot
  • Cory Fleming - Aerial Ground Coordinator
  • Andy Flores - Standby Painter
  • Larkin Flynn - Compositor: Pixomondo
  • Bridgette Foo - Digital Artist: ILM
  • Lianne Forbes - Matchmove Supervisor: Pixomondo
  • Brian Fortune - Compositor: Pixomondo
  • Lucia Foster Found - Aerial Operations Coordinator
  • Clayton Fowler - Grip
  • Emily Francione - Stereoscopic Roto Lead: Stereo D - 3D Version
  • Elizabeth Frank - Set Costumer
  • Florian Franke - Compositor: Pixomondo
  • Urs Franzen - Visual Effects Supervisor: Pixomondo
  • Layne Friedman - Compositor: Pixomondo
  • Florian Friedmann - Animator: Pixomondo
  • Josh Friz - 2nd Unit Second Assistant Camera Operator
  • Maxi Fröhlich - Compositing Intern: Pixomondo
  • Jeff Frost - Concept Model Maker
  • Christopher Fulmer - Systems Administrator: Pixomondo
  • Chris Furia - Production Controller
  • Thomas Furukawa - Global Visual Effects Coordinator: Pixomondo
  • Doug Gagan - Special Effects Technician
  • Bradley Gaines - Rotoscope/Paint Artist: Pixomondo
  • Micah Gallagher - Lead Compositor: Pixomondo
  • Patrick Gané - Visual Effects: Modeling and Texturing
  • Mei Gangwen - Effects Technical Director: ILM
  • Rick Gamez - Prop Fabricator
  • Matthaeus Gamroth - Animator: Pixomondo
  • Feng Gao - Compositor: Pixomondo
  • Liwei Gao - CG Artist: Pixomondo
  • Pascal Garneau - Sound Effects Editor
  • Adam Garnier - Stereoscopic Compositor: Digital Caliber Inc.
  • Edgar Garrido - Roto Artist
  • Nancy Gassner-Clayton - Score Vocalist
  • Kevin George - Lighting Artist: Pixomondo
  • Natasha Gerasimova - Assistant Art Director
  • Tobias Gerdts - Compositor: Pixomondo
  • Sabrina Gerhardt - Division Visual Effects Producer: Pixomondo
  • Mike Gerzevitz - Electrician: Fixtures
  • Mathew Giampa - Lead Compositor: Pixomondo
  • Hank Giardina - Paint Supervisor
  • Tim Gibbons - Digital Compositor
  • Jackson Gichuki - Stereoscopic Rotoscope Artist
  • Matthew E. Gill - Stereo Production Assistant: Stereo D
  • Charley Gilleran - Key Grip
  • Dawn Gilliam - Script Supervisor
  • Betsy Glick - Costumer
  • Jan Glöckner - Compositor: Pixomondo
  • Christian Godzik - FX Artist: Pixomondo
  • Ebru Gönül - Compositor: Pixomondo
  • Michael E. Goldman - Art Director
  • Matt Goldstein - Splinter Unit Set Production Assistant
  • Ronald D. Goldstein - Special Effects Technician
  • Edgar Gonzalez - Rotoscope Artist
  • Joanna N. Goslicka - Matchmove Artist: Pixomondo
  • Björn Gottwald - Compositor: Pixomondo
  • A.B. Govardhan - Matchmove Supervisor: Botvfx
  • Matthew Gowan - Production Assistant
  • Connie Grayson - Contact Lens Technician / Wig Maker
  • Renee Greathouse - Production Assistant
  • Jeff Grebe - FX Technical Director: ILM
  • David Greene - Special Effects Shop Foreman
  • Elysia Greening - Compositor: Pixomondo
  • Jerry Gregoricka - Rigging Electrician
  • Ashley Gressen - Additional Production Assistant
  • Peter N. Griffith - Property Assistant
  • Matt Grimm - Assistant to Dana Goldberg
  • Jörn Großhans - Division Visual Effects Supervisor: Pixomondo
  • Ben Grossmann - Visual Effects Supervisor: Pixomondo
  • Quinn Grove - Rigging Grip
  • Branko Grujcic - Digital Effects Artist
  • Phaneedra Gullapalli - Pipeline Developer: Pixomondo
  • Benson Guo - Compositor: Pixomondo
  • Nick Haines - Visual Effects
  • Sean Haley - Set Costumer
  • Katie Hamberger - Visual Effects Artist
  • Ramon Hamilton - Depth Artist
  • Pam Hammarlund - Division Visual Effects Producer: Pixomondo
  • Josh Handley - Stereoscopic Compositor
  • Steven Hansen - Matchmove Supervisor: Pixomondo
  • Derek Hanson - Lead Stereo Compositor: Stereo D
  • Reginald Harber, Jr. - Stereoscopic Compositing Lead
  • Tommy Harper - Unit Production Manager / Co-Producer
  • Melissa Harrison - Property Coordinator
  • Jeffrey J. Hart - Additional Set Production Assistant
  • Wenyi He - Matchmove Artist: Pixomondo
  • Rens Heeren - Division Lead Lighting Artist: Pixomondo
  • David Heffler - Assistant Production Coordinator
  • David Heimerl - Compositor: Pixomondo
  • Árni Björn Helgason - Unit Production Manager: Iceland
  • Kelly Valentine Hendry - Casting Search
  • Alex Henning - On Set Visual Effects Supervisor: Pixomondo
  • James F. Henry - Special Effects Foreman
  • Mila Hermanovski - Costume Buyer
  • Andrea Hernandez - Division Lead Compositor: Pixomondo
  • Daniel A. Hernandez - Video Assist
  • Benny Herudek - Division Lead Lighting Artist: Pixomondo
  • Nicholas Hiegel - Compositor: Pixomondo
  • Bryan M. Higgins - Rotoscope Supervisor
  • Jason Hindman - Fixtures Technician
  • Isaac Hingley - Animator: Pixomondo
  • Michael Hird - Medic
  • Annika Hirsch - Division Visual Effects Producer: Pixomondo
  • Sebastian Hirsch - Matte Painter: Pixomondo
  • Sherry Hitch - Sequence Supervisor: ILM
  • Emily Hoang - Costume Assistant
  • Martin Höhnle - Matte Painter: Pixomondo
  • Patrick Hoeschen - Lighting Technician
  • Falk Hofmann - Compositor: Pixomondo
  • Bruce Holcomb - Digital Model Supervisor
  • Brian Holmes - Systems Administrator: Pixomondo
  • Matt R. Hopkins - Prop Fabricator
  • Paul Hormis - Pipeline Technical Director: Pixomondo
  • Craig Hosking - Aerial Coordinator / Pilot
  • Ruth Hossie - Head Cutter
  • Kevin Houlihan - Key Art Assistant
  • Craig Houston - Compositor: Pixomondo
  • Gábor Hoványi - Compositor: Pixomondo
  • Duff Chung-Pu Hsiao - Rotoscope/Paint Artist: Pixomondo
  • Xiaoyong Hu - Matchmove Artist: Pixomondo
  • Gary Huang - Render Wrangler: Pixomondo
  • Lucas Hull - Digital Compositor
  • Dartayous Hunter - Compositor: Pixomondo
  • Hansoo Im - Lead Lighting Artist: Pixomondo
  • Florian Jackl - Systems Administrator: Pixomondo
  • Jiri Jacknowitz - Digital Artist
  • Aaron Jackson - Art Department Assistant
  • Ryan Jacoby - Mold Shop
  • Andrea Jamiel - Render Wrangler: Pixomondo
  • Jaime Jasso - Lead Digital Matte Artist
  • Whan Je - i/o Coordinator: Pixomondo
  • Henry Jefferson - Compositing Artist: Pixomondo
  • Victor Jenkins - Casting Search
  • Leo Jia - Animator: Pixomondo
  • Chao Jiang - Compositor: Pixomondo
  • Marisol Jiménez - Construction Accountant
  • Chris Jones - Special Effects Second Rigging Foreman
  • Cindy Jones - Department Head: Computer Graphics
  • YeYoung Jung - Animator: Pixomondo
  • Niko Junge - Compositor: Pixomondo
  • Martin Jurado - Division Matchmove Supervisor: Pixomondo
  • Jordan C. Kadovitz - Computer Video Playback: Rigger
  • Perry Kain - Global Visual Effects Coordinator: Pixomondo
  • Christian Kalata - CG Artist: Pixomondo
  • David Karp - Assistant to Jeffrey Chernov
  • Sandro Kath - Compositor: Pixomondo
  • Paul Kavanagh - Animation Supervisor: ILm
  • Jamie Kehoe - Craft Service Assistant
  • Michael Kelem - Aerial Director of Photography
  • Pete Kelley - Special Effects Technician
  • James Kells - Compositor: Pixomondo
  • Rolf John Keppler - Special Makeup Effects Artist
  • Jane Kilkenny - Prop Shop Gang Boss: Laser Tech
  • Jun Young Kim - FX Artist: Pixomondo
  • Kevin Kim - FX Artist: Pixomondo
  • Markus Kircher - Compositor: Pixomondo
  • Vedat Kiyici - ADR Mixer
  • Dag Kjetsa - Compositor: Pixomondo
  • Thomas Kleylein - FX Artist: Pixomondo
  • Ivan Kokov - Compositor: Pixomondo
  • Dean Koonjul - Digital Compositor: ILM Singapore
  • Christian Korneck - Systems Administrator: Pixomondo
  • Gumby Kounthong - Extras Casting
  • Sebastian Kral - Systems Administrator: Pixomondo
  • Denis Kravtsov - Pipeline Developer: Pixomondo
  • Patrick Kreuser - Compositor: Pixomondo
  • Lon Krung - CG Artist: Pixomondo
  • Norman Krüsmann - FX Artist: Pixomondo
  • Nitesh Kumar - Stereo Roto Artist: Stereo D
  • Johanes Kurnia - FX Artist: Pixomondo
  • Thilo Kuther - Visual Effects Executive Producer: Pixomondo
  • Wing Kwok - Compositor: Pixomondo
  • Christian Labarta - 2nd Unit Set Production Assistant
  • David Ladish - Set Dresser
  • Steven Ladish - Set Dresser
  • Stacia Lang - Key Specialty Costumer
  • Michael Lankes - Compositor: Pixomondo
  • David Larochelle - Compositor: ILM
  • Yann Larochette - Senior Compositor: ILM
  • Chris Larsen - Set Dresser
  • Thomas Lautenbach - Division Visual Effects Supervisor: Pixomondo
  • Daniel Lawson - Production Assistant
  • Julius Lechner - FX Artist: Pixomondo
  • Jonathan B. Lee - Stereo Production Assistant
  • Kenji Lee - Animator: Pixomondo
  • Melissa Lee - Compositor: Pixomondo
  • SeungJoo Lee - Compositor: Pixomondo
  • Tammy S. Lee - Set Designer
  • Erik Lehmann - Texturing Artist: Pixomondo
  • Ellexa Lemarie - Production Assistant
  • Chris Lentz - Animation Supervisor: Singapore
  • Talia Leone - Assistant Accountant
  • C.J. LePage - i/o: Pixomondo
  • Rock LeRoy - Transportation Captain
  • Jenny Leupold - CG Artist: Pixomondo
  • Erin Levine - Set Production Assistant
  • Jing Li - Division Visual Effects Producer: Pixomondo
  • Qian Li - Compositor: Pixomondo
  • Wenkang Li - Compositor: Pixomondo
  • Yu Li - Compositor: Pixomondo
  • Zhunan Li - Visual Effects Coordinator: Pixomondo
  • Damon Liebowitz - Fixtures Technician
  • Jeff Lin - Animator: Pixomondo
  • Kai Lin - Animator: Pixomondo
  • YuanJing Lin - Assistant Technical Director
  • Dawn Y. Line - Key Costumer
  • Noll Linsangan - Lead Compositor: Pixomondo
  • Benjamin Liu - FX Artist: Pixomondo
  • Heng Liu - Animator: Pixomondo
  • Sunyan Liu - FX Artist: Pixomondo
  • Veronica Lorenz - Special Effects Makeup Artist
  • Leon Loukeris - FX Artist: Pixomondo
  • George Lozano, Jr. - Fixtures Technician
  • Jacob Lundmark - Roto/Paint Artist: Pixomondo
  • Lap Van Luu - Systems Administrator: Pixomondo
  • Michael Lyon - Fixtures Best Boy
  • Gretchen Ma - Matchmove Artist: Pixomondo
  • Zijun Ma - Roto/Paint Artist: Pixomondo
  • Joe Macaluso - 2nd Unit Key Grip
  • Frank Macchia - Music Preparation
  • Damien Macé - Matte Painter: Pixomondo
  • Ali Magee - Makeup Department PA
  • Brian Magner - Previs Artist
  • Michael C. Magno - Set Dresser
  • Jason Mahakian - Concept Model Maker
  • Pravin Mahtani - Stereoscopic Compositor
  • Igor Majdandzic - Division Lead Compositor: Pixomondo
  • Carson Majors - Stereoscopic Compositor/Painter
  • Sebastian Maldonado - Senior Stereoscopic Compositor
  • Christoph Malessa - Division Visual Effects Producer: Pixomondo
  • Lee Philip Malin - Confidentiality Administrator
  • Richard Ivan Mann - Visual Effects Producer: Pixomondo
  • John R. Manocchia - Rigging Gaffer
  • Karen Manthey - Set Decorator
  • Charana Mapatuna - Stereoscopic Compositor: Stereo D LLC
  • Artur Margiv - Compositor
  • Jose Marin - Compositor: Pixomondo
  • Simon Marinof - Digital Compositor
  • Chulev Marko - Modeler / Texture Artist: ILM
  • Jeff Markwith - Set Designer
  • Sven Martin - Division Visual Effects Supervisor: Pixomondo
  • Gary Martinez - 2nd Unit Video Assistant
  • Geordie Martinez - Creature Technical Director: ILM
  • Victor James Martinez - Concept Artist
  • Natalie Masciale - Assistant: Paul Schwake
  • Mary L. Mastro - Hair Department Head
  • Dirk Matzkuhn - Compositor: Pixomondo
  • Lori Maxwell - Transportation Dispatcher
  • Richard F. Mays - Digital Set Designer
  • Merdyce McClaran - On Set Dresser
  • Bruce McCleery - 2nd Unit Director of Photography
  • Stuart McCowan - ADR Editor
  • BJ McDonnell - 2nd Unit Additional Camera Operator
  • John McGonegle - Electrician
  • Elizabeth McKinney - Stereoscopic Compositor: Digital Caliber Inc.
  • David McMahon - Digital Compositor
  • Lisa McNeil - 2nd Unit Script Supervisor
  • Christian McWilliams - Location Scout
  • Jackie Medel - Production Assistant
  • Natalie Meffert - Compositor: Pixomondo
  • Vanessa Meier - Splinter Unit Script Supervisor
  • Mike Mekash - Special Makeup Effects Artist
  • Kevin Melia - Stereoscopic Roto Artist
  • Lau E.H. Melvin - Visual Effects Technical Assistant
  • Mariscela Beatriz Mendez - 2nd Unit Lighting Technician
  • Jaime Mengual - Electronic Prop Assistant
  • Pieter Mentz - Division Effects Supervisor: Pixomondo
  • Cris Mertens - Stereoscopic Assistant Editor
  • Felix Messerschmitt - Animator: Pixomondo
  • Steven Messing - Concept Designer
  • Christophe Metz - Compositor: Pixomondo
  • Philip Meyer - Lighting Artist: Pixomondo
  • Brandon Miletta - Lighting Artist: Pixomondo
  • Becca Miller - Specialty Costumer
  • Brian David Miller - Visual Effects Editor: Pixomondo
  • Michael Miller - ADR Mixer
  • Ed Mirassou - Prop Maker
  • Bart Mixon - Special Makeup Effects Artist
  • Knuth Möde - Matte Painter: Pixomondo
  • Tobias Moenninger - Systems Administrator: Pixomondo
  • Andrew Moffett - Previs Artist
  • Sidhartha Mohanty - Production Assistant
  • Mona Mohr - Visual Effects Coordinator: Pixomondo
  • Jacki Moonves - 2nd Unit Camera Production Assistant
  • Daniel P. Moore - Video Operator
  • Jason M. Moore - Set Costumer
  • Joey Moran - Rigging Electrician
  • Christopher Morente - Greensman
  • Immanuel Morris - Stereoscopic Artist
  • Shaun Morris - Production Assistant
  • Gonzalo Moyano Fernandez - Compositor: Pixomondo
  • Erich A. Muller - Costumer
  • Christof Müller - Lighting Artist: Pixomondo
  • Dominik Müller - Matchmove Artist: Pixomondo
  • Sven Müller - Lighting Artist: Pixomondo
  • Timothy Mueller - Digimatte Sequence Lead: ILM
  • Alexa Müller-Heyn - Animator: Pixomondo
  • Dino Muhic - FX Artist: Pixomondo
  • Andrew Mumford - Compositor: Pixomondo
  • Dan Murbarger - 24 Frame Video/Computer Engineer
  • Andrew Murdock - Art Director
  • Carson Murdy - Stereoscopic Artist
  • Brian Murphy - Stereoscopic Compositor
  • Daniel P. Murphy - Construction Metal Fabricator
  • Alex Murtaza - Matte Painter
  • Dale Myrand - 2nd Unit "B" Camera Operator
  • Emmi Nakagawa - Stereoscopic Artist
  • Irina Naydichev - Payroll Accountant
  • Christopher Allen Nelson - Special Makeup Effects Artist
  • Rachel Elizabeth Nelson - Silicone Technician
  • Nino Neuboeck - Second Unit First Assistant Camera Operator
  • Christine Neumann - Animator: Pixomondo
  • Jia-Hao Ng - Digital Matte Artist: ILM
  • Sheau Horng Ng - Digital Artist: ILM
  • Kristin Nietzig - Division Accounting: Pixomondo
  • Jonas Noell - Division Lead Lighting Artist: Pixomondo
  • Serge Nofield - First Assistant Camera Operator "A" Camera
  • Ian Northrop - Matchmove Artist: Pixomondo
  • Philip Nussbaumer - Compositor: Pixomondo
  • Timothy Oakley - Prop Fabricator
  • Ben O'Brien - Visual Effects Sequence Supervisor
  • David O'Brien - Stereoscopic Artist: Stereo D
  • Viktorija Ogureckaja - Visual Effects Global Production Manager: Pixomondo
  • Grant Olin - Previs Artist
  • Kevin O'Neil - Second Second Assistant Director
  • Patrick O'Riley - Rotoscope Coordinator: Stereo D
  • Nathan Orloff - Assistant Editor
  • Berter Orpak - Animator: Pixomondo
  • Nick Ostrovsky - Rigging Electrician
  • Tyler Ott - Visual Effects Data Wrangler
  • Natasha Ozoux - Visual Effects Global Production Manager: Pixomondo
  • Sam Page - Set Designer
  • Alexander Panov - Art Department
  • Lee Parker - Electronics Designer
  • Jessica Parks - Post Production Coordinator
  • Steve Parsons - Compositor: Pixomondo
  • Saku Partamies - Division Visual Effects Supervisor: Pixomondo
  • Justin Pascal - Rotoscope/Paint Artist: Pixomondo
  • Phil Pastuhov - Aerial Director of Photography
  • Lucas Paul - Set Production Assistant
  • Michele Payne - Hair Stylist
  • Bethany Pederson Onstad - Visual Effects Artist: Pixomondo
  • Lyndsey Pendley - Stereoscopic Paint Artist
  • Samuel Perez - Animator: Pixomondo
  • Michael Peter - Texture Artist: ILM
  • Betsy Peters - Compositor: Pixomondo
  • Binoy Peters - Senior Production Coordinator
  • Morten Petersen - Lighting Technician
  • Arnold Peterson - Special Effects Electronic Engineer
  • Ryan J. Pezdirc - Set Production Assistant
  • Hieu Phan - Roto/Paint Artist: Pixomondo
  • Teddy Phuthanhdanh - Motion Capture Assistant
  • Ezra Pike - Stereo Roto Artist
  • Johannes Pink - Pipeline Technical Director: Pixomondo
  • David Pinkus - Second Assistant Director: Aerial Unit UK
  • Jerome Platteaux - Digital Artist
  • Leszek Plichta - Lighting Artist: Pixomondo
  • Lauren E. Polizzi - Art Director
  • Jason Pomerantz - Production Manager: IMAX Version
  • Steven Porch - Specialty Costumer
  • Jason Porter - Digital Compositor
  • Christopher Prampin - Gaffer
  • Roger Prater - Greens Gang Boss
  • Lauren Pratto - Costumer
  • Margaret Prentice - Special Makeup Effects Artist
  • Eleonora Principi - Rotoscope/Paint Artist: Pixomondo
  • David Pritchard - Previs Artist
  • Edward J. Protiva - Set Dresser
  • Steve Prouty - Special Makeup Effects Artist
  • Christian Pundschus - Compositor: Pixomondo
  • Franzisca Puppe - Division Visual Effects Producer: Pixomondo
  • Zhennan Quan - Matchmove Artist: Pixomondo
  • Christin Quek - Digital Artist: ILM
  • Melissa Quintas - Stereoscopic Compositor
  • Sean Raffel - Animator: Pixomondo
  • Eric Ramirez - Art Department Gang Boss
  • Antonio Ramos - Digital Compositor: Pixomondo
  • Lance Ranzer - Rotoscope/Paint Supervisor: Pixomondo
  • Charlotte Rapak - 2nd Unit Assistant Production Coordinator
  • Janine Rath - Key Hair Stylist
  • Brody Ratsoy - ADR Engineer
  • David Raymond - Boom Operator
  • Wajid Raza - Assistant Technical Director: ILM
  • Salahuddin Razul - Compositor: Pixomondo
  • Brad Rea - Dolly Grip: "A" Camera
  • Andrew Reeder - Set Designer
  • William Reges - Stereoscopic Artist: Stereo D
  • Patrick Reilly - Visual Effects Artist Stereoscopic Conversion
  • Matt Reitsma - Key Textile Artist
  • Adam Rejwan - Set Production Assistant
  • Michelle Rejwan - Associate Producer
  • Trina Renee - Visual Effects Coordinator: Pixomondo
  • Gintar Repecka - Special Effects Set Foreman
  • Johannes Retter - Compositing Intern: Pixomondo
  • Gerard Retulla - Stereoscopic Compositor: Stereoscopic Conversion
  • Todd Rex - Set Sculptor
  • Benoit Richard - Lighting Console Programmer
  • Aaron Richards - Set Lighting Fixtures Technician
  • Dennis Richardson - Construction Foreman
  • Jason Richardson - Visual Effects Supervisor: Digital Caliber Inc.
  • Bruce Richter - Construction Carpenter
  • Manuel Rico - Lighting Artist: Pixomondo
  • Caroline Riess - Human Resources: Pixomondo
  • Max Riess - Look Development Artist: Pixomondo
  • Mike Rim - Stereoscopic Compositor
  • Rick Rische - Matte Painter: Pixomondo
  • Ailene Roberts - Editorial Production Assistant
  • Duncan Rochfort - i/o: Pixomondo
  • Arturo Rodriguez - Stereoscopic Depth Artist
  • Josue Rodriguez - Assistant Property Master
  • Lisa Dawn Rogolsky - Rotoscope Artist
  • Danielle Romero - FX Artist: Pixomondo
  • Kiersten Ronning - Costume Buyer
  • Patric Roos - Visual Effects Supervisor: ILM Singapore
  • Jared Rosen - Video/Computer Operative Supervisor
  • Marcus O. Roth - Division Visual Effects Producer: Pixomondo
  • Michael Roundy - Special Effects Technician
  • Ryan Roundy - Special Effects Office Supervisor
  • Ryan Rubi - Creature Technical Director: ILM
  • Joel A. Ruiz - Rigging Electrician
  • Alexander Rumpf - Roto/Paint Artist: Pixomondo
  • Shaun Russell - Sculptor
  • Matt Ryan - Set Production Assistant
  • Toshihiro Sakamaki - Animator: Pixomondo
  • Juan Ignacio Salgado - Division Lead Compositor: Pixomondo
  • Chris Samp - Set Painter Gang Boss
  • Cara Samuels - Visual Effects Coordinator: Pixomondo
  • Jenny Sandell - Production Coordinator
  • Mike Sanders - Digital Supervisor
  • German Sandoval - Stereoscopic Artist
  • Eric Sanford - Lead Tracking Artist/Matchmove Artist
  • Lukas Sarralde - Stereo Compositor
  • Stephen Saunders - Rigging Electric
  • Geoff Sayer - Digital Compositor: ILM
  • Marlies Schacherl - Visual Effects Coordinator: Pixomondo
  • Kai Schadwinkel - Lighting Artist: Pixomondo
  • Sebastian Schäfer - FX Artist: Pixomondo
  • Stephan Schaefholz - Division Lead Compositor: Pixomondo
  • Andrea Schermoly - Assistant Choreographer
  • Katja Schmidt - Division Accounting: Pixomondo
  • Silam Schmidt - Global Talent Manager: Pixomondo
  • Ric Schnupp - ADR Recordist
  • John Schratz - CG Artist
  • Crystle Schrecengost - Rotoscope/Paint Artist: Pixomondo
  • Patrick Schuler - FX Supervisor: Pixomondo
  • Clint Schultz - Lead Graphic Designer
  • Karie Schwabl - Production Assistant: Pixomondo
  • J.D. Schwalm - Special Effects Splinter Unit Foreman
  • Diane Schwebs - Human Resources: Pixomondo
  • Kino Scialabba - Designer: Legion Entertainment
  • Benjamin Seide - Division Visual Effects Supervisor: Pixomondo
  • Constantine Sekeris - Conceptual Designer
  • Anna Seltzer - Costume Assistant
  • Amanda Moss Serino - Assistant Set Decorator
  • Jack Serino - Grip
  • Julie Shack - Set Costumer
  • Emmanuel Shiu - Concept Designer
  • Jason Shulman - Animator: Pixomondo
  • Jason Shupe - Flying Camera Operator
  • Andrew M. Siegel - Property Master
  • Isaac A. Silva - Model Maker Gangboss
  • Erica L. Silverman - Casting Associate
  • Anthony Simonaitis - Special Effects Pyrotechnic Foreman
  • Tim Simonec - Conductor
  • Miro Skandera - Matchmove Artist: Pixomondo
  • Sven Skoczylas - Lighting Artist: Pixomondo
  • Tammy Smith - Compositor: Pixomondo
  • Chris Snyder - Construction Coordinator
  • Sarah Snyder - Construction PA
  • Scott Solan - Utility Sound
  • Simia Song - Rotoscope/Paint Artist: Pixomondo
  • Tilo Spalke - Lighting Artist: Pixomondo
  • Roger Sparwasser - Lighting Artist: Pixomondo
  • Mark Spindler - Compositor: Pixomondo
  • Christopher Stack - i/o Manager: Pixomondo
  • Robert Stambler - Assistant Editor
  • Ivory Stanton - Textile Artist
  • Michael Stark - FX Artist: Pixomondo
  • Jennifer Starzyk - Costumer
  • Adrian Steel - Visual Effects Coordinator: Pixomondo
  • Joe Steel - Digital Imaging Technician: Aerial Unit UK
  • Mo Stemen - Second Unit Assistant Office Production Coordinator
  • Andy Stephens - Aerial Operations Manager
  • Roxanne Stephens - Second Unit Loader
  • Paul Stoll - Lighting Artist: Pixomondo
  • Rainer Stolle - Matte Painter: Pixomondo
  • Gene Strange - Production Accountant
  • George Streicher - Post-Production Assistant
  • Brent Studler - Electrician
  • Frederick George Stuhrberg - 3D scanning
  • Vladan Subotic - Animator: Pixomondo
  • Haidong Sun - CG Artist: Pixomondo
  • Yinai Sun - Visual Effects Coordinator: Pixomondo
  • Kamalakar Suryavanshi - Stereo Compositor
  • Jason Sutton - Hydrascope Operator
  • David Swift - Digital Matte Painter: Pixomondo
  • Greg Szafranski - Matte Painter: Pixomondo
  • Emerick Tackett - CG Artist: Pixomondo
  • Srikalyan Tallapragada - Digital Artist
  • Martin Tallosy - Compositor: Pixomondo
  • Jiabin Tan - Division Lead Lighting Artist: Pixomondo
  • Tommy Tancharoen - Transportation Coordinator
  • Guo-Feng Tang - Look Development Artist: Pixomondo
  • Lai Lin Tang - Layout Artist: ILM
  • Marc Tantin - Special Effects Technician
  • Andrew Taylor - Best Boy
  • Brandon Taylor - Compositor
  • Chad Taylor - Sequence Supervisor: ILM
  • Laurel Taylor - Specialty Costumer
  • Peter Taylor - Additional Video Assist
  • Michael Thalmann - Head of IT: Pixomondo
  • Joshua D. Thatcher - Lighting Console Programmer
  • Cale Thomas - Painter: Film Illusions
  • Brian Thomason - Stereoscopic Compositor
  • Jonas Thorbrügge - Compositor: Pixomondo
  • Cameron Thorburn - Grip
  • Phyllis Thurber-Moffit - Lead Dyer
  • Kevin Tiesiera - Fixtures Technician
  • Eric Timm - Stereoscopic Artist
  • Paul Tirone - ADR Recordist
  • Anne Tobin - Set Decoration Coordinator
  • Robert Tobin - Senior Depth Artist
  • Blumes Tracy - Pyrotechnician
  • Bill Traetta - Specialty Costumer
  • Duc Minh Tran - Animator: Pixomondo
  • Tong Tran - Lighting Artist: Pixomondo
  • Mark Victor Trappett - Render Technical Assistant
  • Michael Anthony Travers - Second Unit Grip
  • Michael T. Travers - 2nd Unit Best Boy Grip
  • Kacy Treadway - Specialty Costumer
  • Chris Treichel - Stereo Production: Stereo D
  • Dan Trezise - Compositor: Pixomondo
  • Tom Truscott - Compositor: Pixomondo
  • Robert Tucker - Compositor: Pixomondo
  • Ryan Tudhope - Senior Staff: Atomic Fiction
  • Denis Trutanic - Senior Layout Artist: ILM
  • Corey Turner - Executive Stereographer
  • James W. Tyson - Costume Supervisor
  • Stacy L. Tyson - Costumer
  • Jason Ullrich - Compositor: Pixomondo
  • Claudius Urban - Senior Animator
  • Dirk Valk - Animator: Pixomondo
  • Tom van Dorp - Digital Compositor
  • Jason Vanover - Key Greensman
  • Aurelio x. Vera Jr. - Visual Effects Producer: Digital Caliber Inc.
  • Mike Visencio - Set Lighting Fixtures Foreman
  • Anthony Vlastas - Production Staff
  • Marion Voignier - Digital Artist: ILM
  • Sören Volz - Compositor: Pixomondo
  • Garrett Vosburg - Greensman
  • Michael Wahl - Dolly Grip: Second Unit
  • Dan Wallin - Music Score Engineer
  • Bill Wang - Visual Effects Coordinator: Pixomondo
  • Cuiling Wang - Matchmove Artist: Pixomondo
  • Huida Wang - Matte Painter: Pixomondo
  • Hui Sophie Wang - Pipeline Intern: Pixomondo
  • Pablo Wang - Stereo Compositor - 3D Version
  • Steven Wang - CG Artist: Pixomondo
  • Yanlin Wang - Compositor: Pixomondo
  • Bastian Wartenberg - Animator: Pixomondo
  • Gillian Waterman - Costume Buyer
  • John Watkins - Digital Effects Supervisor: Pixomondo
  • Hootly Weedn - Set Lighting Technician
  • Kaifeng Wei - Rotoscope/Paint Artist: Pixomondo
  • Henry Weickert - Pipeline Technical Director: Pixomondo
  • Claudia Weingärtner - Accounting: Pixomondo
  • Johannes Weiss - Matchmove Artist: Pixomondo
  • Jay Wejebe - Makeup Artist
  • Bruno Werneck - Matte Painter: Pixomondo
  • Florian Werzinski - Lighting Artist: Pixomondo
  • Jon Wesström - Roto/Paint Artist: Pixomondo
  • Tom Whelpey - Transportation Captain
  • Booker White - Head of Music Preparation
  • Jack White - Food Stylist
  • Randall D. Wilkins - Set Designer
  • Reggie Wilson - Orchestra Contractor
  • Eric Winn - Craft Service Assistant
  • Dean Winton - Driver
  • Patrick Wolf - Head of Pipeline: Pixomondo
  • Sascha Wolf - i/o: Pixomondo
  • Lonni Wong - Compositor: Pixomondo
  • Leah Woodworth - Extras Casting Assistant
  • Brian Woronec - Fixtures Technician
  • Michael Wortmann - Division Visual Effects Supervisor: Pixomondo
  • Carol Wu - Compositor: Pixomondo
  • David Wu - Matchmove Artist: Pixomondo
  • Tzuen Wu - Compositing Technical Director: Pixomondo
  • Jane Wuu - Set Designer
  • David Wyman - Additional Sound Mixer
  • Shanshan Xie - Visual Effects Coordinator: Pixomondo
  • Runlin Xiong - Animator: Pixomondo
  • Tou Yeng Xiong - Animator: Pixomondo
  • Tolga Yalkir - Systems Administrator: Pixomondo
  • Marvin Yanez - Stereoscopic Roto Lead
  • Dongyue Yang - Rotoscope/Paint Artist: Pixomondo
  • Zhao Yang - Compositor: Pixomondo
  • Fikret Yildirim - Lighting Artist: Pixomondo
  • Ben Ying - Visual Effects Compositor
  • Kei Yoneoka - FX Artist: Pixomondo
  • Mark Youngren - Visual Effects Senior Artist
  • Christine Youngstrom - Art Department Coordinator
  • Edward Paul Yu - Matchmove Artist: Pixomondo
  • Sarah Yunrong Yu - Visual Effects Coordinator: Pixomondo
  • Dean Yurke - Compositor: ILM
  • Elana Zaklis - Stereoscopic Artist
  • Jose Zamora - Hair Stylist
  • David Zaretti - Compositor: Pixomondo
  • Vit Zelich - CG Artist: Pixomondo
  • Momo Zhan - Visual Effects Coordinator: Pixomondo
  • Aiping Zhang - Compositor: Pixomondo
  • Le Zhang - Pipeline Technical Director: Pixomondo
  • Peng Zhang - Matchmove Artist: Pixomondo
  • Wei Zhang - Matchmove Artist: Pixomondo
  • Zhuotao Zhang - Matchmove Artist: Pixomondo
  • Zihao Zhang - Matchmove Artist: Pixomondo
  • Anton Zheltyakov - Compositor: Pixomondo
  • Bin Zheng - Compositor: Pixomondo
  • Carol Zhou - Animator: Pixomondo
  • Jianghong Zhu - Compositor: Pixomondo
  • Huajing Zhuo - Compositor: Pixomondo
  • Paolo Joel Ziemba - Previsualization Artist: Halon Entertainment
  • Jerry Zigounakis - Previs Artist
  • Christoph Zollinger - Division Visual Effects Producer: Pixomondo
  • Xinguo Zou - Compositor: Pixomondo
Production companies
  • Paramount Pictures
  • Bad Robot
  • Skydance Productions
  • K/O Paper Products
  • Industrial Light & Magic - Special Effects
  • Atomic Fiction - Special Effects Company
  • AFX Studio - Special Effects Makeup Company
  • B2FX - Special Effects Makeup Company
  • Digital Caliber Inc. - Special Effects Company (Stereoscopic Clean-up)
  • Giant Studios - 3D Scanning Special Effects Company
  • Halon Entertainment - Previsualization Company
  • Headquarters Casting - Background Talent Casting
  • Digital Media Services - Digital marketing asset management
  • Chapman/Leonard Studio Equipment - Camera Dollies
  • BT Industrial Supply - Expendables
  • Direct Tools & Fasteners - Expendables
  • Movie Movers - Cast, Hair and Makeup Trailers
  • OOOii - Live Visual Effects Company
  • Pixomondo - Special Effects Company
  • Stereo D - 3D Stereoscopic Conversion
  • Varèse Sarabande - Soundtrack
  • Company 3 - Digital Intermediate
  • Avon Studio Transport - Vehicle Rentals
  • Codex Digital - Digital Recording Equipment
  • Dolby Laboratories - Sound Mix
  • Film Illusions - Specialty Costume Company
  • Flying Pictures - Aerial Filming Services
  • Legion Entertainment - Post Production Company
  • Monster Picture Crane - Stunt Rigging Crane
  • POP Sound - ADR Recording
  • Road Rebel - Production Travel
  • Saga Film
  • Pictorvision - Eclipse Aerial Camera System
  • Hand Felted Shoes - Costume accessories [106]

External links

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